In Shakespeare’s Julius Caesar, Antony’s funeral oration contains several elements of deceit, yet wholeheartedly appeals to the desires of the audience. Antony harnesses the power of words, his rhetorical strategies stirring emotions, altering opinions and inducing action. His impulsive, improvisatory nature allows him to persuade the plebeians of the conspirators’ injustice, yet he never acknowledges this behaviour, allowing him to gain the masses’ political support. The mentioning of the will also accentuates the credulous nature of the audience as their desire to be satisfied allows Antony to manipulate their emotions, eventually resulting in several anecdotes appealing to the audience’s pathos yet still incorporating elements of deception. …show more content…
He proves charismatic in descending from the pulpit, an effective way in being one with the people without sacrificing his rhetorical influence over them. “But were I Brutus, / And Brutus Antony, there were an Antony / Would ruffle up your spirits and put a tongue / In every wound of Caesar, that should move / The stones of Rome to rise and mutiny.” (Act III Scene II – Page 103) illustrates the deceit within his statements as he claims with false humility that he is not a great orator unlike Brutus, and that he does not intend to incite revolt. However, the deception is emphasised as his sentence achieves the exact opposite of what his words say – he proves himself a skilled orator indeed, and impels the commoners to mutiny, further illustrated within the lines “Now let it work. Mischief, thou art afoot, / Take thou what course thou wilt!” (Act III Scene II – Page 105), concluding the influential power of Antony’s words as a result of his focused deception and manipulation of the audience’s …show more content…
Antony’s improvisatory, spontaneous nature proves perfect in mentioning the will to sway the masses, as he incorporates deception in stating “I have o’ershot myself to tell you of it. / I fear I wrong the honourable men / Whose daggers have stabbed Caesar, I do fear it.” (Act III Scene II – Page 99). Using the rhetorical technique of ‘apophasis,’ where Antony mentions the will while claiming not the mention it, he incorporates deception as he embellishes the audience’s apparent desires for the will. His aptitude for rhetoric allows him to respond to subtle cues among the audience, his observation of the commoners’ tendency to accept anything if spoken in a trustworthy cadence allows him to claim “You have forgot the will I told you of” (Act III Scene II – Page 105), building upon the audience’s impressionable nature. Further deceit is exploited by Antony in his mentioning of the will, which – unknowingly to the audience – can be entirely composed of deception. Completely unaware of the credibility behind the will, the irrational audience accepts it without questioning its authenticity, another trait of the audience by which Antony takes advantage of. The irrationality of the audience is further emphasised throughout the ensuring riot in Scene III, where plebeians kill Cinna the Poet due to his namesake, illustrated through the lines “It is no
(877) in order to make the crowd feel complete and utter guilt for their betrayal and anger towards the conspirators who killed their beloved idol. Brutus and Antony’s use of Ethos, Logos, and Pathos throughout the novel are just examples of the everyday persuasion used around us daily, when reading the play it does look like one giant competition to see who is the most persuasive and influential character. Even in today’s economy, companies have to compete for the attention of consumers’ worldwide and politicians who argue their beliefs and views to millions of voters in order to get what they want, because the art of persuasion is just one big game. Works Cited Shakespeare, William. The.
Imagine yourself listening to a political debate, undecided as to which leader you agree with. One candidate begins to speak about unjust societal issues, such as the horrifying amount of people in the world that do not have food on their table. The candidate also begins to touch upon the topic of taxes and how he will lower them if he is elected. You find yourself being persuaded in the direction of emotions and morals. The power of language used to appeal others is not only present in the modern world, but also in the play The Tragedy of Julius Caesar, written by famous English playwright William Shakespeare. The Tragedy of Julius Caesar portrayed a story of how an aspiring leader, Julius Caesar, is assassinated by a group of schemers, lead by Marcus Brutus, who disagreed with Caesar’s decrees and ways of governing. Over the course of the text, it demonstrated the use of two rhetorical charms: ethos and pathos. While ethos refers to the moral and ethical appeal and pathos invokes to the emotional aspect, each one was evidently shown in the funeral speech for Caesar given by his best friend, Mark Antony. Prior to Antony’s speech, Brutus had given the plebeians a synopsis of what had occurred. However, Mark Antony knew that what Brutus had told the plebeians was false. In such manner, he allured the plebeians onto his side of the tragedy by touching upon ethical and emotional appeals.
