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The treatment of women in the taming of the shrew
The treatment of women in the taming of the shrew
The treatment of women in the taming of the shrew
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In The Taming of the Shrew by William Shakespeare, Katherine Minola was a character who dramatically transformed into a brand new person by the end of the book. She was originally an angry, and miserable character, who had no regard for others feelings, and spoke rudely to everyone who took the time to talk to her. During the beginning, her shrewish nature was portrayed throughout every scene she was included in, but by the end she changed into a compliant and agreeable woman and proved that all shrews can change their natures. Three aspects that led to Katherine’s transformation was her desire for love, her forced marriage and Petruchio’s influence upon her life. Katherine sought love in her life because her shrewish nature prevented her from experiencing it previously.
Katherine's desire for love drove her to transcend her old shrewish self. She was jealous of the love that Bianca received and when Baptista reprimanded
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When nothing else worked with her, Petruchio went to drastic measures to find the subservient nature that he knew was within her. He began by starving her and depriving her of sleep. Katherine tells Grumio, “But I, who never needed knew how to entreat,/ Nor needed that I should entreat,/ Am starved for meat, giddy for lack of sleep/ With oaths kept waking and with brawling fed” (VI.iii.7-9). Where Katherine previously could order people around to do her will, now she no longer could and had to obey Petruchio to get her next meal. Even before they were married, Petruchio still exerted his influence over her. He proved he was her match in word play and in brains when he was trying to woo her with compliments and flattery. In doing all this, Petruchio showed Katherine the cruelty that was within her by treating her like she would ordinarily treat others, which brought about a dramatic change that resulted in her becoming a new
Kate and The Taming of the Shrew describes the progression of the outspoken and headstrong Kate, wife of Petruchio, as she gradually transitions into an almost perfect example of an archetypal loyal wife. This classic female archetype can be expressed through blind and ignorant support of their husband without any personal opinion or any priorities and objectives other than to satisfy the needs and desires of their husbands. While Kate begins possessing traits that oppose the loyal wife archetype due to her strong willed personality, her shift to obedience. However she continues to think with cunning strategy throughout the entire play, regardless of her weakened mental state caused by Petruchio limiting her food and sleep.
A very prominent theme in Shakespeare's The Taming of the Shrew is society's double standards of men and women. In the play, Katherina is a very free-willed, independent woman who wishes to follow her own path in life and is not dependent on a man for her happiness. Petruchio is also free-willed, independent and speaks his mind freely. However, where Petruchio is praised for these characteristics, Katherina is scorned and called names. Petruchio is manly and Katherina is bitchy for the same traits.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from eachothers' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58)
In this piece, it can be translated that women would be considered a rebel if she is rude and shrewish to her husband. In all, wives are objects to their husbands, and must do all that her husband says. This limited Katherine’s identity because it took away her personality of being a shrew, and turned her into something she wasn’t; kind and
Her personality is strong and she is independent, unlike most women. This makes her unattractive to most suitors and gains her the label of shrew. She demonstrates her personality in the beginning of the play: "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1 57-58). Shakespeare uses the characterization of Kate to demonstrate the defiance against traditional gender roles and how Kate almost immediately speaks out for herself, unlike her sister Bianca. In addition, Kate describes her future husband as a "mate," unlike how most women would describe their lovers. Moreover, Kate is educated: "I 'faith, sir, you shall never need to fear: I wis it is not half way to her heart; But if it were, doubt not her care should be to comb your noodle with a three-legg 'd stool and paint your face and use you like a fool." (1.1 61-65). Shakespeare uses the characterization of Kate to demonstrate how she defies traditional gender roles by being the only person to speak in iambic pentameter. This demonstrates her intelligence unlike many women. In addition, Kate doesn 't enjoy receiving orders from others. When her father leaves with Bianca and tells Kate she may stay, she gets angry. "Why, and I trust I may go too, may I not? What, shall I be appointed hours; as though, belike, I knew not what to take and what to leave, ha? (1.1 103-105). Shakespeare uses the characterization of Kate to
In the play The Taming of the Shrew by William Shakespeare, Petrucio recognizes, respects and desires Katherine’s strength of character. Petrucio is a clever man who sees beyond facades because he uses them himself. (II, i 46) (II, I 283 - 89) He is stimulated by Katherine’s sharp tongue and harsh actions. He proves this many times throughout the play.
