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The taming of the shrew what kind of sisters are bianca and Katherine
Difference between katherine and bianca in the taming of the shrew
Difference between katherine and bianca in the taming of the shrew
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William Shakespeare expertly produced female characters that strayed away from the one-dimensional tropes of the time. The Taming of the Shrew is no exception as it explores the inappropriate behavior of Katherine. However, Katherine isn't the only female character with distinguishable actions and hidden intentions; her sister Bianca is just as much as an indecent woman as she is. Bianca speaks often of herself throughout the play and changes her speech towards the end to be witty and crude. Additionally, her tone varies from sarcasm to bitterness if a character subjectively wrongs her. When informed that a pair of her suitors decided that she's not worth their time she is dumfounded and holds a bitter attitude asking if it's just a joke, "Tranio, …show more content…
you jest; but have you bother forsworn me?"(__) as the idea of her admirers leaving her is preposterous. While Bianca is known for her obedience, she exposes her self-centered and improper character through her passive wording, demanding tone, and language shift while deluding others with her submissive facade. The majority of Bianca's lines are written in a short simple style but at times hold passive phrases when speaking to others.
Passive aggression is the only way for her to voice her opinions without bluntly saying it out loud like her sister Kate. That said, most of Bianca's passive aggression is centered on her sister. "So well I know my duty to my elders."(____), the phrase elders, refers to Kate in an insulting manner to showcase the fact that Bianca is the star of loving attention because she is young and beautiful. Bianca emphasizes to Kate her control over her suitors with, "I'll plead for you myself but you shall have him."(____), revealing that she can fetch and throw away a suitor to her unwanted sister. It shows that Bianca has little care for her suitors and treats them like goods. Rather than having Bianca openly objectify her sister for mistreating her, her speech is contained to formal language with discreet insults. It gives Bianca the appearance of being an innocent victim of Kate, who uses harsh language against …show more content…
her. However, aggression is not the only way Bianca slyly expresses her improper character through passive speech.
Bianca teases men who admire her, specifically her tutors, when she realizes the she is the center of their undying affection. Her self-centeredness arises when she apologizes for not giving equal amount of her interest in the two men who are fighting to have private lessons with her. "Good master, take it not unkindly, pray, That I have been thus pleasant with you both."(____) The expression, pleasant is a fond word that encases the thought that Bianca is past a strictly teacher and student relationship. She is aware of their banter and does not take a serious stance to stop it but instead encourages it by tactfully prodding at them. When Lucentio, as her tutor, gives Bianca a flirtatious statement to be well taught in "The Art to Love" (___) she responds with, "And may you prove, sir, master of your art!"(____) The words, prove and master avoid a direct response to Lucentio's advances, but hint to him to show her how well he can woo her. Thus, she promotes his obsessing behavior over her to feed her ego of being showered by men's attention. Once more, Bianca shuns away from frankly voicing her intentions and replaces strong verbs or adjectives with docile
phrases. Furthermore, Bianca isn't always able to contain her quiet tone as she becomes rather demanding in diverse situations. Her commanding lines are directed towards her suitors or tutors but not towards any other characters. Bianca frequently expresses her discontent in a formal speech with short sentences and firm verbs. She doesn't over complicate her commands or include flowery phrases to appear polite or kindhearted. "I am no breeching scholar in the schools, I'll not be tied to hour no 'pointed times, but learn my lessons as I please myself."(____) Bianca asserts herself with verbs as: I am no, and I'll not, accentuating to her tutors that she is in control of her own schedule and they'll have no say in it. "Call you this gamut? Tut, I like it not! Old fashions please me best; I am not so nice."(____) Bianca continues her use of forceful verbs of: it not, and am not, but with an exclamation point at the end to stress her discontent with her tutor. When questioned about her actions she responds with, "What, master, read you, first resolve me that."(____), which not only avoids the question but commands her tutor to first met her demands.
A very prominent theme in Shakespeare's The Taming of the Shrew is society's double standards of men and women. In the play, Katherina is a very free-willed, independent woman who wishes to follow her own path in life and is not dependent on a man for her happiness. Petruchio is also free-willed, independent and speaks his mind freely. However, where Petruchio is praised for these characteristics, Katherina is scorned and called names. Petruchio is manly and Katherina is bitchy for the same traits.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from eachothers' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58)
Her superiority of dominance and refusal to yield to the desires of men is central to her character in her later years. To be
find a wife. "I come to wives it wealthy in Padua; If wealthy, then happily in
This quote marks the beginning of Waverly’s journey as she discovers her chess talent. Despite this, Waverly fails to realize her mother’s important role in her success, “‘Why do you have to use me to show off? If you want to show off, then why don’t you learn to play chess’” (Tan 99). This quote shows Waverly’s immaturity and her inability to recognize her mother’s affection.