Antony asks rhetorical questions and lets the audience answer for themselves. Brutus uses ethos by stating that he a noble man and that is why the people should believe him but infact Antony questions his nobility by saying what Brutus said,” Brutus is an honourable man”(III.ii.79). In a way, Antony states what Brutus states to convince the audience by using examples that Brutus is wrong. Antony himself knows what kind of man Brutus is but lets the people figure it out on their own. In addition, Brutus uses logos by expressing that fact that Caesar died because of his ambition. This argument is severely under supported because his reasons are invalid and simply observations. Antony uses “did this in Caesar seem ambitious” to question Brutus’ argument (III.ii.82). Antony gives examples backing his argument like when Caesar refused the crown thrice to prove his humbleness. The way Antony convinces the people to rebel is by using pathos. He brings the audience in by stepping down to their level and showing them the body of Caesar. While Antony talks at Caesar's funeral, he pauses because” heart us in the coffin there with Caesar “(III.ii.98). When Antony becomes emotional, he reminds the audience about what injust event happened to the much loved
He wants them to revolt but he says he doesn't, he is getting the people to do what he wants. “ which pardon me, I do not mean to read/ and they would go and kiss caesar's wounds.” It's showing that Caesar's will is meant for the people and Mark Antony is saying that they would love him if they heard it and would love him so much as to kiss his wounds. Antony uses reverse psychology to get the people to do what he wants without the realizing it. He uses irony to prove that Brutus cannot be
Through the whole of his spectacular speech, Mark Antony influences the crowd using his distinct diction. He is able to inculcate a fired up anti-Caesar mass of people, and he makes the populace believe that Julius Caesar’s death was a true tragedy. Antony gracefully applies his proficiency with ‘logos’ and ‘pathos’ to his speech and is able to adroitly gain followers. His strong reasoning and explanations allow the Romans to buy what he has to say. Antony’s ability to speak in a roundabout way is a key constituent of his speech. Withal, he is extremely humble and the way he plays down his prowess is impressive. Mark Antony puts all the parts of his remarkable rhetoric together, and the result is a speech for the ages.
In William Shakespeare’s Julius Caesar, Mark Antony—a loyal friend to Julius Caesar, the former emperor of Rome—gives a speech to the Roman commoners in order to persuade them to turn against Brutus, for Brutus and the conspirators had slain Caesar. Antony’s uses rough and sharp diction, a scornful tone, and honest anecdotes in order to achieve his purpose of manipulating the common people to take his side.
“Rhetoric, the art of making life less believable.”- Ben Marcus. In light of conspirators assassinating Marc Antony’s long-time friend, Caesar, Antony vows to avenge Caesar’s death. In Antony’s speech at Caesars funeral oration, Antony used rhetoric techniques to manipulate and persuade the audience into believing the same ideas Antony believed in. The purpose behind his speech was to lead into rebellion; Antony achieves this by stepping down to the audience’s level, using theatrical actions, and raising the morale to rebel against conspirators in the audience by presenting Caesar’s will.
