Judy Syfers's Why I Want A Wife

555 Words2 Pages
bulb-icon

Recommended: The portrayal of women in literature

Women have been oppressed in the past, and women and women’s rights activists have published many works to empower women to show the world that women do matter. Judy Syfers was one of those authors. She masterfully employs irony and anaphora in “Why I Want A Wife” to empower women, specifically wives, so they start thinking about how important their role is in their husbands’ lives. “Why I Want A Wife” is filled with irony that shows the reader how valuable women truly are. Judy Syfers’ work places women in an inferior position to men using phrases like “classification of people,” to show their supposed insignificance within the marriage. However, she ironically explains how men are built on what women do for them. From the beginning of the …show more content…

Looking more into the phrase, the word “want” signifies that a wife is something to be desired, not something needed. It implies that wives are a luxury to have, therefore implying value. If “Why I Want A Wife” is used to empower women, then telling the reader that she is valuable will surely get that done. The repetition of the phrase emphasizes this need, or desire, to have a wife, and the emphasis is used in an ironic way to further the idea that wives are something of value. It is as if the repetition continuously, almost ad nauseum, pounds into the head of the reader that being a wife is an important job. Another word that is repeated in the text is “my,” usually following the phrase “I want a wife who.” The persona is a wife, so the word “my” seems like a complaint, like she wants to be admired herself for a change. It leaves a slight nagging feeling to the word as well. Still, the inclusion and repetition of the word “my” is intended to have the reader, most likely a woman, say the word and think about her own life. “Why I Want A Wife” is a short story that makes a woman think about her position and importance in her relationship. Syfers’ use of irony reverses her role as the wife to, in reality, show how important the wife has within the relationship. While at the same time, using anaphora to really sink in and emphasize the value of a wife. Judy Syfers’ readers will definitely feel empowered to reconsider their role in their husbands’

Show More
Related

  • Comparison Of Joe Sparks And Vergile Tea Cakes

    1033 Words  | 3 Pages

    All over the world, marriage is one of the main things that define a woman’s life. In fact, for women, marriage goes a long way to determine much in their lives including happiness, overall quality of life whether or not they are able to set and achieve their life goals. Some women go into marriages that allow them to follow the paths they have chosen and achieve their goals while for other women, marriage could mean the end of their life goals. For Janie, the lead character in Zora Neale Hurston’s Their Eyes Were Watching God, who was married twice first to Joe sparks, and to Vergile Tea Cake, her two marriages to these men greatly affected her happiness, quality of life and pursuit of her life goals in various ways, based on the personality of each of the men. Although both men were very different from each other, they were also similar in some ways.

    Read More

  • Comparison Of Joe Sparks And Vergil Tea Cakes

    1030 Words  | 3 Pages

    All over the world, marriage is one of the main things that define a woman’s life. In fact, for women, marriage goes a long way to determine much in their lives, including happiness, overall quality of life, whether or not they are able to set and achieve their life goals. Some women go into marriages that allow them to follow the paths they have chosen and achieve their goals while for other women, marriage could mean the end of their life goals. For Janie, the lead character in Zora Neale Hurston’s Their Eyes Were Watching God, who was married twice, first to Joe sparks, and to Vergil Tea Cake, her two marriages to these men greatly affected her happiness, quality of life and the pursuit of her life goals in various ways, based on the personality of each of the men. Although both men were very different from each other, they were also similar in some ways.

    Read More

  • Edna Pontellier and Elizabeth Bennet: Challenge of 19th Century Conventional Methods

    1359 Words  | 3 Pages

    The Bible which is seen as one of the most sacred text to man has contained in it not only the Ten Commandments, but wedding vows. In those vows couples promise to love, cherish, and honor each other until death does them apart. The irony of women accepting these vows in the nineteenth century is that women are viewed as property and often marry to secure a strong economic future for themselves and their family; love is never taken into consideration or questioned when a viable suitor presents himself to a women. Often times these women do not cherish their husband, and in the case of Edna Pontiellier while seeking freedom from inherited societal expectations and patriarchal control; even honor them. Women are expected to be caretakers of the home, which often time is where they remain confined. They are the quintessential mother and wife and are expected not to challenge that which...

