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Identification of archetypical characters
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This essay will be identifying the key elements of an effective hero and villain. I will argue that all heroes are psychologically the same and how they haven't truly changed since the time of Greek heroes such as Hercules and Prometheus. In addition, I will be arguing that villains also have psychological similarities, even if they have some qualities typical of heroes. These ideas will be in relation to Joseph Campbell mainly but will also relate to theorists like Otto Rank, Jung and Freud. The essay will prove that heroes and villains are all the same even if they appear diverse towards stereotypes. Throughout the essay, I will identify key elements that creates these character images such as choices in associated colours, bodily imperfections and personalities. By the end of …show more content…
Phrenology establishes that you have to be ugly in order to embody your ugly inside. Nevertheless, this does’t always define a villain’s effectiveness. Villains can still be good looking and evil now, showing that they are trying to move away from stereotypes. Nevertheless, the good-looking villain could now be argued to be a stereotype (Walter Lippmann 1922). Other stereotypes that can be applied as effective identifiers of who the hero and villain are the clothes they were. With the Lady Galadriel and Hela, both played by Cate Blanchett in their movie adaptations, they wear white and black, representing their purity or their darkness and corruption. Another representation that they also have is what they wear on their heads. Lady Galadriel wears an elegant crown, that is curved and silver with white diamonds whereas in contrast, Hela wears a crown like helmet that is spiked and black, making it weapon like and dangerous. Are these stereotypes something that we stay familiar with because change is such a shock, or is it because of the idea that all things made by man will be the same, or
" The hero within: Six archetypes we live by.
However, these possessions and goals did not make him happy as he thought they would. Furthermore, deception was a key factor which influenced him to become a villain. Megamind had thought that he was destined to be evil and that his fate was set out. In addition, when Megamind accidentally reveals he was playing Bernard when he was with Roxanne, she ends up rejecting him out of anger. Therefore, deception also brought Megamind lots of
In a play, there are always heroes and villains. Sometimes, one can not always tell who are the heroes and villains. William Shakespeare, in his play, Julius Caesar, shows the difference of heroes and villains using the senators of Rome to show the difference between heroes and villains. The hardest character to determine was the hero Brutus, by analyzing his loyalty, background, and his intentions, one can determine that Brutus was a hero to Rome.
Aristotle’s second characteristic is that they contain a fatal flaw in their character that may cause them to behave irrationally. The penultimate characteristic is that each hero will suffer a turnabout of fortune brought about by their own flaw in character. Finally, the last
In most works of literature there is an “evil” character that has conflicting interests with the protagonist. This issue may arise in multiple forms including, but not limited to, abuse and manipulation. In this paper we will be discussing the similarities and differences between Shakespeare’s character Iago from Othello and J.K. Rowling’s character Voldemort from the Harry Potter series.
...teristics and literary devices. The general archetypical description of a hero follows an outline of a muscular figure and super abilities. Yet on the contrary, in myths, heroes may not possess any of those traits. Whether the so-called hero is learning their lesson, overcoming struggle or even descending into darkness, all heroes share some similar and almost identical characteristics. A vast majority of all mythological heroes share the same basic idea which, helps audiences identify whether or not the character is indeed a hero or not. From story to myth or fairytale to drama, the hero is one character who changes the plot entirely. Whether that hero may be saving a burning building, or discovering who they are themselves, our heroes all give us hopes and dreams that one day even our worth will be recognized by ourselves and others as our admirable hero’s are.
... based upon historic events, the protagonists portrayed here perpetuate the idea that man has always chosen for his super-heroes the qualities which he desires for himself: power, near-perfection, pride and loyalty. We celebrate theism as heroic qualities in the twentieth century. Will there ever be different qualities, qualities that might preserve a civilization longer than the civilizations that created these two brutal epics?
The bulk of the praise a hero receives tends to be in response to his or her actions. People look up to the heroes who can perform the most miraculous feats. However, there is an element of heroism beyond the superficial element of a hero’s actions: the hero’s character. Both heroes and antiheroes might do great things; however, the similarities end where motivations are considered, and these differences in motivations are rooted in the differences in the character of heroes and the antiheroes. An antihero’s character is flawed, leading to actions based on selfish and impure motivations. In contrast, a hero is characterized by his or her selflessness; this can be defined as putting the interests of others above the interests of oneself, and
All novels and movies have heroes who struggle to save the day. No hero can go through their journey alone, however. Heroes and sidekicks appear in multiple stories, novels, and movies and are responsible for having each other’s backs in resolving the conflict of the plot. Heroes and sidekicks are seen throughout the world in fiction and nonfiction, and they are viewed as the people who go through a crazy journey, but end up saving the day. In the beginning, heroes and sidekicks strive together because of their polarizing personalities and their disagreements. However, their disagreements turn into arguments and they are split one way or another. Heroes and sidekicks always reunite because of their belief in the journey and that they
Heroes are often described as physically attractive, strong, intelligent figures with a flair for grand gestures,and an eloquent knack for stringing words together. The fundamental aspects of what defines a hero are conveniently glazed over. People forget that heroes often lead lives of quiet determination. When they have an idea, a goal they want to accomplish, they ignite a spark within themselves that burns into an uncontrollable blaze, which that can only be tamed by success. The fabricated image of a hero has been so deeply rooted into society that the quiet heroes in literature, such as Jefferson from A Lesson Before Dying, are often forgotten, or the misdeeds of cowards such as Frankenstein are overlooked. Jefferson is the literary foil for Victor Frankenstein, because he has strongly built morals that enable him to become a hero, whereas Victor Frankenstein is a weak willed and indecisive character. A hero is defined by their ability to go through with a task despite the obstacles that lie in their way, along with their courage and ultimately, they accept any responsibility that may befall them.
How does a person’s appearance affect the way you perceive them? Appearance can hide a person’s personality and their intentions, and can often create conflict. Appearance versus reality is a common theme used in novels to create conflict and help to evolve the plot. 1984 by George Orwell and Hamlet by William Shakespeare have similarities and differences in the way appearance and reality is used. The original purpose of deceit in each novel appears different but have the same meaning. The way the theme of appearance versus reality is conveyed through different mediums such as double lives, actions, and organizations are similar. In the end, the theme of appearance and reality has different outcomes
According to John Steinbeck, "Heroes are innocent; villains are cunning." This statement likely regards the internal aspects of characters, such as intellect, reasoning/motivation, and morality/responsibility, as indicated by consistency in action and/or articulation, as in direct speech or soliloquy. An examination of the heroes and villains in Measure for Measure, Othello, and Hamlet can determine whether Steinbeck's generalization is applicable.
When people think of heroes and villains they think of the characters who play these roles in cartoon movies like Batman and Spiderman, but in reality, anyone can be a hero and anyone can be a villain. Heroes are considered to be inspirational and bold because of what they do to help others. While villains are typically defined as a wicked or evil person who makes others feel helpless.
For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.