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Values of children's literature
How literature is related to society
How literature is related to society
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Recommended: Values of children's literature
One night when George is working, Julia pleads with him over Stella's injury referring to their caregiver, Mack, not caring enough to assess her injury. " 'He must know about her.' George rubs his chin. 'He always knows. But a vet costs money, Jules' 'Please?' Julia's eyes are wet. 'Call him, Dad.' George gazes at Stella's. He puts his hands on his hips and sighs. He calls Mack." (Applegate 108). In this situation, Applegate is showing that George does care about what is going on with Stella; he is concerned, but unwilling to risk upsetting his boss by calling him to complain about how the animals are being treated. Without his daughter to check his morals he would not have called Mack and assure Stella's injury was being watched. As the …show more content…
Julia is then able to show George an entire word within the drawing. "' I told you, Dad! There it is: H-O-M-E. Home"(Applegate 215). He refers to it as a mere accident and that Ivan would not logically be able to create the word home. She is then able to provide her last form of evidence that Ivan is trying to communicate, "' Then how do you explain the rest of it?' Julia demands. 'The picture of Ruby in the zoo?'"(Applegate 215). Julia is pointing out extensive reasoning as to why her father should pay attention to what Ivan is saying. In this situation, she has fully influenced her father by proving her point with what Ivan has created. Through the description in the book, George has no other choice but to listen to what Ivan is attempting to communicate through his …show more content…
She encourages her dad to take responsibility in helping the animals and doing the morally right thing. She hints that the painting is 'billboard' size, she begins to argue with her dad that Ivan wants his painting on the billboard over the expressway. George keeps telling Julia that he is unable to help because of the negative affect it will have on his job, and he really needs this job due to their dependence on the income. Julia then expresses to her dad that " 'It's a matter of principle, Dad. P-R-I-N-C-I-P-A-L." "L-E," George corrects. 'Dad,' Julia says softly, 'what if Ruby ends up like Stella?' George looks at me, at Ruby, at Julia. He drops the claw-stick. 'The ladder,' he says 'is in the storage locker" (Applegate 219). Julia has been able to prove her point to her father making him reevaluate his morals and pay attention to what these animals need from them. Julia influences him with using what he had already taught her, he softly corrects her knowing what needs to be done. He complies with her demands showing she has influenced him to take the morally correct action of helping these
In chapter one, George and Lennie are introduced onto the scene and you get to know them a little bit and you get to see how they are related/ their relationship. When I read this first part, I could tell that George was pretty much Lennie’s caretaker and it was his job to find Lennie a job and make sure he ate enough and stayed a live. He kind of resented having to drag Lennie around (pg 11~12: “Well we ain’t got any!” George exploded. “Whatever we ain’t got, you want. If I was alone I could live so easy… But wadda I got? I got you. You can’t keep a job and you loose me every job I get.”), because Lennie’s a bit slow and he messes up a lot. He tries really hard to be good and listen to what George tells him to do, but in the end of every situation, Lennie forgets what George told him beforehand and sometimes it creates a little trouble (pg 45~46: “Well, he seen this girl in this red dress. Dumb like he is, he likes to touch ever’thing he likes. Just wants to feel it. So he reaches out to feel this red dress an’ the girl lets out a squawk, and that gets Lennie all mixed up, and he holds on ‘cause that’s the only thing he can think to do. Well, this girl just squawks and squawks. I was jus’ a little bit off, and I heard all the yellin’, so I comes running, an’ by that time Lennie’s so scared all he can think to do is jus’ hold on. I socked him over the head with a fence picket to make him let go. He was so scairt he couldn’t let go of the dress. And he’s so strong, you know… Well, that girl rabbits in an’ tells the law she’s been raped. The guys in Weed start a party out to lynch Lennie. So we sit in an irrigation ditch under water all the rest of that day.”). But when you look at them, you can tell that George is...
As George becomes aware of the situation he begins to ponder what will happen if Lennie gets away. George understands that Lennie would not be capable of providing for himself out in the wild. As George contemplates allowing Lennie to be free of all the men, he “[is] a long time in answering” (94). George is one of the few men who understands Lennie’s mental limitations, he knows Lennie would not remember how to survive and “the poor bastard’d starve” (94). He
Lennie, like a mouse, is helpless. Lennie relies on George to think for him like mice rely on scraps of food from the dinner table to eat.
