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Sexism and how it is viewed in society
Gender sexism issues in todays society
Gender sexism issues in todays society
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Another sexist narrative that Diaz counters is the one that states that women are submissive figures who cannot have a strong will or determination. In order to counter this narrative, Junot Diaz employs the character of Hypatia Belicia Cabral, better known as Beli, the adoptive daughter of La Inca and Oscar’s mother. Diaz makes Beli’s tenacity obvious when he describes the gossip going around the town in which La Inca lived regarding Beli and her first adoptive family. The story of Beli is described as that of “A little campesina girl living in outer Azua had tried to attend a new rural school [...] and her parents who weren’t her parent flipped when the girl kept skipping out on work to attend classes” (Diaz 255). Despite her parent’s opposition, …show more content…
which was a clear example of horizontal violence as they were oppressing Beli despite the fact that they were oppressed themselves, Beli took the initiative to attend school and even began to disobey those who were trying to prevent her from becoming educated. In this instance, Beli's decision to fulfill her aspirational capital of improving her life through education is met with hostility from her first adoptive family.
This illustrates the way in which Beli possesses a rather powerful will and how she is anything but submissive. Beli’s toughness is proved again later on in her life, when she is living in New Jersey and begins battling with cancer. Upon discovering her mother’s breast cancer, Beli’s daughter, Lola, begins to reflect on the strong character of her mother and how it was obvious that the circumstances of Beli’s life had hardened her temperament and made her the seemingly cold and distant mother she became. Lola states “She was my Old World Dominican mother and I was her only daughter, the one she raised up herself with the help of nobody, which meant it was her duty to keep me crushed under her heel” (Diaz 55). Here, Lola comes to the conclusion that her mother’s attitude was a result of her determination to raise her daughter accordingly to her values, even if said value were quite outdated and based on a more conservative culture. In this instance, Beli is engaging in aspirational capital as she is aspiring to ensure that her children grow up to value what she values and be the best possible version of themselves and she is utilizing the resources she has in order to fulfill said
aspiration. This illustrates Beli’s firmness as she is determined to instill her values upon her daughter. Furthermore, it also illustrates her perseverance as it is stated that she had to raise her daughter, and later on her son, by herself with very minimal assistance. Both of those occasions are examples employed by Junot Diaz in order to illustrate Beli’s determination to raise her children despite of the many constraints had put in her way, which further opposes the sexist narrative that women do not have a strong sense of willpower.
Doña Guadalupe is a woman of great strength and power, power and strength which she draws from her devout faith and her deep and loving compassion for her family, and power and strength which is passed down to her children. “‘Well, then, come in,’ she said, deciding that she could be handle this innocent-girl-stealing coyote inside. On going into the long tent, Salvador felt like he’d entered the web of a spider, the old woman was eyeing him so deliberately” (360). Doña Guadalupe is a very protective woman, which is extremely speculative when it comes to her children, this is especially true when it comes to boys, because she has not gone this far only for all of her hard work to be ruined by a no good boy. This shows how protective she is, she loves her family, and especially her kids so much that they themselves must pass her test before being able to pass on to her children. “The newborns were moving, squirming, reaching out for life. It was truly a sign from God” (58). Doña Guadalupe is also a very devout and faithful person. She sees God in everything and in everyone and by that fact, what she sees and who she sees is true, and she tries to be a model of clairvoyance for the family. “Doña Guadalupe put the baby’s little feet in a bowel of warm water, and the child clinging to his mother. He never cried, listening to her heartbeat, the same music that he’d heard from inside the womb” (57). Finally, Doña Guadalupe is very passionate which allows for a great model upon which her children follow. This further shows how she is clearly th...
WEESR, KHATHERINE. “Tu no Eres Nada de Dominicano”: Unnatural Narration and De-Naturalizing Gender Consruction in Junot Diaz’s The Brief Wondrous Life of Oscar Wao. “Journal Of Men’s Studies 22, no.2 (Spring2014 2014): 89-104. Academic Search Complete, EBSCOhost (accessed November 30,
With the relationship between Beli and La Inca, it would have been easy to write the relationship without any major issues. La Inca saved Beli from a terrible life and provided her with every resource Beli needed to succeed. Even with the cards in their favor, they still had a rocky relationship. Beli disobeyed La Inca often, especially when it came to boys, and really put a damper on their relationship. With all of the complexity that came with their relationship, it was obvious that she still loved her mother because she sent her children to spend time with La Inca, know that La Inca would help them in all the ways that La Inca helped Beli. The trials that Beli faced with La Inca bled into her relationship with Lola. Lola turned out to be very similar to Beli, falling in love with a guys who was not good for her and disobeying her mother. Their issues stemmed from the differences in where they were raised and the time in which they were raised. Beli was raised in the Dominican Republic in a time that was very difficult. Beli’s history of abuse combined with being raised in the DR, prevented her from being the mother Lola wanted. Junot Diaz used the struggles caused by history and culture to write complex mother/daughter