    Read More

  • Love and Marriage in Gallant's The Other Paris

    921 Words  | 2 Pages

    In the end, readers are unsure whether to laugh or cry at the union of Carol and Howard, two people most undoubtedly not in love. Detailed character developments of the confused young adults combined with the brisk, businesslike tone used to describe this disastrous marriage effectively highlight the gap between marrying for love and marrying for ?reason.? As a piece written in the 1950s, when women still belonged to their husbands? households and marriages remained arranged for class and money?s sake, Gallant?s short story excerpt successfully utilizes fictional characters to point out a bigger picture: no human being ought to repress his or her own desires for love in exchange for just an adequate home and a tolerable spouse. May everyone find their own wild passions instead of merely settling for the security and banality of that ?Other Paris.?

    Read More

  • Wife vs. Daughter in Only Daughter by Sandra Cisneros and Why I Want a Wife by Judy Brady

    551 Words  | 2 Pages

    In the short story ?Why I want a wife? by Judy Brady, she goes into detail what being a wife is like. The tedious details of day to day activities, the strain and hard work of being a ?good wife?, and the unappreciated service a wife must perform to be accepted by her husband. This story made me feel like, the author

    Read More

  • Marriage in The Ceiling by Kevin Brockmeier

    898 Words  | 2 Pages

    Brockmeier’s short story represents a damaged marriage between a husband and a wife simply due to a different set of values and interests. Brockmeier reveals that there is a limit to love; husbands and wives will only go so far to continually show love for each other. Furthermore, he reveals that love can change as everything in this ever changing world does. More importantly, Brockmeier exposes the harshness and truth behind marriage and the detrimental effects on the people in the family that are involved. In the end, loving people forever seems too good to be true as affairs and divorces continually occur in the lives of numerous couples in society. However, Brockmeier encourages couples to face problems head on and to keep moving forward in a relationship. In the end, marriage is not a necessity needed to live life fully.

    Read More

  • What Is The Tone Of I Want A Wife

    656 Words  | 2 Pages

    Judy Brady’s essay “I Want a Wife” uses a sarcastic tone in order to illuminate the amount of much pressure that is put on wives, not just by their husbands, but by society as well. Brady’s tone voices to the audience that changes need to be made to the role of women.

    Read More

  • Gendered Behavior And Sexual Roles In Bram Stoker's Dracula

    788 Words  | 2 Pages

    Their initial characterizations play on the stereotypes of the ideal “mother” and “wife,” respectively, yet once Lucy dies, all that remains is Mina’s chaste model of the perfect mother. She mothers the men in the group, going as far as embracing Arthur Holmwood as he weeps for his diseased fiancée, Lucy. Lucy also offers to comfort Quincey P. Morris, another of Lucy’s suitors. Moreover, the men in the group praise Mina for her intellect; Van Helsing goes so far as to state “She has man 's brain, a brain that a man should have were he much gifted, and a woman 's heart” (Chapter 18, 30 September, Dr. Seward’s Journal). Lucy can type, follows her husband’s study of the law, and keeps an account of the entire adventure, but the men on her side insist that she is too weak to fight. Even at the beginning of the novel, Lucy states, “when we are married, I shall want to be useful to Jonathan, and if I can stenograph well enough I can take down what he wants to say in this way and write it out for him on the typewriter” (Stoker 43). This implies that the purpose of a wife is to be an accessory to her husband’s skills, and to be dependent on him for original ideas. Mina must operate under these terms and conditions in order to represent a facet of what women ought to be, and this standard and internalized mentality concerning the role of women in relation to men suggests that part of what it means to be

    Read More

  • The Women’s Rights Movement

    1484 Words  | 3 Pages

    In Judy Brady’s, “I Want A Wife” (1971) sarcasm or a humorous tone is expressed on the topic of what makes a wife. Brady repetitively states, “I want a wife” and begins to list what makes “a wife.” Brady defines a wife as someone who takes care of the children, cleans and cooks, gives up her ti...

