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In the Joy Luck Club, each mother-daughter relationship revealed key aspects that shaped their overall bond. One of the most common issue that was seen involved the issue of the daughters being too assimilated into the American culture to the point where their Chinese traditions and roots were completely ignored. The mothers feared that their daughters do not understand important customs of their Chinese background due to being raised the “American” way. Even though the daughters chose to make their own decisions, the mothers took some of the blame for their daughters not being informed about their Chinese heritage. For example, Waverly and her mother, Lindo Jong, experienced various conflicting issues between their American and Chinese backgrounds.
No relationship is ever perfect no matter how great it seems. In the novel The Joy Luck Club, written by Amy Tan, she tells the story of a few mother daughter pairs that are in a group named the Joy Luck Club. The Joy Luck Club is a group of women who come together once a week to play mahjong. The founder of the Joy Luck Club, Suyuan Woo, dies, leaving her daughter Jing-mei to take her place in the club. Her daughter, Jing-mei, receives money from the other members of the club to travel to China in order to find her mother's twin daughters who were left many years ago. In this book you get more of the details of this family and a few more. Amy Tan uses the stories of Jing-mei and Suyuan, Waverly and Jindo, and An-mei and Rose to portray her theme of, mother daughter relationships can be hard at times but they are always worth it in the end.
In the novel, The Joy Luck Club, by Amy Tan, it tells of four Chinese women drawn together in San Francisco to play mah jong, and tell stories of the past. These four women and their families all lived in Chinatown and belong to the First Chinese Baptist Church. They were not necessarily religious, but found They could improve their home China. This is how the woo's, the Hsu's, the Jong's and the St Clair's met in 1949.
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
In The Joy Luck Club, the novel traces the fate of the four mothers-Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair-and their four daughters-June Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. Through the experiences that these characters go through, they become women. The mothers all fled China in the 1940's and they all retain much of their heritage. Their heritage focuses on what is means to be a female, but more importantly what it means to be an Asian female.
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
... and in her hurry to get away, she (falls) before she even reach(s) the corner,” (87). This foreshadows the relationship between the mothers and daughters in The Joy Luck Club. The daughters can not understand the reasoning behind their mothers’ decisions. However, the mothers realize their daughters are so much like them and they do not want this to happen. The daughters grow up being “Americanized,” but as they grow older they begin to want to understand their Chinese culture. All of the characters learned many valuable lessons that will be passed on to their own children.
The Joy Luck Club is an emotional tale about four women who saw life as they had seen it back in China. Because the Chinese were very stereotypic, women were treated as second class citizens and were often abused. Through sad and painful experiences, these four women had tried to raise their daughters to live the American dream by giving them love and support, such things which were not available to them when they were young. These women revealed their individual accounts in narrative form as they relived it in their memories. These flashbacks transport us to the minds of these women and we see the events occur through their eyes. There were many conflicts and misunderstandings between the two generations due to their differences in upbringing and childhood. In the end, however, these conflicts would bring mother and daughter together to form a bond that would last forever.
The language between a mother and a daughter can create a huge brick wall in their relationship because they have different views on life, and how they should handle it. In the book "The Joy Luck Club," by Amy Tan, a story is told of An-Mei Hus and her daughter Rose Hsu Jordan, who is going though a divorce. An- Mei wants her daughter, Rose, to try and save her marriage. But Rose knows it’s pointless to try and upon that she decides to learn to stick up for her self, get a lawyer, and fight her soon to be ex-husband for the house. The relationship between An-Mei Hsu and Rose Hsu Jordan shows that language is a brick wall, because they don’t understand why wants what they want. Rose doesn’t care to save her marriage; she only wants to get the house. When her mother, An-Mei, wants Rose to fight to save her marriage, because it’s the Chinese way, and how the only way to keep her honor among her family.
The Joy Luck Club daughters incontestably become Americanized as they continue to grow up. They lose their sense of Chinese values, or Chinese tradition in which their mothers tried to drill into their minds. The four young women adopt the American culture and way of life, and they think differently than their traditional Chinese mothers do, upsetting the mothers greatly. The daughters do not even understand the culture of their mothers, and vice versa. They find that the American way of thinking is very different from that of the Chinese.
In The Joy Luck Club, the chapter "Waiting Between the Trees" illustrates major concerns facing Chinese-American women. Chinese culture is a male dominated culture that leaves women little freedom. Their only job is to make their male spouses content. Living with their traditional culture in American society, Chinese-American women suffer a conflict of culture. While their American husbands are active and assertive, they are passive and place their happiness entirely on the goodness of their spouses. In many cases, this passiveness can be seen as a weakness (Chinese-American Women 1-2) . By looking at two characters from the novel, Ying-Ying and Lena St. Clair, a Chinese mo...
The Joy Luck Club, is a film that shows a powerful portrayal of four Chinese women and the lives of their children in America. The film presents the conflicting cultures between the United States and China, and how men treat women throughout their lives. People living in the United States usually take for granted their roles as a male or female. The culture of each country shapes the treatment one receives based on the sex of the individual. Gender roles shape this movie and allows people, specifically the United States, to see how gender are so crutcial in othe countries.
Throughout the novel, The Joy Luck Club, author Amy Tan explores the issues of tradition and change and the impact they have on the bond between mothers and daughters. The theme is developed through eight women that tell their separate stories, which meld into four pairs of mother-daughter relationships.
The movie, The Joy Luck Club, focuses around the lives of four Chinese mothers and their Chinese-American daughters. The story takes place a few months after Junes mother, Suyuan has died. The mothers and daughters hold very different principles, where the mothers are still very traditional to their Chinese upbringings the daughters are much more “American.” The movie can be viewed from the Feminist Literary Theory, since the 8 main characters are female. The women’s life stories are told through a series of flashback scenes that deal heavily with female gender roles and the expectations of women. While the mothers and their daughter grew up in vastly different worlds, some of their experiences and circumstances correlate solely due to that fact that they experienced them because they are females.
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.