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Joseph conrads heart of darkness as a modern novel
Representation of imperialism in the heart of darkness
Racialism in the Heart of Darkness
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Recommended: Joseph conrads heart of darkness as a modern novel
Since its publication in 1899, Joseph Conrad?s Heart of Darkness has undergone a great deal of controversy. Some have found the novel a great masterpiece of Western literature, while others take offense to its contents. One of the most controversial themes of the novel is that of racial degradation. Throughout Heart of Darkness we see a great deal of racism, and I believe this is due to him trying to point out the racism in society. In the novel, Conrad was trying to call attention to the problem of racism through his depiction of racial degradation of the African natives. Conrad was subject to racial tendencies due to the time period, but it is obvious through his actions and feelings of the character Marlow that his overall purpose of the …show more content…
which was a phrase you wouldn?t hear much considering the time period. He goes on to describe them shouting, singing and sweating. He writes, ?They had faces like grotesque masks- these chaps; but they had bone, muscle, a wild vanity, an intense energy of movement that was as natural and true as the surf along the coast?They were a great comfort to look at? (1966). Initially he gives them a wild, untamed description, but this leads him to watching them in awe. He calls them ?chaps,? as he did to his friends and co-workers that he referred to as chaps earlier. Conrad describes the Africans by writing, ?They had bone, muscle.? Just like him, they were human. They were different, but they were natural and true, not changed by society?s advances. Conrad went on to say, ?They were a great comfort to look at.? Marlow watches them in amazement and …show more content…
I feel that Conrad is trying to create a feeling of equality and peace between the Europeans and the Natives. Deeper into the jungle, Marlow runs into a ?man-o-war.? When speaking of a camp of natives, the man calls them ?enemies? (1961). Shortly following, and after a personal encounter with some natives, Marlow says, ?these men could by no stretch of imagination be called enemies? (1968). They were innocent. The colonists came into Africa and drove the Natives over the edge. They invaded their country and without taking some sort of defensive action, the natives would certainly die. The heartless colonists were the real enemies and Conrad acknowledges this through Marlow. During his journey into the Congo, Marlow comes into contact with a chain gang. Conrad writes, ?They walked erect and slow?I could see every rib, the joints of their limbs were like knots in a rope; each had a collar on his neck and all were connected together with a chain?they passed me with that deathlike indifference of unhappy savages? (1968). Of coarse, calling the natives ?savages? sounds racist, but I believe Conrad intended this to be an example of the hell the natives were put through. The colonists pushed them to the point where their lives were meaningless, like savages living for nothing. In Marlow?s detailed description, it is obvious that he feels sorry for these men. He looks at them, and sees that they
Conrad’s character Marlow describes the natives as having “a wild vitality” and their “faces like grotesque masks.” These remarks demonstrate his fear and reinforces the distinction between himself and the natives.
In Heart of Darkness, cultural identity and the dominance of the European, white male is constructed and asserted through the constructions of the "other", that is the African natives and females, largely through language and setting. Thus, while claims of Conrad's forwardness in producing a text that critiques colonialism may be valid, Heart of Darkness is ultimately a product of it's time and therefore confirms the contextual notions of difference.
Conrad's racism is portrayed in the actions and perceptions of Marlow along his trip up the Congo. Marlow's views of the area during the beginning of the trip are given as inhumane, and uncivilized. The Heart of Darkness for Marlow is the ignorance and brutality that he witnesses from natives as well as Whites that are met upon his trip.
The diaries Conrad kept during his journey through the Congo gives detailed descriptions of the monotonous African landscape. Conrad wrote that the landscape of the African coast looked the same every single day.[1] This is reflected in Marlow’s narration of the jungle where shapes and forms cannot be made out clearly. The monotonous landscape differed from what Conrad had expected of this exotic location. When he was still a young kid, he had once boasted that he would someday journey to the heart of Africa. However, the actual journey was not at all what he expected it to be. Conrad was shocked at the men in the African colony. He was repulsed by the European colonizers because of the horrible treatment of the natives as well as the unlawful aggressive pursuit of loot. Conrad witnessed atrocities committed by the European colonizers, which helped to form his opinions on the colonization of Africa. In the novel, Conrad uses sarcasm to display his displeasure towards the European colonizers’ treatment of the natives. The Europeans in the book are called pilgrims and the natives are called cannibals, however the pilgrims are the ones who are much more willing to use force to resolve their problems.
The story Marlow shares with the other men, is a story of reflection. It is a mirror, like most experiences are. Experiences in our lives that teach us and reveal something in our lives that had to be fixed. In this case Marlow (or Conrad) uses Africa as the mirror into the hearts of early Europeans that wished to colonize and only help profit the "less unfortunate". What was it exactly that this unchartered land had in store for Marlow?
Conrad’s main character Marlow is the narrator for most of the story in Heart of Darkness. He is presented as a well-intentioned person, and along his travels he is shocked by the cruelties that he sees inflicted on the native people. Though he is seemingly benevolent and kindly, Marlow shows the racism and ignorance of Conrad and in fact of the majority of white people in his era, in a more subtle way. Marlow uses words to describe the blacks that, though generally accepted in his time, were slanderous and crude. He recalls that some of the first natives he saw in the Congo looked at him “with that complete, deathlike indifference of unhappy savages” (80; part 1). Marlow casually refers to the Africans with the most offensive of language: “Strings of dusty niggers arrived and departed…” (83; part 1). To Marlow, and thus to Conrad, the Africans are savages, dogs, devils, and criminals. Even the stories that Conrad creates for Marlow to narrate are twisted and false. The natives that Marlow deals with in the book are described as cannibals, and they are even given dialogue that affirms th...
