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Women in ancient roman society
Voices of women in literature
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The Feebleness of Rome’s Women
The actor and play writer known as William Shakespeare wrote a play, The Tragedy of Julius Caesar. Shakespeare discusses how women were overlooked as a minority and not well-respected. In Roman times, women were considered to be people that were walked over, not given a voice, or able to do what they wanted to do with the confirmation of a man. William Shakespeare brings this to the light using Calpurnia and Portia, the wives of Brutus and Caesar. In the play, The Tragedy of Julius Caesar. William Shakespeare uses Calpurnia and Portia as of the accepted symbols weakness of women and the idea the voices of women should be heard.
Initially, Portia symbolized the weakness of women when she was being ignored while
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The quote shows that Decius power in being manipulative overthrows Calpurnia’s pointless warning. Also, Calpurnia tried to alert Caesar that her dream should convince him she should heave her warning. Although she states, “Caesar, I never stood on ceremonies, Yet now they fright me, There Is one within” (Shakespeare 29). By stating her point, he would not go forth to the Capitol. Calpurnia’s emotions were feeble no matter how much she told him, yet he was full of pride.
In conclusion, William Shakespeare proves that Portia and Calpurnia are women who are representation on how they are feeble and the understanding that the voices of women she be listened to. Calpurnia stood for invalidity as Caesar disregarded her dream by Decius telling him to do the opposite of what she was saying. Portia resembled feebleness by letting Brutus making her go away just for another man. The voices of the women should have been heard because Brutus and Caesar’s wives would have resolved their husband’s issues between each other; they would have also gained power and strength in the
“Wherefore rejoice? What conquest brings he home? - What tributaries follow him to Rome, To grace in captive bonds his chariot-wheels?”
In the following scene, Caesar is set to receive his crown. The night before, Calpurnia sees bad omens, and hopes that Caesar will stay home. On the other hand, the conspirators are planning the assassination of Caesar at the Capitol, and they need him there to receive his fate. Knowing Caesar well, Decius urges Caesar to go to the Capitol and receive his crown. Using various rhetorical devices, Calpurnia attempts to urge Caesar to stay home, while Decius tries to get Caesar to the Capitol.
In Shakespeare’s play, the conspirators are not justified because of their selfish motives. During the beginning of the play, Cassius is depicted as covetous when he tries to convince Casca to join the conspirators by speaking poorly of Caesar. “What trash is Rome, what rubbish and what offal, when it serves for the base matter to illuminate so vile a thing as Caesar” (I.II.108-110). Using a disgusted pattern of diction, Shakespeare helps to convey a bitter tone when Cassius states, “trash”, “rubbish” and “offal” to express his belief that Rome will become a terrible place when Caesar rules. Also, the fact that Cassius says, “a thing”, to describe Caesar shows how disrespectful he is, portraying his revolting attitude as a bad motive. This language characterizes Cassius as jealous and greedy of Caesar’s power,
What is honor? Honor coins an individual’s nature. A principle that exists on the purpose of perception, a martyr willing to conform and accomplish. In the case of Shakespeare's play, The Tragedy of Julius Caesar, Brutus was the most honorable of men. A brother to Caesar, but a father to Rome, he persist and perish for the future of his child. The idea of ignorance, and the belief of a false faith, turns this noble man toward a vulgar grave, with virtuous notions.
Over the course of time, the roles of men and women have changed dramatically. As women have increasingly gained more social recognition, they have also earned more significant roles in society. This change is clearly reflected in many works of literature, one of the most representative of which is Plautus's 191 B.C. drama Pseudolus, in which we meet the prostitute Phoenicium. Although the motivation behind nearly every action in the play, she is glimpsed only briefly, never speaks directly, and earns little respect from the male characters surrounding her, a situation that roughly parallels a woman's role in Roman society of that period. Women of the time, in other words, were to be seen and not heard. Their sole purpose was to please or to benefit men. As time passed, though, women earned more responsibility, allowing them to become stronger and hold more influence. The women who inspired Lope de Vega's early seventeenth-century drama Fuente Ovejuna, for instance, rose up against not only the male officials of their tiny village, but the cruel (male) dictator busy oppressing so much of Spain as a whole. The roles women play in literature have evolved correspondingly, and, by comparing The Epic of Gilgamesh, Sir Gawain and the Green Knight, and The Wife of Bath's Prologue, we can see that fictional women have just as increasingly as their real-word counterparts used gender differences as weapons against men.
