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Proper interpretation of the bible
Milton's Satan as the villain of the story
Miltons satan as heroic figure
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Throughout time, John Milton's Paradise Lost has been studied by many people and comprehended in many different fashions, developing all kinds of new interpretations of the great epic. There have been many different interpretations of this great epic. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. All through out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.
Milton's introduction of Satan shows the reader
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"In the forefront of the battle, where we expect him, is Milton's Satan, the great rebel of Paradise Lost" (Hamilton 7). Hamilton also introduces the idea of an underdog, describing Satan as a person fighting against an inferior power, with extreme odds against a victory for his side (14). In the scenes around the battle in heaven, Milton shows how Satan is viewed as a leader by the other fallen angels.
There are other speeches of war in the epic that arouse the reader. One of the most significant is after Satan has made a meeting in the new Capitol of Hell, Pandemonium. "To have built Heaven high towers; Nor did he scape \ By all his engines but was headlong sent \ With industrious crew to build in Hell" (Milton 55). Following the rapid building, all the fallen angels gather for their meeting asking shall it be war or peace. "Their rising all at one was as the sound \ Of thunder heard remote. Towards him they bend \ With awful reverence prone, and as a god" (Milton 79). When his followers cheer Satan on, the reader notices how much he likes the attention. This is another sign of how Milton shows the significant role that Satan's pride plays in his decisions. In many different encounters Satan lets his pride interfere with his actions. In doing this, Satan begins to worry only about himself and the opinions his followers hold of him. Satan continues with the speech saying, "Should we again provoke \ Our Stronger, some worse way his wrath may find \ To our destruction" (Milton
Furthermore, within these two main models of heroism critics mostly attempt to define the characters of Satan, Adam and the Son of God, depending on their characteristics throughout the poem. Historically, it has been the character of Satan who is defined as the hero of Milton's epic, one who was defined by the Romantics as a 'tragic-hero'. At the beginning of the poem he is presented as one with an iron fast will, who will overcome his challenges in order to gain a victory, like the heroes of the classical epics. Upon waking up, cast out of Heaven by God, Satan's first action is to attempt to rally his troops, defiantly proclaiming that they can “make a heaven of hell, a hell of heaven. ”4 (PL, I: 255, p.156) Milton manages to create a Satan so vivid and compelling it is little wonder that so many were drawn to this figure,
Milton’s Paradise Regained tells the story of The Son of God’s temptations by Satan. Milton takes his own version of how he imagines the biblical story. We see the temptations of Christ throughout Paradise Regained amplify in intensity and put spiritual last through Milton’s choice of order. Previously Satan has attempted to tempt The Son of God with food, turning stone to bread, even after fasting for forty days. The Son of God stood his ground and rightfully resisted even though it would not only feed him but others as well. Milton abided by the version of Luke temptations and continues next with the temptation of kingdoms. Satan in attempt to further his argument discusses the idea of glory with the Son of God. Satan then continues to tempt worldly power, dominion, and authority through the Kingdom of Rome. Again, The Son of God resists. The Son of God replies that Job and Socrates were not motivated by glory or conquering but still “lives now/ Equal in fame to proudest conquerors (PR.3.98-99).” Through lines 108-120 of Book 3, we hear Satan’s argument for glory, that God seeks glory and it mustn’t be such a bad thing. Oftentimes, we focus on the Son of God’s rebuttals with Satan but the idea that Satan tempts The Son of God to be more like God, who wants glory truly intrigued me.
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
There have been many different interpretations of John Milton's epic, Paradise Lost. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. Through-out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.
Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.
According to the Christian religion the Devil, or Satan, is the source of sin and temptation. It is believed that there was a war in heaven against the rule of God and that Satan lead away many of the host of heaven to become fallen angels as God expelled the traitors from the heavens. John Milton wished to write a poem by which he could be remembered as the authors of the odyssey, Iliad, and the Aeneid. He did this in the form an epic poem about the story of Eden. Milton’s poem is written from the point of view of Satan and in such a way that he appears to be the heroic figure of the tale. Satan is given lines to uplift the demons of hell, seeming to empower them and as he sets off to derail the lives of Adam and Eve, the insight the reader has into the thoughts of the Devil almost make him appear to be the hero. The Satanic character of Milton’s Paradise Lost is shown to be primarily motivated by revenge against God, the creation of chaos, and the gain of power yet somehow he is stilled viewed as the hero to the reader and the other fallen angels in the story.
The identity of the true protagonist in Paradise Lost is a mystery. One would gather that Milton, a Puritan, would have no problem casting God as the hero, and Satan as the antagonist. However, looking back in history, Milton saw that most epic heroes had conflicts that prevented them from accomplishing their goals. God and his Son have no conflict, and Adam’s story does not really begin until the Fall of Man. Therefore, Milton was forced to select Satan as the hero of Paradise Lost because he adheres to the guidelines of epic poetry set by Homer, Virgil and others. There are many examples of how Milton uses and edits the tradition of these previous epics in the formation of the Devil as a hero. One of the most basic examples of heroism in epic poetry is the exhortation of the leader to his followers. In The Odyssey, Homer lets Odysseus give a speech that would convince anyone they could survive the journey to the Strait of Messina, "Then we die with our eyes open, if we are going to die, or know what death we baffle if we can. (Ln.1243-1245)" After passing the Sirens, the ship approaches the Strait, and the crew sees the twin terrors of Scylla and Charybdis, they are mortified. Odysseus again lifts their spirits with this speech, "Friends, have we ever been in danger before this? More fearsome, is it now, than when the Cyclops penned us in his cave? What power he had! Did I not keep my nerve, and use my wits to find a way out for us?
