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Depiction of women in movies
Depiction of women in movies
Essays on women in film
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The Evolution of Masculinity from Males to Females Is masculinity a gender role or are you just born to be masculine? Masculinity can be found in many movies especially superhero movies. You can spot masculinity not only in men but also in female superheroes. The movie I want to analyze is Kick-Ass but the character I mainly want to analyze for their over the shadowed role is Hit-Girl. The movie Kick-Ass is about a boy name David wanting to be a superhero he cannot do like Hit-Girl aka Mindy. Mindy is told that her mother was killed by the mob so she trains eleven years of her life to take down every single person in the mob. Gender is a way of expressing who you are then why does expression become an issue when gender roles are in the way. If …show more content…
Women face double standards and cause anxiety to men because no woman should be able to be more masculine than a man or do his job better than he can.
Does a female's ability to be in touch with her inner tomboy come from being raised solely by her father? The first scene where Hit Girl aka Mindy has her inner boy come out is when she is at dinner with her father and she ask for a Bench-made Model 42 knife. The scene is playing off the stereotype of masculinity and father-daughter relationship, and masculinity with the modern family. Mindy and her father are your typical father-daughter but from a different point of view, it's like a father and son relationship. They love to do manly things such as shoot guns, fight, and bond over buying new weapons. Mindy's introduction shows a sense of evolution in masculinity because it shows that women have become very
At the beginning the room her brother and she share are undifferentiated, showing how the two have not adapted to their gender roles yet , and when she daydreams, she is the hero of the stories, which is the role that is normally given to the man. She works outside with her father and takes pride in knowing that she is more capable of the work than her brother Laird, as her father gave her the real watering can and Laird was given the one for gardening. Throughout the story, however, the word girl is constantly used as an insult against her. For example, when a feed salesman comes to the father, the father introduces her as a hired-hand, and the salesman laughs and says “ ‘Could of fooled me.’ He said ‘I thought it was only a girl.’” The mother also reinforces that she should not be out there when she talks to the father about keeping the girl inside. The narrator sees her mother in a negative light and does not want to become her; she hates housework and describes it as depressing and endless, despite the fact that shortly after she says that the father’s work is “ritualistically important.” The grandmother also tries to force the narrator to act more lady-like constantly saying, " ‘Girls don 't slam doors like that.’ ‘Girls keep
Unfortunately it seems to be a subject that doesn’t get much attention. It is almost as if it is swept under the rug in our society. The idea of gender as we think of it, is solely a social construct, born into existence by the pressure of tradition and the supremacy of the majority. This is true for our perceptions of "masculinity" and "femininity", and this point is driven home in "Bros Before Hos: The Guy Code." Michael Kimmel points out the stereotypes men are taught to believe make them more manly. According to his interviews with various men from all over the country, the male social facade was put upon them by fathers, grandfathers, coaches, older brothers and other significant male role models as young
Beloved by Toni Morrison and A Raisin in the Sun by Lorraine Hansberry tackle issues of masculinity. On pages 125 to 138 and 147 to 149, Morrison illustrations in Beloved how white power structures and the sexual fetishism of the black man’s body, which were established by American slavery, emasculates the black man. On pages 143 to 144 in A Raisin in the Sun, which takes place between World War II and the present, portrays a peculiar mindset of a black man, and his fight to define his masculinity within a matriarchal family structure, a product of American slavery. The language in Beloved and A Raisin in the Sun, underlines the products of the societal structures of slavery effect on black masculinity.
The movie, Tough Guise: Violence, Media and the Crisis in Masculinity produced by Jackson Katz and Jeremy Earp, deconstructs the concepts that create the social constructs of masculinity. Masculinity, a set of behaviors, roles, and attributes correlating to men, is earned, not given (Conley 190). Starting from television shows to children’s toys, the idea of masculinity has infiltrated their minds starting at a young age. Moreover, the concept of masculinity has physical attributes, such as muscles, a deep voice, and be able to protect themselves. Masculinity, for boys of any races, socioeconomic classes, or ethnicity, has grown up with the same stereotypical image of what a man should entail. Since many media outlets show that a form of masculinity
For centuries, the ideal masculinity has been seen as the provider, the macho man, the cowboy and the emotional rock, but new representations of manliness in the media have challenged this idea (Watson 2015, p. 270). Within these new depictions, there lies a hierarchy where one form of masculinity is more accepted than the rest (Kluch 2015). Macho masculinity has been seen as being dominant in the hierarchy for generations, however, in recent years, there have been an influx of new representations of masculinity that disrupt traditional hierarchal ideas. The masculinity of the twenty first century includes emotions, sensitivity, discipline, and intelligence. These new aspects of the hierarchy have been introduced by movies such as Brokeback Mountain, 22 Jump Street, The Social Network, and Fight Club.
The transformation that takes place in the way in which the girl thinks about gender roles is not described directly as an issue of what is appropriate for men and women. Instead, the description is much more subtle, and almost a natural change that occurs in every person (Rasporich 130). It is this subtleness in the language causes the readers to not only feel sorry for the young girl, but to also think about their own views of gender
Whatever we see in movies, television, video games, or any other source of entertainment, there will always be a male figure who symbolizes masculinity to the fullest extent. All that masculinity represents empowerment is what seems to appeal to men nowadays. In Michael Kimmel’s Guyland: The Perilous World Where Boys Become Men, the novel presents the irresistible desires that men seek in order to receive the approval of other men. An approval where men gain access to the concept of Guyland, where young men become masculine in order to fit in socially and to feel empowered. However, achieving absolute masculinity leans toward the use of violence that is presented in the media, presenting a message where violence is used for the purpose of getting what one desires.
