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Shakespeare's influence during the Elizabethan Era
Shakespeare's influence during the Elizabethan Era
Shakespeare's influence during the Elizabethan Era
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Revenge is best served with a side of ‘boys’enberry pie to your sworn enemy. And who better to dish it up then Julie Taymor. Under her brilliant direction, Taymor’s film adaptation of William Shakespeare’s play, Titus Andronicus, would put a wicked smile on the Bard’s if he were still alive today. “Vengeance is in my heart, death in my hand, blood and revenge are hammering in my head” (II, iii, 38-39). Taymor’s recipe for success includes three cups of Shakespeare’s original text, a dash of seasoned actors. Throw in plenty of vengeance, sexuality, and political power (don’t be stingy now), and a handful of lady fingers. Bring it all to a nice simmer in the 20th century, and serve it up to your hungry meat-loving dinner guests. “Why, there they
Natalie Wood, who born in San Francisco, was an American film and television actress. Wood is married from Robert Wagner, and they have three children. Natalie Wood died on November 29, 1981, and no one knows how exactly she died. In addition, Wood was with her husband and their friend in the boat, and she argued with Wagner before living the boat. Also, Wood afraid of water her whole life, and she died by drowning on a weekend trip.
Shakespeare’s Titus Andronicus demonstrates how aggressive challenges and divisions are born out of conflicting belief systems. For example, because the Roman citizens, the Goths, and Aaron the Moor all differ in matters of consciousness, tension ensues. Nicholas Moschovakis comments extensively about these clashes in his essay ““Irreligious Piety” and Christian History: Persecution as Pagan Anachronism in Titus Andronicus,” and Moschovakis not only magnifies persecution, but he remarks extensively about the major elements in Titus Andronicus that can be understood as anachronistic. While Moschovakis carefully and thoroughly observes the Shakespearean realms of violent “human sacrifice,” the “relevance of Judeo-Christian sacrificial discourses,” the anti-papist Elizabethan attitudes, and other religious and pagan traditions, Moschovakis plainly admits that “Titus evades all attempts to be read as partisan invective” (Moschovakis 462). Because Shakespeare included a wide range of conflict and overlapping belief systems, assertions tend to become, as Moschovakis puts it, “curiously inconsistent” and “overshadowed” (Moschovakis 462). What can be claimed as transparent in Titus Andronicus, and what I think is appealing to the masses, is that Shakespeare drew upon the major controversial motifs in human history and religion, and he included the evils of hypocrisy which allow for realistic interest regardless of what your religious or political stance is. Moreover, I would argue that Shakespeare exposes a more obvious anachronistic element that can serve in expanding Moschovakis’ arguments. Titus Andronicus demonstrates the time honored obsession over first born sons, and because the play includes a first born son in each family t...
One of the distinguishing factors in portraying Titus centers in its origin: "Titus Andronicus [...] must be considered as an experimental play" (Bowers 118). Being Shakespeare's first attempt at tragedy, it obviously has room for error. Yet, as some critics and scholars would say, I believe there is a similar element found in all of Shakespeare's works, no matter when they were written: "Shakespeare constantly reminds us that the character's predicament and humanity is very like our own" (Barton 184). No matter what the plot is, or where he chose to set the story, Shakespeare captures a fundamental element of humanity. Within Titus Andronicus, it is undoubtedly humanity's search for revenge: "Titus Andronicus is a play of social piety, outrage, suffering, and revenge" (Barber 133). The first three elements that Barber attributes to the work are consequential to the fourth; it is the revenge and spite of Titus, Tamora, and Aaron that fuel the other three elements.
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
Danson, Lawrence N. "The Device of Wonder: Titus Andronicus and Revenge Tragedies." Texas Studies in Literature and Language 16 (1974): 27-43.
Baz Luhrmann’s Romeo and Juliet is a film that converts Shakespeare’s famous play into a present-day setting. The film transforms the original texts into modern notions, whilst still employing Shakespearean language. Compared to Franco Zeffirelli’s adaptation of Romeo and Juliet, Luhrmann’s picture is easier for a teenage audience to understand and relate to because of his modernisations. Despite the passing of four centuries Shakespeare’s themes of love, hate, violence, family and mortality remain the same regardless of the setting.
