Julius Caesar Essay: Reaching from the Grave

Reaching from the Grave of Julius Caesar

It is assumed that the title of a work should reflect the nature of its content. The title should relate to the to the central influence which controls the flow of the work. Shakespeare's Julius Caesar seems to contradict that convention. Caesar meets his bloody end at the hands of conspirators in the first scene of Act III, barely halfway through the play. He is not the tragic hero; that distinction lies with Brutus and Cassius, around whom the play revolves before and after the assassination. This essay will show that although Caesar is not the hero of this tragedy, he certainly is the title character.

Like the storm in the first scene of The Tempest, Caesar's victory over Pompey at the beginning of Julius Caesar sets the workings of the plot into motion. The plebians and senators become increasingly separated in their loyalties. In a time of brutal civil war, the plebians feel they need a single strong ruler such as Caesar. The senators, on the other hand, fear that he might become ambitious and continue killing off his competition, i.e., the senators themselves. At the celebration of Caesar's victory, Brutus remarks, "What means this shouting? I do fear the people choose Caesar for their king" (I.ii.78-79). Cassius turns bitter towards Caesar, because he thinks Caesar is physically weak, and deserves none of the praise that the public heaps upon him. Very early on, Cassius mistrusts Caesar, and becomes just as ambitious himself as he fears Caesar to be.

Why, man, he doth bestride the narrow world

Like a Colossus, and we petty men

Walk under his huge legs and peep about

To find ourselves dishonorable graves.

Men at some time...

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...art mighty yet! Thy spirit walks abroad, and turns our swords in our own proper entrails" (V.iii.94-96). Scene v shows Brutus finally giving in and joining his fellow senators in death, unable to bear the grief of their loss nor the guilt at killing Caesar in the first place. Thus Caesar, though dead and physically gone, remains a powerful presence throughout the second half of the play. The guilt that he inspires in the conspirators, and the vengeance he stirs up among the plebians, force the play to its tragic conclusion. This is the only way that Julius Caesar can remain the title character, by maintaining a powerful influence throughout the play, whether dead or alive.

Shakespeare called the play Julius Caesar not because Caesar is the tragic hero, but because it is Caesar's ambition, his downfall, and his presence after death which cause the tragedy to occur.