This Universal Human Condition is a very broad topic which can be analyzed from many perspectives. The human condition composes the essentials of human existence, such as birth, growth, emotionality, aspiration, conflict, and mortality. In the Heart of Darkness, “darkness” displays the inability to see any description of the human condition and its has profound implications. The racism in the Heart of Darkness is the result of the failure to see others. Failing to see another human being, failing to understand different religions, philosophy, history, art, literature, sociology, psychology, and biology, means failing to understand that individual and failing to establish any sort of sympathetic communion with him or her. Joseph Conrad illustrates
The first time Marlow meets Kurtz is in this scene. It shows Kurtz not only depends on the natives for physical support but also for protection. Conrad's portrayal of the natives as "human beings with wild glances and savage movements" is ironic because Conrad does not think they have the right to be put on the same level as the white man even though Kurtz could not exist without them. The natives are Kurtz's followers and worship him like a god and yet they are seen as only a part of the jungle that is "dark" and "undiscov...
Through several examples, Conrad often shows the pointlessness and savagery of the English colonization in Africa. Probably the first instance of this is when Marlow comes up to the French-man who is "shelling the bush". In this scene, the French see something move and so they start shelling it for that reason. The shelling really does no good; if fact, it probably does not even kill what is out there. This represents what the English are doing in a way -- they are trying to conquer a land by shelling it to death and by trying to kill all the people who live there. The next example that Conrad gives is when he sees the black guard, who is leading the black slaves in a chain gang, straighten up when he sees a white man. What this shows is how everyone tries to look better than they are when they are in front of a supposed superior person. Also it shows that if a person can suck up enough -- and sometimes betray their own people -- they can move up in the world.
Few pieces of literature have received as much acclaim and criticism as Joseph Conrad’s Heart of Darkness. In his essay “An Image of Africa: Racism in Conrad’s ‘Heart of Darkness’”, Chinua Achebe attacks Conrad and brands him a racist for his dehumanizing descriptions of Africans. When responding to the argument that it is the protagonist Marlow, rather than Conrad, from which the novel’s racism stems, Achebe argues that Conrad’s failure to provide “an alternative frame of reference by which [to] judge the actions and opinions of his characters” is an indication that Conrad shares the same bigotry as Marlow (Achebe). However, Conrad’s diction, as well as his depiction of Marlow, indicates that much of the blatant racism throughout Marlow’s
Despite the opinion of certain critics, Conrad did not create Marlow to be a prejudice character. One of his first Marlow?s first Reactions to the villagers is the exact opposite, ?They were not enemies they were not criminals??(Conrad, 189) While his initial response may not seem altogether accepting, it is far beyond the understanding of his peers. As the story continues Marlow is slightly sarcastic in his understanding of the villagers, ?Fine fellows-Cannibals-in their place. They were men one could work with, and I am grateful to them. And, after all, they did not eat each other before my face? (189)? Marlow shows his ability to be sarcastic in the face of popular criticism, even making the mold step to refer to these African?s as ?Fine Fellows?(189), ?They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of they humanity-like yours-the thought of your remote kinship with this wild??(189) Although the natives...
Joseph Conrad creates a motif of light and darkness within society, never quite placing Marlow on either side, and thus isolating him from everyone else. When first getting to shore, Marlow refers to the natives as criminals, creatures, and savages. This immediately gives the reader the idea that Marlow thinks himself different than them. One of the first things he notices when seeing them is their midnight black skin and that “each had an iron collar on his neck, and all were connected together with a chain” (Conrad 70). By describing the dark skin of the natives, Conrad manipulates Marlow to think of them as the dark part of society. The chain ties the natives together literally but also figuratively. This metaphor is created to show the unity between the natives and that, whether by force or by choice, they stick together. Although the natives may not have much else, they have each other’s company which is later used to juxtapose the isolation in Marlow. When meeting the white men in the Congo, his reaction is quite different. After taking in the acco...
From the start of Marlow’s journey into the African Congo it is apparent that he is a product of the colonialist European society, which is where the first oppositions of black and white evolve. Marlow understands the premise behind colonialism, but is unprepared for the savagery and the wilderness of the heart of darkness. This is most apparent when Marlow encounters the “grove of death”, where many natives are sick and dying, yet Marlow, although confronted, is unable to deal with this foreign situation. He encounters a young boy with a piece of white European yarn around his neck. In this instance white is usually associated with purity, and innocence, yet Conrad challenges many of these assumptions, with the white piece of thread used as a symbol of the evil of colonialist practices. The white thread remains a constant reminder which forms a contrast to the black child, it looks out of place and artificial, and thus, is symbolic of the colonialist practices. Marlow responds to the situation with questions - "Why? Where did he get it?" (27) - showed that he had not yet come into an understanding of the effects of imperialism on the wilderness. This is further emphasized when he giv...
Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a batallion of troups. This sight angers Marlow and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.
I have to agree with the statement that ‘the novel Heart of Darkness has two contradictory sides in its treatment of the African characters and land’. I can see the reasons why it is said that while Joseph Conrad writes about the feeling of sympathy he felt for the native Africans in the novel, at the same time he actually writes the novel from a Eurocentric point of view. I cannot deny it that there are positive things that show some of the Europeans are not too good that were being portrayed in the novel, but for me it was just so that the readers would not realize the fact that it was written from a Eurocentric point of view. In this essay, I will provide some details and quotations from the novella and also from other sources in order to make my opinion concrete on why I agree with the statement. From what I have read, Joseph Conrad wrote the novel using his own experiences from his early life in Congo. In addition, in the novel, Marlow is the main character so I assume that Marlow is actually the representation of Joseph Conrad himself.