Kenneth Branagh creates his own individualistic adaptation of this classic through the use of visual imagery, characterization, and setting. Branagh cut many lines and speeches from the text to better support his interpretation of a more open and informal society of warm-hearted, affectionate characters. Though Shakespeare's mood is more formal, Branagh remains true to the essence of the play as all of the same characters and most of the dialogue are justly included in the film. Although distinct differences can be made between Branagh’s film and Shakespeare’s written work, they both share a common denominator of good old-fashioned entertainment; and in the world of theater, nothing else really matters.
The movie Titus directed by Julie Taymor a well awarded director who has created many visual arts, made countless thought-provoking choices when directing Titus, a movie based off the book Titus Andronicus by William Shakespeare. Titus Andronicus is a tragedy highlighting Titus, a roman general that becomes obsessed with getting revenge with Tamora, a previous prisoner of his and the Queen of Goths. When Taymor directed the film Titus she incorporated many aspects from the present (when the movie was made) and the era the book was written in, during Shakespearean times, to relate to the audience at that time and still remain true to the story. She tried her best to stay as close to the book as possible and portray the characters as well as they could be interpreted. In some illustrations she was spot on and in others she was not.
Titus Andronicus is a play marked by acts of horrific violence and littered with death and the destruction of others. Each violent act, however, serves to explain and sometimes encourage the motives of the play's memorable characters and impart a very tightly knotted plot. The structure of the play employs well-defined heroes and villains. Revenge is their key motivating factor. All of these elements combine to form a cohesive plot and contribute to the overall success of the story.
One of the most celebrated plays in history, “Romeo and Juliet”, was written by William Shakespeare in the late 16th century. It is a story about two lovers that have to meet in secret because of an ongoing family feud. Tragically, because of their forbidden love Romeo and Juliet take their lives so they can be together. In 1997, a movie was adapted from the play “Romeo and Juliet”, directed by Baz Lurhmann. However, as alike as the movie and the play are, they are also relatively different.
One notable difference between William Shakespeare’s The Tempest and Julie Taymor’s film version of the play is the altered scenes that made quite a difference between the play and the movie version. This difference has the effects of creating a different point of view by altering the scenes affected the movie and how Taymor felt was necessary by either by keeping or deleting certain parts from the play. I use “Altered Scene” in the way of how Julia Taymor recreates her own point of view for the movie and the direction she took in order to make the audience can relate to the modern day film. I am analyzing the way that the altered scenes changes to make a strong impression on the audiences different from the play. This paper will demonstrate
William Shakespeare has provided some of the most brilliant plays to ever be performed on the stage. He is also the author of numerous sonnets and poems, but he is best known for his plays such as Hamlet, Macbeth, A Midsummer Night's Dream, and Romeo and Juliet. In this essay I would like to discuss the play and movie, "Romeo and Juliet", and also the movie, Shakespeare in Love. The play Romeo and Juliet by William Shakespeare is set in the fictional city of Verona. Within the city lives two families, the Capulets and the Montegues, who have been feuding for generations.
Revenge almost always has the makings of an intriguing and tragic story. William Shakespeare’s Hamlet is a perfect example of how revenge unfolds and what it unveils. The play tells the story of Hamlet, the prince of Denmark. Claudius, Hamlet’s uncle, marries his mother soon after his father’s death. Hamlet greatly disapproves of the hasty marriage and suspects foul play. His suspicions are confirmed when the ghost of his father appears and tells him that Claudius murdered him. Hamlet’s father asks him to take revenge upon Claudius, and soon everything takes a drastic change. The courses of revenge throughout Hamlet surround each character with corruption, obsession, and fatality.
Sir Francis Bacon once said in his famous work Of Revenge that, “Vindictive persons live the life of witches: they are mischievous and come to a bad end”. Seeking revenge is a practice that Sir Francis Bacon was not fond of. Personal revenge is petty and keeps the wounds open longer than necessarily needed. Sir Francis Bacon believes that public revenge for the greater good was not as bad as personal revenge, but he still did not fully approve of it. Revenge is used in numerous works to add drama and character. Many famous works such as, Present Tense by Pearl Jam, The Interlopers by Saki, and even the famous play Romeo and Juliet by William Shakespeare, use revenge as the main topic to prove that Bacon’s idea still stands true today.