Journeys in Frost and Eliot's Literature

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There are reasons that the Lord of the Rings trilogy has spanned nearly one hundred years, allowing children to connect with their grandparents through their love of the tale, and that stories like Harry Potter have defined a generation: the story of a journey is one that audiences love to hear. Reading and watching about journeys can make the reader/watcher experience that journey with the characters. Journeys, however, do not have to be fantastical or magical to be powerful to a person. T.S. Eliot and Robert Frost, for example, were both modernist poets, but they were creators of journeys that seemed much simpler. This is not to say, however, that the journeys they wrote of were incredibly similar. Eliot’s “The Love Song of J. Alfred Prufrock” and Frost’s “The Road Not Taken” both depict in first-person form physical journeys by the speakers, through a city and through the woods, respectively, but also the metaphorical journey taken through life. The speakers of each of these poems are in different stages of their life-journeys, which provides them each with a different perspective. The speakers also have very different attitude to their journeys, showing that the stage and setting of a journey can greatly affect how that journey is perceived by the journeyer.
These poems have radically different settings, which sets the tone for each of the pieces. In Frost’s poem, the speaker finds himself one morning in a “yellow wood” (1), and no other people are apparently present. Both of the roads are “grassy” (8) and have “leaves no step had trodden black” (12), which implies that the roads are generally not traveled very frequently, and certainly not very recently. In Eliot’s poem, it is nighttime, which is likened to a “pat...

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...hoices, Eliot shows the opposite outcome of depression and regret from a lifetime of indecision. Whether it is a far-away land of fantastical beings, the woods down the street, or perhaps the nearest city, a journey will always yield a different experience, and indecision is just as much a decision as any other. Choosing to remain inactive in a world that calls for action is to choose to grow old and have nothing of substance to look back on, since nothing was ever done.

Works Cited

Baym, Nina. The Norton Anthology of American Literature. Volume D. 8th ed. New York: W. W. Norton, 2012. Print.
Frost, Robert. “The Road Not Taken”. Baym 241-2.
Eliot, T.S.. “The Love Song of J. Alfred Prufrock”. Baym 368-371.
Irwin, William. “Prufrock’s Question and Roquentin’s Answer.” Philosophy and Literature. Volume 33, No. 1 (April 2009): 184-92. Web. 5 May 2014.

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