In The Taming of the Shrew, the concept of love is a means of emotional manipulation, and manipulation is nothing more than a means of control between men and women. William Shakespeare critiques the patriarchal social structure by ironically employing the manipulative stance Petruchio takes towards winning Katherine as his wife by charming her with words and manipulating her psychologically, and then taming her after their marriage through legal, physical, financial, and psychological control and manipulation. Though Petruchio may think he yields power over his wife, Katherine uses obedience as a tool of manipulation and has the control of the household, as can be seen by her ironic speech at the end of the play, where she claims women must serve their men. Shakespeare uses the irony of a man using manipulation as a tool for control to magnify the significance of the power women yield through manipulation, thus proving that men and women engage in a power-shifting struggle.
many years. She is hurt and she seeks revenge. This is seen in Act II. Scene I, when Katherine sums up her own state: "I will go sit and weep." Till I can find an occasion of revenge" (35-36). It is an immature response. but the only one she knows, and it serves the dual purpose of cloaking her. hurt. The transformation, which she undergoes near the end of the play, is not one of character, but one of attitude. At the end of the play, we find out that her negative attitude becomes a positive one. & nbsp; The shrew is not a shrew at all beneath the surface. & nbsp; The play begins by introducing Katherine with her father's words of shame towards her when he offers his eldest daughter to the two suitors of Bianca. The audience is then given their first impression of Katherine.
The Taming of the Shrew unravels to reveal a wild beastly Katharine lacking respect for her family, herself and others around her. Kate is a very outspoken and vulgar woman without respect to authority. Katharine, although depicted as a beautiful woman quickly becomes the talk of Padua. Kate has found that if she is loud and obnoxious she can have her way. She screams and grunts and pushes those who she does not get along with. The general character of Katharine seems to be that of a small child.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
When someone is a female their first thought should not be weak or nurturing, just as when someone is male their first though shouldn’t always be powerful. Unfortunately it has becomes so ingrained in societies mentality that this is the way that things work. The Taming of the Shrew is a past writing piece that expands on a mentality that is modern. The male gender cannot be put into this same constraint. Petruchio is the epitome of what society would describe a male as. He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. Moreover he should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told. When she does speak she always speaks like a lady. She exists merely for decoration in the home and to serve her husband. Katherine is the inconsistency in this stereotype on femininity. Her purpose in the novel originally is to rebel against this biased thought on female gender roles. Katherine is not afraid to speak out against the things that she is told to do. If she disagrees with something she will act on it and she is just as strong as the men in the novel; which is why many of the men actually fear her. Katherine is not submissive and does not believe that the only reason that she exists is to serve a husband. Katherine does not want to be just the damsel in distress, she wants to be in charge. At the end of the novel there is a switch in the personalities of Katherine and Bianca. This alteration provides the purpose of showing that gender is not something that someone can be confined in just because they were born a female. A woman can have many different traits and still be feminine. It is impossible to put femininity in a box because there are no real qualities for what
In the taming of the shrew, the play focused on two women in particular, Baptista's daughters, Bianca and Katherine. These women lived in this environment that gave men power for all their lives...
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The marriage formed between the two is a match made in heaven for two reasons. First, because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them.
The Taming of the Shrew is one of the earliest comedies written by William Shakespeare. The Taming of the Shrew focuses a great deal on courtship and marriage. Especially the life after marriage, which was generally not focused on in other comedies. Notably, the play focuses on the social roles that each character plays, and how each character faces the major struggles of their social roles. Which plays into one of the most prevalent themes of The Taming of the Shrew. The theme of how social roles play into a person’s individual happiness. This is displayed through the characters in the play that desperately try to break out of the social roles that are forced upon them. This exemplified through the character, Katherine, an upper-class young maiden-in-waiting, who wishes to have nothing to do with her role.
. is almost a model of intelligence and humanity" and that "what Petruchio wants, and ends up with, is a Katherina of unbroken spirit and gaiety who has suffered only minor physical discomfort. . . " 138. The n n n n n n n n n n n n n n n n n n n n n n n n n n n n n This is a very interesting take on the situation I read about. To me, Katherina's spirit was completely broken at the end of the play.