Lennie appeared out of the brush by the deep, green pool of the Salinas River. He had been running. He knelt down quietly by the pool’s edge and drank barely touching his lips to the water. He finished drinking and sat down embracing his knees on the bank, facing the trail entrance. He became very skittish and jumpy. Every little noise prodded for his attention. He knew he had made a huge mistake and George would be mad at him. He had remembered though, that George told him to hide here and wait for him.
‘“God, you’re a lot of trouble,’ George said. ‘I could get along so easy so nice if I didn’t have you on my tail. I could live so easy and maybe have a girl”’ (7). Yet, George looks beyond the ways in which Lenny irritates and inconveniences him and realizes that Lenny is as human as he is. He believes that regardless of Lenny’s disability, he should be treated as respectfully as anyone else. Contrary to his earlier remarks, George has great affinity for Lenny. George understands that Lenny necessitates a watchful-eye, and he is willing to be that caretaker. Ultimately, if George did not love and care about Lenny, he would have most likely abandoned him. However, George’s fundamental decency did not allow him to do this.
that he wants to tend. Lennie has been shot by George in the back of
...r problems. Julia maintains her behaviour and is portrayed as calm and collected. “She became alert and businesslike, put her clothes on, knotted the scarlet sash about her waist, and began arranging the details of the journey home.” (Orwell 129) This allows the reader to see that Julia is organized in her life, unlike Winston whose thoughts are scattered. Due to the extreme differences in the couple’s personalities the reader is left to question whether Julia ever loved Winston.
Ever since Lennie’s Aunt Clara died, George had to look after him because Lennie cannot look after himself (Steinbeck). Lennie accidentally scared a girl and he and George had to leave Weed, and they had to go get new jobs (Attell). George gets angry at Lennie for accidentally getting them in trouble and says he should leave and how easier his life would be without Lennie (Hart). He then tells Lennie that he did not mean what he said and would not leave him (Hart).
Growing up, George had a wild childhood. His parents owned a tavern, which they lived above, and they were rarely around to give George the guidance a small child needs. George felt little love from his parents. He came from a poor family and sometimes didn't even know where his next meal was coming from.
As readers know, the narrator was barred from doing any “exciting” or strenuous activities such as reading, writing, or even visiting family members. Therefore, the only “interesting” source of mental stimulation available to her was the yellow wallpaper in her “prison”, thus resulting in her increasing infatuation. The start of her obsession begins after John’s refusal to let the narrator move to another room, which is when readers first uncover her disgust towards the wallpaper, as shown when she writes, “No wonder the children hated it! I should hate it myself if I had to live in this room long” (Gilman). But, her hatred doesn’t stop there, for after a failed attempt to persuade John to remove the wallpaper, her repugnance only intensifies as she begins to read further and further into the wallpaper. The narrator states, “There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (Gilman), which shows that she is beginning to visualize disturbing images in it. However, her obsession truly takes a life of its own after John refuses to let the narrator visit her relatives, as this is when she begins to believe that the wallpaper is a “alive”. It is after
1.) George- A small man who travels with, and takes care of, Lennie. He frequently talks about how much better his life would be without having Lennie to take care of. George's behavior is motivated by the desire to protect Lennie and, eventually, he wants to lead them both to the farm of their dreams.
Lennie to take care of. The next day George convinces the farm boss to hire
George taking care of Lennie affects his life in many ways, for the better and for the worst. Lennie's memory effects his actions because he repeats some things that he forgets that he has done in the past. Lennie’s disability is misinterpreted by others because they see him as more of a burden than a good addition to society, because of his mental disability. But other people may not think about his disability like that, they might think he’s crazy in general. Lennie’s disability affects the way he thinks because it changes what he believes, what things cause him to worry, and what things cause him to
He is so careful that not even his wife, Catharina, is able to enter. This has always angered Catharina. Griet’s being aloud inside makes it even worse. At first, Griet only enters the office to clean, but that soon changes. One time, when Vermeer sees Griet in a position he wants to paint. He stops her and repositions her. He says, “Look over your shoulder again”(86). This inspires him to paint her. Then this leads to complications in their relationship. This secret is kept from Catharina in fear that Griet could be punished or even fired. With Griet living above the studio, it is easy to find time for them to work. Because of Catharina’s pregnancy and Griet’s quick escapes to her room, they feel
He risks himself to save this creature that he had previously looked down upon, and they quickly become friends after she rewards him with a flower necklace. They become inseparable — in fact, she annoys him by constantly tailing after him: “[. . . ] I think, altogether, I had as much trouble as comfort from her devotion” (49), Nonetheless, he displays an innate kindness by letting her tag along, even at her most bothersome.