    Read More

  • Power And Control In Chaucer's The Canterbury Tales

    459 Words  | 1 Pages

    It’s clear the wife enjoys hearing herself and fishing for a good argument, but she’s, rather, more clever than scholarly. This is because, when it comes to her feminist point of view, she believes her own experiences to be more accurate than a scholarly diatribe. Put simply, she finds that her experiences give her knowledge and knowledge is power. With this we can see a direct relation to the tales theme of power when the Knight seeks knowledge from the old hag. The Knight has the daunting task of answering the biggest question known to men. As Sigmund Freud has put so well, it is to answer "The great question that has never been answered, and which I have not yet been able to answer, despite my thirty years of research into the feminine soul, is 'What does a woman want?'”(Sigmund Freud, 1953) And when the knight receives his answer and returns to court, the two themes are reinforced because “Wommen desiren to have sovereynetee” (line 1038). Looking deeper into the meaning of the prologue and tale, we see that this is in fact the

    Read More

  • The Wife Of Bath In Chaucer's The Canterbury Tales

    1765 Words  | 4 Pages

    Going back to her prologue, The Wife seems to be criticized for something different she does by each of her husband 's. She can easily be seen as violent, demanding, too controlling, too lustful, and many other qualities. The Wife argues that no matter what women do or don’t do, they will always be criticized, “Thou seyst that som folk desiren us for richesse,/ Somme for oure shape, comme for oure fairnesse/ And som for she kan synge and daunce/ And som for gentillesse and som for/ daliaunce,/ som for hir handes and hir armes smale” (lines 257-262). While she makes a great point, she interjects these opinion’s during her tale as well. Interrupting the flow of her story to display her opinions in this way can lose the audience 's focus of the true meaning of the story. The story itself does a great job of bringing the role femininity into play without The Wife’s interjections. In the beginning of the tale, right after the queen orders the knight to go on his quest she gives him some hints. “Somme seyde wommen loven bset richesse;/ Somme seyde honour, somme seyde jolynesse,/ Somme rich array. Somme seyden lust/ abedde/ And oftetyme to be wydwe and weedde” (lines 925-928). This shows that women want more than materialistic things, contrary to popular belief. While these things aren’t bad to have, it means nothing if they do not have the power over their significant

    Read More

  • Kate Chopin's The Story of an Hour and Feminism in the 1800s

    1313 Words  | 3 Pages

    Many Americans, men and women, have become feminists to promote equal rights for women. Now when couples get divorced. the men don’t get everything; both the man and the woman have an equal chance to prove they are worthy enough to obtain assets and children. Usually, the female acquires the children and the male acquires the assets. “The Story of an Hour” might inspire some modern-day wives to oppose their husbands if their marriages are not going so well.

    Read More

  • On "Distant View of a Minaret"

    649 Words  | 2 Pages

    The bleak tone of this story takes a particularly sad and disturbing tinge when the wife illustrates a scene from early on in her marriage where she tries to get her husband to satisfy her desire and provide her with mutual satisfaction, only to have him rebuke and reprimand her. In fact, the husband responds in such a particularly brusque and hysterical manner that the reader can see how traumatized the wife would have been at ...

    Read More

  • Gender Roles in The Yellow Wallpaper by Charlotte Perkins Gilman

    1952 Words  | 4 Pages

    In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator and her husband John can be seen as strong representations of the effects society’s stereotypical gender roles as the dominant male and submissive female have within a marriage. Because John’s wife takes on the role as the submissive female, John essentially controlled all aspects of his wife’s life, resulting in the failure of the couple to properly communicate and understand each other. The story is intended to revolve around late 19th century America, however it still occurs today. Most marriages still follow the traditional gender stereotypes, potentially resulting in a majority of couples to uphold an unhealthy relationship or file for divorce. By comparing the “The yellow wallpaper” with the article “Eroticizing Inequality in the United States: The Consequences and Determinants of Traditional Gender Role Adherence in Intimate Relationships”, the similarities between the 19th century and 21st century marriage injustice can further be examined. If more couples were able to separate the power between the male and female, America would have less unhappy marriages and divorces.

    Read More

  • Theme Of Women In David Copperfield

    729 Words  | 2 Pages

    Within these marriages, readers get a sense of how education plays an important role in a successful marriage, as this fulfills both of their dreams of personal identity. Although women in the nineteenth century were viewed to be superior wives and mothers, manage the household, and perform domestic tasks, it was important for women to become educated as “an education was supposed to enable these girls to become successful women in society” (Leigh 117). Women were not meant to be “trained” in some way to become good wives, but needed to be formally educated in order to be a successful wife and

    Read More

More about Judy Syfers's Why I Want A Wife

Open Document