Upon returning to the Dominican Republic after many years, Yolanda decides to take a trip across the island––something her family views as ridiculous. “‘This is not the states’ . . . ‘A woman just doesn’t travel alone in this country.” (9) This quote highlights the sexism inherent in Dominican society. Yolanda’s family is asserting that women are not individuals capable of taking care of themselves. On another hand, Yolanda’s close friendship with Mundín causes tensions as their mothers confront them about crossing gender lines. “My mother disapproved. The outfit would only encourage my playing with Mundín and the boy cousins. It was high time I got over my tomboy phase and started acting like a young lady señorita. ‘But it is for girls,’ . . . ‘boys don’t wear skirts.’” (228) This is an example of how Dominican societal norms and gender roles have impacted the sisters. Yolanda and Mundín were the only boy-girl playmates out of all the García children, yet this was frowned upon by both of their parents as to not impede the seemingly inevitable growth of Yolanda’s femininity, and conversely, Mundín’s masculinity. Moreover, this shows how societally-prescribed gender roles were instilled in Yolanda at a young age. However, this is not the only way in which women’s freedoms are
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
In Junot Diaz’s The Brief Wondrous Life of Oscar Wao, he is telling the story of a Dominican family but mainly about the son, Oscar de Leon. The book opens with the story of Oscar as a child and him having two girlfriends at the same time. The older people in town see him as a ladies man and encourage him. The boy and the two girls all break up and his life seemed to be on a steady decline since then. He grows up to become a nerdy, fat, and awkward adolescence with few friends and even less interest from girls. This phase persists throughout his life and he never develops out of the nerdy boy he was as a child. The Dominican Republic was a hostile and poor place during the time of the novel. The dictator Trujillo controls the lives of the people in the country. This influenced the de Leon family’s present and future. Diaz develops the story by using the superstition, the cane field, and male dominance of the Dominican men
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example, become a very outspoken activist by trying to attend the student protests and follow Miguel on his demonstrations, a sharp contrast to the indifference or shallowness found in her great grandmother.
Many are confined in a marriage in which they are unhappy with, and are reductant to make a change. Some are committed to make a change for themselves. Esperanza ponders each one of these women's lives. Through each role model Esperanza gains crucial life lessons on how to overcome different life hardships. Through some women like her great-grandmother and Ruthie, Esperanza learns she must take control her fate, to avoid marrying young, and not let a male figure dictate her future. Other women like Alicia, Esperanza learns to keep pursuing goals in life and to take control of her destiny no matter what obstruction may lay ahead. From Esperanza’s role models, the moral lesson that can be taken away is to be proactive about your life and to shape your own future. Everyone is a role model to somebody in their life. Strive to leave a positive message behind for the ones shadowing in your
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
Beli’s impulses allow her to ignore the fact that falling atomically in love with the Gangster, a man she meets in a luxurious nightclub, is wrong. In a world where no one gives her such feeling, the Gangster makes Beli feel beautiful. But, the Gangster is a pimp and exploits women, which shows the degradation of women such as Beli. The Trujillo system in the Dominican Republic, under which the Cabaral’s are associated with, exploits women and the Gangster, just like Trujillo did exactly that. This path of life that Beli embarks on is the wrong choice because it is plagued with the fukú. She sees the Gangster as an escape out of her current life because he is extremely rich. The Gangster promises her a house in Miami with as many bedrooms as she wants. Beli is naïve and does not realize that the Gangster cannot help her escape her life that she is unhappy with. Instead all the Gangster can bring to Beli is bad luck. The Gangster ends up being married to Trujillo’s sister, who is extremely cruel and lives up to the name of Trujillo. The Gangster’s wife has Beli beaten until she almost dies. Beli is vulnerable because the Gangster has power over her; she truly believes that he is an escape from her Dominican world. All along La Inca sees otherwise and tells Beli that she is crazy. La Inca also implies that a man cannot save her, but Beli continues to make
Because Belisa Crepusculario had such a difficult childhood in which she experienced so much loss in her life, she is forced to become a stronger person both mentally and physically to survive such devastating circumstances. It will ultimately be this strong sense of survival that she develops through these experiences of great loss, which will guide her through the survival of life threatening situations.
At the point when Beli comes attractive in her young age and the young men begin to notice her, she gets talked about like "y ese tetatorio" and "que pechonalidad" (93). Now these are not your formal Spanish words, but rather some of the standard words like “pecho” means mid-section and “teta” meaning areola or bosom can be interpreted in different ways of talking about a woman’s parts. It does not make a difference that the reader really will not understand these words but will get the idea of what they talk about with the context clues around the word. Diaz uses the slang to try to have the reader connect them to the characters and give them life. The fact that Diaz did not try to have a definition for each slang or Spanish word is to help the reader experience something that they might of never experienced before and actually make them research the words and explore.
In Latin America, women are treated differently from men and children. They do lots of work for unexplainable reasons. Others for religious reasons and family orders and others because of the men involved. Women are like objects to men and have to obey their orders to either be rich or to live. Some have sex to get the men’s approval, others marry a rich man that they don’t even know very well, and become slaves. An important book called Chronicles of a Death Foretold is an example of how these women are treated. Purisima del Carmen, Angela Vicario's mother, has raised Angela and her sisters to be good wives. The girls do not marry until late in life, rarely socializing beyond the outsides of their own home. They spend their time sewing, weaving, washing and ironing. Other occupations include arranging flowers, cleaning up the house, and writing engagement letters to other men. They also keep the old traditions alive, such as helping the sick, comforting the dying, and covering the dead. While their mother believes they are perfect, men view them as too tied to their women's traditions. The men are afraid that the women would pay more attention to their job more than the men. Throughout the book, the women receive the respect they deserve from the men and others around them.