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Jonathan Swift satire
Literary devices in a modest proposal
Literary devices in a modest proposal
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Effectively ushering change in society or pointing out faults that have existed and gone unnoticed can be a daunting task for any social commentator. Often, blandly protesting grievances or concerns can fall upon deaf ears and change can be slow or non-existent. However, Jonathan Swift in his pamphlet A Modest Proposal, uses clever, targeted, and ironic criticism to bring the social state of Ireland to the attention of indolent aristocrats. He accomplishes such criticism through satire, specifically Juvenalian satire. Swift’s A Modest Proposal stands as an example of the type of satire that plays upon the audience’s emotion by creating anger concerning the indifference of the voice created. He complements such criticism with sophisticated, clever language which may be mistaken for the more docile Horatian satire. Yet, this urbane voice, coupled with irony and the substance of the proposals accentuates Swift’s motive to use anger as a force for action. Through his absurd/humorous proposals, stinging irony, and use of voice, Swift effectively portrays A Modest Proposal as a Juvenalian satire designed to stir emotions concerning the social state of Ireland.
The first and perhaps most vivid example of strong, emotionally charged Juvenalian satire rests in the heart of the proposal itself. Up until his proposal, Swift convinces the audience that he is an empathetic individual, gently pointing out social plights. The statement “These mothers instead of being able to work for their honest livelihood, are forced to employ all their time in strolling to beg for their helpless infants” exemplifies what one might think an example of the urbane style of satire a Horatian satirist would utilize, since it seems gentle critiques may be prev...
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... Proposal as a Horatian satire. The tone is only good humored to an extent and is laden with sarcasm such as “therefore let no man talk to me of expedients: of taxing our absentees”, as well as absurd, morally distasteful logic. Furthermore, as construed above, the use of the urbane voice of the proposer is not a supplement to a sophisticated argument, but one cleverly used in unison with irony and sarcasm. This use of clever diction helps to promote effective discussion among aristocrats and peasants alike in the hope of deciphering the real meaning of Swift’s proposal. The point of the essay was to uniquely grab the attention of observes who have been indifferent to the plight of the lower class. Through the aforementioned reasoning, Swift does this through the clever implementation of Juvenelian satire in way that the straight forward Horatian satire could not.
At what point in the essay did you recognize that Swift’s proposal is meant to be satiric? Do you think a modern audience would get the joke faster than Swift’s contemporaries did? It becomes obvious that the author was employing sarcastic and humorous ideas in his proposal when
Jonathan Swift is the speaker in the story, A Modest Proposal. He is also the author of many other books and stories. In the text of A Modest Proposal, Swift addresses what he believes to be a big issue in the magnificent country of Ireland, Dublin to be exact. Therefore, he proposes a solution to the problem, however, the solution is not what we would call humane, orthodox, reasonable, or even one that we would consider performing today. Swift wrote this piece for anyone that can read and comprehend what the text implies.
“A Modest Proposal” was written in 1729 by a satirical author by the name of Jonathan Swift. Swift studied at the University of Oxford and was also know for his popular writing in Gulliver’s Travel. The purpose for his satire “A Modest Proposal” was to enlighten the citizens of Ireland about their hardship and suffering. He informed them about their scares of food, money, and property, but provided a possible solution to their problem. To persuade the people Swift adopts a comforting and friendly tone to his audience for the people to react to his solution.
The essay “A Modest Proposal” written by Johnathan Swift takes a satirical view on how to solve the starvation issue in Ireland. Swift suggests an obviously satirical solution to eating children around the age of one. He used irony, ambiguity, and ethos to emphasize the satirical nature of the essay and present a captivating idea to the audience. Swift used irony throughout the essay, beginning with the title, “A Modest Proposal”. The irony of the title gives the audience a false idea of what the essay will be, later on he gives his argument and the title serves as an ironic statement.
If Jonathan Swift had written a serious piece simply espousing his true beliefs he would not have received as much feedback, due to the fact that there were already informational advertisements at the time and nobody was interested in reading them. The only thing that would get the people 's attention was something that would create a lasting impression, so he wrote a satirical piece with trenchant humor and mochary. “A Modest Proposal” surprised people and got them thinking about the condition of the poor in Ireland and what should be done to solve it. For example Swift states that “those who are thrifty” can use the carcass of the infant for ladies’ gloves or gentlemen’s boots. This itself can help those reading the piece to begin to think about possible solutions to the substantial issues involving the poor in Ireland. He also proposes that children that are fourteen should be consumed as well so the poor don’t have to go hungry and that it would limit the number of breeders, in an attempt to illustrate the extremity of the circumstances. His sarcastic way of joking enlisted fear in the poor and concern in the rich, helping them realise the drastic issue present in the
The satire is formatted and organized engages the reader excellently. In “A Modest Proposal” Swift formatted it to engage the reader as if the reader and he were sitting transversely a table and partaking in an enjoyable talk. Opposed to “The Lottery” in which contains an excessive amount of dialogue. An effective satire needs to be engaging and consuming the reader with every word. With dialogue it seems as if you are just presenting a reader something. Swift used the correct decision using the first person view. Especially due to the fact that he is trying to persuade the reader to propose an application to help the poor become middle class. The decision by Swift was exceptionally well done when choosing how to format his satire.