The question of whether Satan is the hero or the villain of John Milton’s Paradise Lost has been largely debated by scholars over the centuries. The ones who believe Satan is the villain of the epic, more commonly known as the Anti-Satanists, tend to argue that Satan is too foolish to be considered a hero, as his “hostility to Almighty power” is ultimately a futile endeavour (as God’s power is omnipotent) (Carey, 135). C.W. Lewis, also an anti-Satanist, goes as far as to claim that to “admire Satan, then, is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking” (Lewis, 203). The ones who claim Satan is the hero of the epic, the Satanists, perceive him as the rebellious angel who rises up and defies God’s monarchy and “the tyranny of Heav’n” (174).They choose to focus on Satan’s “nobler qualities, his loyalty in leadership, fortitude in adversity, unflinching courage and splendid recklessness” (Satan/Promo, 3). While these two positions are both valid, this paper will be focusing on a third position; the individuals who believe that Satan is neither the hero nor the villain of the epic. Helen Gardner addresses this notion, claiming how “Satan is, of course, a character in an epic, and he is no sense the hero of the epic as a whole. But he is a figure of heroic magnitude and heroic energy, and he is developed by Milton with dramatic emphasis and dramatic intensity” (Baker/Helen, 208). Satan is without a doubt the antichrist, or “villain” in the biblical scriptures, however one must take into consideration his alternative and more ambiguous portrayal in Paradise Lost. In this paper, I will analyze Satan’s actions, physical portrayal and speeches in Book I of Paradise Los...
It is thus that Books I and II of "Paradise Lost" are so unique, as is the alternative, and less-frequently explored world of the devils, is probed in such a. fascinating manner of the story. Milton uses the story of the fallen angels to open up on numerous eras, civilisations, myths and stories, allowing him to convey his own. perception of the world's history, as the reader is guided through various. points in time to be made. Before we are introduced to the individuals, Milton. depicts an enormous army of different species, each of changeable size and.
“While he sought/Evil to others; and enraged might see/How all his malice served but to bring forth/Infinite goodness, grace and mercy shown/On man by him seduced, but on himself/Treble confusion, wrath and vengeance poured (Milton 311 & 312).” This quote foreshadows the end result of Satan’s tyranny on man. His tyrannical efforts are futile in the end of this “eternal war” (Rosenblatt 215). Instead of forever ruining the species made in the image of God, Satan’s reign of evil left him, in turn, in a miserable defeat, “Chained on the burning lake (Milton 311 & Auslin
Although the epic poem centers around the story of the fall of man, it is interesting that Milton intertwines in this story the fall of Satan from heaven and the consequences it has not only for Satan himself, but for Adam, Eve, and the world as a whole. Milton allows the reader to see the fall from the point of view of Satan, God, as well as Adam and Eve. Because Milton gives insight into these characters feelings regarding the fall, it is no surprise that he uses “eternal providence” in conjunction with the stories of Satan, Adam, and Eve. The providence being described here is the knowledge of good and evil. However, ev...
The great debate whether Satan is the hero of Milton’s Epic Poem, Paradise Lost, has been speculated for hundreds of years. Milton, a writer devoted to theology and the appraisal of God, may not have intended for his portrayal of Satan to be marked as heroic. Yet, this argument is valid and shares just how remarkable the study of literature can be. Milton wrote his tale of the fall of man in the 1674. His masterpiece is an example of how ideas of a society change with time. This is because it wasn’t until the 1800’s during the Romantic era, that people no longer saw the hero of literary works as perfect in every way. It started to become more popular to develop the flawed character similar to the ones written in the classics. A literary criterion that is based on a protagonist, who undergoes conflict on the outside and from within and is prevented by a specific flaw to accomplish their main goal, creates an epic Hero. In Paradise Lost, God does not face conflict because he is perfect and all-knowing, and Adam’s conflict is not presented from the very start, Satan’s is. Because Satan is the main character of the work and possesses qualities that would deem him heroic, such as his determination against tough odds, his ability to lead, and his human-like nature to error, he can be seen has the Hero of the famous poem.
Satan possesses similar qualities to the epic heroes of antiquity, except in a distorted and unorthodox manner. By placing a villainous character as the seeming hero of his work, Milton satirizes the epic tradition. As stated by Matt Wallace in his essay, “A Devil of a Problem: Satan as Hero in Paradise Lost”, “Milton wrote Paradise Lost as an inverted epic or anti-epic. He has twisted and reversed the epic conventions to conform them to his retelling of the Biblical account of Creation and the Fall as given in Genesis” (Wallace). The epic tradition calls for the hero to possess distinct traits and experience certain events, all of which Satan embodies and encounters.
In Milton's Paradise Lost, he writes the story of the fall of Satan, his followers, and mankind. Many critics often view Satan as the unlikely or tragic hero of the epic poem. Satan is, obviously, the main character throughout most of the poem, but not necessarily the hero. Satan's main purpose is to fight G-d, and try to be on the same level as Him. The important thing is to realize that Satan is sin, and being humans, who are all born into sin, we can easily relate to a sinful character. G-d is holy and perfect. This is something which we, being fallible humans, cannot begin to comprehend. Satan does, at the beginning, follow many of the attributes which coincide with Aristotle's definition of a tragic hero; however, after the first few Books, Satan looses his status as a tragic hero rather rapidly. Along with this, Satan's thoughts parallel the idea of "Evil, be thou my good," (p76, line 110) which is the opposite of what G-d intends.
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)