The 19th-Century was a period in which the expression of sexuality and sexual compulsion was firmly repressed. Charles E. Rosenberg explores the typical behaviors of the sexes, and how they related to the expression, or repression, of sexuality in “Sexuality, Class and Role in 19th-Century America.” Medical and biological literature tended to adopt very sex-negative attitudes, condemning sexual desires and activity. This literature was often ambivalent and self-contradicting. Initially, people viewed sex as a normal human behavior: they believed sexual excess was bad, but thought it was natural and necessary after puberty because horniness left unsatisfied and untreated could cause disease. However, in the 1830s, the previous sex-neutral attitude was quickly replaced by a harsher, more negative view of sexuality. “Quacks,” or charlatans, tried to instill people with a crippling fear of sex by warning them of
According to “Boys and Girls”, there are certain things women should not be doing as defined by their genders. The narrator, a young girl, feels more inclined to spend her time outside alongside her father, “I worked willingly under his eyes, and with a feeling of pride.” She finds her place in a man’s world, outdoors in her father’s domain. While she is a female, she does not relate herself to the things of feminine nature. When her mother goes to speak with her father in the barn the narrator “felt my mother had no business down here,” admitting that it was a man’s world, and also her place, but not her mother’s. Her mother could not stand the idea of her daughter doing a man’s work, reminding her husband, “Wait till Laird gets a little bigger, then you’ll have real help and then I can use her more in the house. It’s not like I had a girl in the family at all.” According to her mother’s definition of girls, a daughter, who spends all her time outside doing a son’s work, is not a daughter at all.
In the chapter masculinity for all their Greer state the expression “ how to make a man of [someone]” (p.731) it then states that when a “boy” into manhood it is normally when they join into a paramilitary organization such as scout movement, cadets, school officer training corps. In program such as these they’re taught how to take a punishment “like a man”. (P.732) They get used to be rough, and tumble. When a young man is learning about masculinity he has to learn to be courageous and strong. Eventually later in life they start to learn that “a man is supposed to be unflinching, and as hard in every sense.” (P.732) It is said that “Real men do not fuss or scurry” (P.732). Men should not have to always stick to theses standards. They should feel as if they can be upset when it if they need to be, even if that means being upset in front of a crowd. It doesn’t make you any less of a man. But women do need a strongman when the time is appropriate....
Myers mentioned in his article that this generation of young discouraged, angry men feels abandoned with the today’s norms. Male movie stars and athletes have further influenced the masculine norms. In males perspective, liking a feminine color, doing feminine actions, listening to specified girl music is considered to be less manly. These have greatly affected the likes and dislikes of many men. The entertainment industry has created a big gap between what is masculine or feminine. This has caused a big separation and it's getting worse. Male are taught to be man of the house, strong, and powerful, but sometimes they’re belittled by society that they can’t do certain things and all the power is
As a child develops, their surroundings have a major influence on the rest of their lives; if boys are taught to “man up” or never to do something “like a girl”, they will become men in constant fear of not being masculine enough. Through elementary and middle school ages, boys are taught that a tough, violent, strong, in-control man is the ideal in society and they beat themselves up until they reach that ideal. They have to fit into the “man box” (Men and Masculinity) and if they do not fulfill the expectations, they could experience physical and verbal bullying from others. Not only are friends and family influencing the definition of masculine, but marketing and toys stretch the difference between a “boy’s toy” and a “girl’s toy”. Even as early as 2 years old, children learn to play and prefer their gender’s toys over the other gender’s (Putnam). When children grow up hearing gender stereotypes from everyone around them, especially those they love and trust like their parents, they begin to submit themselves and experience a loss of individuality trying to become society’s ideal. If everyone is becoming the same ideal, no one has a sense of self or uniqueness anymore and the culture suffers from
We live in a world where society has defined masculine and famine characteristics and features that have influenced our culture. Men are seen as:
Masculinity and femininity are two terms, which have been interpreted differently throughout history. Both the males and the females have responsibilities and duties but these duties differ based on one’s gender. Gender has played a prodigious role in the economy, politics, and the society. Everyone starts making interpretations of the strengths and weaknesses based on one’s gender. These interpretations are not always based on his or her ability but is usually based on his or her gender. Males tend to be judged as extremely strong and unfashionable in terms of appearance. Whereas, females are judged as expensive and very fashionable. Males and females both differ in their abilities and their enjoyments. Fashion, entertainment, and strength are three topics, which are used to define masculinity and femininity in the 21st century.
The differences between women and men are not solely biological. Our society’s culture has established a set of unwritten cultural laws of how each gender should act, or in other words society has ascribed a stereotype. Men’s gender identity has been one of masculinity, and masculinity is defined as referring to a man or things described as manly. What does manly mean though? Is a male manly if he is “Mr. Fix-it”, or the jock, or if he sits on the couch on Sunday watching football? This latter statement is a stereotype of men, that has been around for decades, and is current as well, but starting with the 1960’s a man’s role started to change, despite the stereotype not changing to accommodate it. For the past 40 years one can see how men have taken on roles stereotypically ascribed to women, such roles including being the “stay-at-home mom”, which we can find an excellent example of in the 1980’s film “Mr.