Swift's message to the English government in "A Modest Proposal" deals with the disgusting state of the English-Irish common people. Swift, as the narrator expresses pity for the poor and oppressed, while maintaining his social status far above them. The poor and oppressed that he refers to are Catholics, peasants, and the poor homeless men, women, and children of the kingdom. This is what Swift is trying to make the English government, in particular the Parliament aware of; the great socioeconomic distance between the increasing number of peasants and the aristocracy, and the effects thereof. Swift conveys his message in a brilliant essay, in which he uses satire, humor and shock value.
In his lengthy literary career, Jonathan Swift wrote many stories that used a broad range of voices that were used to make some compelling personal statements. For example, Swifts, A Modest Proposal, is often heralded as his best use of both sarcasm and irony. Yet taking into account the persona of Swift, as well as the period in which it was written, one can prove that through that same use of sarcasm and irony, this proposal is actually written to entertain the upper-class. Therefore the true irony in this story lies not in the analyzation of minute details in the story, but rather in the context of the story as it is written.
Swift defined satire as; 'A sort of glass wherein the holders do generally discover everybody's face but their own, which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it. " Swift presents his "Proposal" as an entirely reasonable suggestion to aid the Irish, he enumerates the many benefits, counters the objections many may have, uses rhetoric reasoning and proves his humanitarianism views. Swift has written in considerable detail over the degree of poverty in Ireland, he draws attention to the causes of it obliquely and proves in great detail that his "Proposal" will work and in which ways it does work. Ireland was a colony of England; it was economically, politically and militarily dependent on ... ... middle of paper ... ...
In his satire, A Modest Proposal, Swift utilizes hyperbole and sarcasm to bring awareness of the unacceptable conditions of the Irish poor in the 18th century.
In Jonathan Swift’s satire, “A Modest Proposal”, Swift writes about the starving people of Ireland in the early 1700’s. He makes a wild and absurd proposal to help remedy the problems of overpopulation and poverty. Swift wants to make a political statement by using the “children” as satire to grasp the attention of the audience - the English people, the Irish politicians and the rich – and make them aware of the political, moral, and social problems. In “A Modest Proposal”, Swift’s arguments are presented effectively by using pathos (emotional appeal), ethos (ethics and values), and logos (logic reasoning and facts).
Humor can come in many different forms. Many people are aware of the blatant humor of slapstick, but it takes a keener mind to notice the subtle detail in sarcasm or satire. In A Modest Proposal, Jonathan Swift was able to create a piece of literature addressing the faults of the Irish culture while embedding in a humorous essay. Swift’s satire allows for the gravity of the Irish standings to be exploited under the disguise of a proposal for economic benefit.
Through the creation of a pompous, highly educated and sophisticated proposer, in Jonathan Swift’s A Modest Proposal, the targeted audience, the absentee landlords and parliament of England, and the reader naturally identify with the proposer. The proposer’s rigorous logic, serious and cynical tone deduces the ghastly proposition of cannibalism for economic, political, moral, and nationalistic gain. However, through the targeted audience’s identification with the proposer, Swift is able to propose the ironic humanity of his satirical proposal and thus indict colonial landlordism in Ireland and in Enlightenment ideals. Swift’s proposer’s tone is used for both the ostensible and actual purpose of the proposal; through the adherence to the ideals of the Enlightenment, which would be that of the targeted audience, Swift is able to critique the ideology of logic and rationality as fundamental to morality in the proposal.
In “A Modest Proposal” several forms of satire are demonstrated throughout the story. Satire is defined as the use of humor, irony, exaggeration, or ridicule to expose or criticize people’s stupidity or vices. (Google) In "A Modest Proposal" Swift uses parody which is a form of satire. Parody is primarily making fun of something to create a humorous feel for it. In “A Modest Proposal,” Swift uses parody to make fun of the people and children of Ireland, expressing the children as delicious food to be eaten.
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own” (Swift). Such beholders, as Jonathan Swift astutely emphasizes, are intended, through guidance of satiric narrative, to recognize social or political plights. In some satires, as in Swift’s own A Modest Proposal, the use of absurd, blatant exaggeration is intended to capture an indolent audience’s attention regarding the social state of the poor. Yet even in such a direct satire, there exists another layer of meaning. In regards to A Modest Proposal, the interchange between the voice of the proposer and Swift’s voice introduces another medium of criticism, as well as the opportunity for readers to reflect on how well they may fit the proposer’s persona. In such as case, the satire exists on multiple levels of meaning—not only offering conclusions about moral problems, but also allowing the audience to an interpretation of their place among the criticism.