The final piece used to persuade the crowd is Pathos, Both Antony and Brutus use this to talk about Caesar’s death. Antony says. ‘’Come I speak in Caesar’s funeral. He was my friend, faithful and just to me: But Brutus says he was ambitious;’’ while Brutus says ‘’as Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him. ‘’ With this they are both saying he is a good, but Brutus is also trying to say that even though he killed Caesar he loved him, but I was something that had to be
In his play Julius Caesar, Shakespeare employs various rhetorical strategies such as direct address, repetition, and apostrophe in Antony’s eulogy to convince the crowd into believing that Caesar was a good ruler. His excellent use of rhetoric begins before he starts his speech through the establishment of familiarity. Before Antony begins his speech, he refers to the crowd as “friends, romans, [and] countrymen” to establish a personal connection, indicating the use of direct address (3.2.82). By referring to the crowd as “friends,” Antony removes any separation between him and the audience, establishing a close bond by choice. As it came first on his list, it emphasizes the importance of his friendship with the audience as friendship implies
Antony reminds the plebeians about the time when he, himself “presented [Caesar] a kingly crown, / Which [Caeasar] did thrice refuse” (III. ii. 97-98). Using logic and reasoning, Mark Antony explains to his crowd that the fallen Caesar couldn’t possibly have been ambitious if he had refused the ticket to become King multiple times. Immediately afterward, Antony made sure to remind the plebeians that Brutus is an honorable man. This use of logos with verbal irony proves to be extremely effective. Since Antony presented the crowd with a compelling fact supporting that Caesar was not ambitious, the phrase “Brutus is an honorable man,” would be even more effective in allowing his audience to realize that Brutus and the conspirators may not be honorable (III. ii. 83). According to Brutus, the conspirator's sole reason to kill Caesar was because they believed he was ambitious, Antony’s statement would then be incredibly useful to turn the crowd against Brutus and his people. The plebeians would start to realize that noble Brutus and his conspirators might not be honorable and could potentially have their own, personal reasons to assassinate Julius Caesar. Once the crowd realizes that Brutus and the conspirators could have murdered their leader for no valid reason, they would begin to feel anger which are the building steps to starting a rebellion just like how Antony
In William Shakespeare's play The Tragedy of Julius Caesar, two speeches are given to the people of Rome about Caesar's death. In Act 3, Scene 2 of this play Brutus and Antony both try to sway the minds of the Romans toward their views. Brutus tried to make the people believe he killed Caesar for a noble cause. Antony tried to persuade the people that the conspirators committed an act of brutality toward Caesar and were traitors. The effectiveness and ineffectiveness of both Antony's and Brutus's speech to the people are conveyed through tone and rhetorical devices.
Antony’s goal was to persuade the crowd of plebeians that the conspirators acted impetuously and Caesar did not need to be killed. He uses many rhetorical devices to strengthen his speech and gain the support of the crowd. From rhetorical questions to the use of pathos, Antony masters the art of persuasion. His speech moves the crowd from believing Brutus’ reasoning for killing Caesar, to understanding that Caesar did not have to die.
Mark Antony's Speech from Shakespeare's Julius Caesar Mark Antony’s funeral oration over the body of Julius Caesar in act three, scene two is the most important speech in the play and effects the development of the play as a whole in many ways. Firstly this speech falls in the play where we have seen Antony’s distraught reaction to the murder of Caesar and his letter vowing allegiance to Brutus in return for being able to live. Act three, scene one prepares us for Antony’s rhetoric as here he states that ‘Brutus is noble, wise, valiant and honest’ which fits in with him repeatedly stating ‘Brutus is an honourable man’. It becomes evident in this scene that Antony has an ulterior motive for forming this allegiance and asking to do the funeral oration when he is ‘swayed from the point by looking down on Caesar’ and then states that ‘friends am I with you all, and love you all’ but still wants to know ‘why and wherein Caesar was dangerous’. Thus we the audience are aware that Antony is not being honest with the conspirators especially when he speaks in a soliloquy of the anarchy he will create when he states ‘blood and destruction shall be so in use…that mothers shall but smile when they behold/
A later example occurs during the funeral oration by Mark Antony. Brutus logically gives his reasons that necessitated Caesar’s death. He informs them that he acted out of love of Rome and his desire to prevent tyrants from controlling her. The citizens embrace his words with cheers and understanding. However, their mood alters when Antony offers his interpretation of the situation. He passionately described the deeds Caesar performed in behalf of the citizens of Rome, which clearly contradict the opinion of the conspirators that Caesar was too ambitious. Antony carefully uses irony in referring to Cassius and Brutus as honorable men; the strategy wins over the citizens and they listen with growing anger to his words. He leads the citizens to the body and begins to show the brutal results of the murder while simultaneously influencing them to believe that the conspirators are murderers and traitors. Ultimately, Antony reads Caesar’s will, which leaves his parks, private estates, and newly planted gardens to the citizens of Rome.