“Not that I loved Caesar less, but that I loved Rome more.” (3.2.24) This quote reflects the motive of Brutus for the assassination of his friend, Caesar. I believe Brutus killed him not out of disrespect, but in a selfless act to protect Rome from the decree of Caesar yet to come. I also believe that he did this out of force from the manipulation from his “friend” Cassius. In Shakespeare's “Julius Caesar”, Brutus’ two most significant characteristics are virtue and unconscious hypocrisy. In order to fully understand these characteristics, it is necessary to analyze all other contributing characteristics, the manipulation of friendship that Cassius uses against him, and the motivations for
1599, is a tragedy about the tyrannical Roman emperor Julius Caesar and the events that lead to
	Julius Caesar is a play written by William Shakespeare during the year 1597. Julius Caesar’s story involves a conspiracy against Julius Caesar, a powerful senator.
Decius uses flattery and persuasion when speaking to Brutus. Decius is an active member of the Conspirators so he is very motivated into getting Caesar to go to the Senate House. The first thing that Decius says when he walks into Caesar's house is "Caesar, all hail! Good morrow, worthy Caesar" (II, ii, 30). Decius also goes on and calls Caesar "most mighty". Decius is already on Caesar's good side. After catching up on Calpurnia's dream, he uses his quick wit to distort Calpurnia's foreshadowing dream by saying it is "misinterpreted". He explains that the dream "Signifies that from (Caesar) Rome shall suck/Reviving blood, and that great men shall press/for tinctures, stains, relics, and cognizance" (II, ii, 31). Caesar seems to be amazed by this version of the interpretation; in fact, he likes this version a lot better mainly because Decius uses so much flattery.
Shakespeare’s tragic play Othello is an unfortunate example of gender bias, of sexism which takes advantage of women. The three women characters in the drama are all, in their own ways, victims of men’s skewed attitudes regarding women. Let us delve into this topic in this essay.
During the Shakespearean time women were treated as inferiors. The three women in Othello, Desdemona, Emilia, and Bianca encountered many degrading and unfortunate situations. They were to be obedient. The women had to comply with the commands, orders, and the instructions of the men. Women were made to believe that they had no rights. The men would publicly humiliate the three women. It was difficult for the women to stand up for themselves due to that time in society. In Shakespeare’s play Othello, he portrayed the three women to be viewed as obedient, loyal, and submissive to their husbands.
The play Othello is presented as a male-dominated society where women are only recognized as property; objects to own and to bear children. Women in the Elizabethan society and in Shakespeare society were not seen as equal to men and were expected to be loyal to their husbands, be respectful, and to not go against their husbands judgements or actions. Shakespeare presents Desdemona, Emilia , and Bianca as women in the Elizabethan time where they were judged based on their class, mortality, and intelligence. Shakespeare makes his female characters act the way they would be expected to act in an Elizabethan society. The role of these women in Othello is crucial because they show how women were treated and how unhealthy their relationships between men really were in both Elizabethan and Shakespeare's society.
From the expansion days of Ancient Rome to the fall of the Roman Empire, women have always succumbed to living subjacent to the status of their omnipotent and dominant male figures. After leaving her childhood home and the rule of her father, a young Roman girl would then be coerced into the dominion of her husband, often taking a plethora of roles, ranging from lover, caretaker, and best friend. It is often lightheartedly stated that, “Behind every great man is an even greater woman,” and William Shakespeare exemplifies this concept beautifully in Julius Caesar, in which he effectively used the spouses of the two main characters to add more depth, drama, and literary elements to the play, bringing it to life. Although the only two female characters in Julius Caesar, Portia and Calpurnia do not play a pivotal role in the overall plot of the story, their presence is vital in illuminating and developing the characters of their husbands, Brutus and Caesar. What they reveal about their husbands leads the reader to infer that Portia is the more admirable and redeeming character.
The first part of the play is structured so as the reader to sense the build-up of tension taking place before the death of Caesar, reaching its climax with the assassination of Caesar and, later, when the angry mob attacks Cinna the poet, in Act III Scene III. This increasing tension is deeply related with one of the main themes of the play, “Fate versus Free Will”, because, all along with the different omens that are revealed by different characters in the course of the play, it contributes to the idea that some things are sort of pre-established, like if there was a superior power deciding the destiny of the characters .The play seems to support a philosophy in which fate and freedom maintain a delicate coexistence. Portia and Calpurnia, representing Women, are an important part of this theme since, in the beginning of the play; they are the ones that are more frightened about what may happen to their husbands. Portia fears something terrible would be taking place because of the strange behaviour her husband was having at the time. Calpurnia, on the other hand, is a character in deep relation with this theme, due to the dreams she has foreseeing the death of her husband:
The play, The Merchant of Venice drastically altered the perception of women during the time as Shakespeare makes women during the Italian Renaissance appear independent and intellectual, such as the beautiful Portia and the young Jessica. This play shows that women are not only beautiful people to look at but also powerful and intelligent individuals. The characteristics of the women in this play show the possibilities of equality between men and