Her personality is strong and she is independent, unlike most women. This makes her unattractive to most suitors and gains her the label of shrew. She demonstrates her personality in the beginning of the play: "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1 57-58). Shakespeare uses the characterization of Kate to demonstrate the defiance against traditional gender roles and how Kate almost immediately speaks out for herself, unlike her sister Bianca. In addition, Kate describes her future husband as a "mate," unlike how most women would describe their lovers. Moreover, Kate is educated: "I 'faith, sir, you shall never need to fear: I wis it is not half way to her heart; But if it were, doubt not her care should be to comb your noodle with a three-legg 'd stool and paint your face and use you like a fool." (1.1 61-65). Shakespeare uses the characterization of Kate to demonstrate how she defies traditional gender roles by being the only person to speak in iambic pentameter. This demonstrates her intelligence unlike many women. In addition, Kate doesn 't enjoy receiving orders from others. When her father leaves with Bianca and tells Kate she may stay, she gets angry. "Why, and I trust I may go too, may I not? What, shall I be appointed hours; as though, belike, I knew not what to take and what to leave, ha? (1.1 103-105). Shakespeare uses the characterization of Kate to
...st play, it is not sexist and demeaning towards women. Petruchio, Hortensio, and Lucentio may have bet on their wives compliance in some eyes, but after further analysis, they were actually betting on the trust between the couple. The reader must also take into account the time period the play was written in which was the 16th century, where women were usually not even allowed to go to school to be educated, and Bianca was having private tutors for her education. Kate was changed by Petruchio’s “taming” from the beginning to the end of the play, but at the end of the novel when Kate was called upon and made her speech, she was the happiest she had been in the entire story. There are however some sexist elements in the story, but just because there are certain characteristics of sexism in a play does not mean the play in itself is sexist and demeaning towards women.
from the Gremio, a suitor of Bianca, right after her father's words. says: "To cart her, rather. " She is too rough for me." Act 1, Scene 1, 55. From here, Katherine is given the image of a turbulent, "curst and shrewd" character. She talks back to her father with total disrespect and shows her temper to the company around her.
In Shakespeare's comedy, The Taming of the Shrew, Shakespeare has a woman as one of the story's main characters. Katherine Minola (Kate) is off the wall, and kinda crazy. Because of her actions, the “male centered world” around her doesn't know what to do with her.
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
When someone is a female their first thought should not be weak or nurturing, just as when someone is male their first though shouldn’t always be powerful. Unfortunately it has becomes so ingrained in societies mentality that this is the way that things work. The Taming of the Shrew is a past writing piece that expands on a mentality that is modern. The male gender cannot be put into this same constraint. Petruchio is the epitome of what society would describe a male as. He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. Moreover he should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told. When she does speak she always speaks like a lady. She exists merely for decoration in the home and to serve her husband. Katherine is the inconsistency in this stereotype on femininity. Her purpose in the novel originally is to rebel against this biased thought on female gender roles. Katherine is not afraid to speak out against the things that she is told to do. If she disagrees with something she will act on it and she is just as strong as the men in the novel; which is why many of the men actually fear her. Katherine is not submissive and does not believe that the only reason that she exists is to serve a husband. Katherine does not want to be just the damsel in distress, she wants to be in charge. At the end of the novel there is a switch in the personalities of Katherine and Bianca. This alteration provides the purpose of showing that gender is not something that someone can be confined in just because they were born a female. A woman can have many different traits and still be feminine. It is impossible to put femininity in a box because there are no real qualities for what
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The Marriage formed between the two is a match made in heaven for two reasons. First Because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them. The second reason the bond survives is that Petruchio is strong enough to accept the fact that Katherine has a mind and, more importantly he loves her for that reason. Petruchio cleverly weaves the relationship into the framework of society without compromising the integrity of the relationship. Petruchio does this by comparing Katherine’s at attitude to repulsive clothing. Carefully and calculatingly, Petruchio forges a relationship that is envied by all who witness it.
is otherwise known as Kate. At her first entrance in Act 1 Scene 1 she
The Taming of the Shrew is one of the earliest comedies written by William Shakespeare. The Taming of the Shrew focuses a great deal on courtship and marriage. Especially the life after marriage, which was generally not focused on in other comedies. Notably, the play focuses on the social roles that each character plays, and how each character faces the major struggles of their social roles. Which plays into one of the most prevalent themes of The Taming of the Shrew. The theme of how social roles play into a person’s individual happiness. This is displayed through the characters in the play that desperately try to break out of the social roles that are forced upon them. This exemplified through the character, Katherine, an upper-class young maiden-in-waiting, who wishes to have nothing to do with her role.