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Satan as a leader in paradise lost
Satan as a tragic hero in the paradise lost by Milton
Satan as a tragic hero in the paradise lost by Milton
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Satan, as a character, has been satirized, mocked and made foolish in our modern world. John Milton, however, presents quite a different Satan from the devil-on-your-shoulder image people are used to seeing. In Paradise Lost, Milton draws on the Bible for his source of Satan’s character, thereby creating a horrifyingly corrupt Satan. Despite this portrayal, readers often find themselves sympathizing with Satan’s cause, and his determination, viewing him as a hero for his cause, as evidenced by his long, brave speeches. Later, however Satan’s speeches begin to show signs of regret, making the reader question their initial reaction to him. In the end the image of Satan is further skewed by his own incriminating speech. Thus, the speeches of Satan, which initially draw readers to be supportive of his plight, later reveal his truly destructive character, resulting in the reader disliking Satan more than if he initially presented himself as a coward.
Early on in Paradise Lost, Satan is found in conversation with his right hand man, Beelzebub, plotting another attack on Heaven. In this conversation, Satan establishes himself as a defender of freedom, a role that is attractive to readers. This is demonstrated in his speech in Book 1, where he says, describing Hell:
Here at least We shall be free; th’ Almighty hath not built Here for his envy, will not drive us hence: Here we may reign secure, and in my choice To reign is worth ambition though in Hell: Better to reign in Hell, than to serve in Heav’n (1.258-263)
Readers admire Satan’s independent attitude, that he feels he would rather be free and reign in Hell, than be under someone else’s authority in Heaven. This speech elevates Satan in the minds of readers to hero status, willing to defend what he believes in, even if it means suffering. His advocacy of freedom gains him reader support, which serves useful later in the poem when Milton uses this perception to highlight Satan’s destructive attitude. Milton is able to do this because it is always worse, and more shocking to see a liked individual reveal himself to be bad, than to always know a bad individual to be bad. Thus, the initial support that Satan gains from readers is designed to alienate him further when his evil side prevails.
As the character of Satan progresses, the reader becomes less willing to accept Satan’s goal of freedom of choice. This is...
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...n. Satan’s goal of freedom of choice has been lost in his hate. This aspect of Satan serves as the final stage in a reader’s transition from viewing Satan as the brave leader of a just cause, to viewing him as a lowly coward.
Thus, when the character of Satan is traced through its evolution of Paradise Lost, the reason behind the order of development can be seen. Milton’s desire to create a strong hatred of Satan is achieved best by highlighting Satan’s good points first. Then, when Satan’s real character begins to emerge, the reader is appalled at the actions of their “hero”, causing them to dislike him more than had he originally been a bad character. The reader’s distaste for Satan is strengthened by Satan’s shift in motives. The conquering of humans, which he originally presented as a rebellion against God and his authoritative rule, later came to be about pure corruption and hate. It’s therefore possible to say that if Satan had never given up on his original reasoning, he would still be the hero of Paradise Lost.
Works Cited
# Milton, John. “Paradise Lost.” The Norton Anthology of English Literature.
# Ed. A.H. Abrams. New York. W.W Norton and Company, Inc 2000. 1817-2044.
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Across these three works Satan was transformed from a seductive, but flat, character, to a suffering monster, to a complex, multidimensional antagonist. Within the Christian world, Satan provides an interesting representation of evil. He can be used to demonstrate the charms of sin or its consequences. The these three works demonstrate a changing and increasingly complex understanding of evil and sin.
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Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
From the very beginning of time, many people believe that Satan is evil because they weren’t taught otherwise, but john Milton proves it in his poem that Satan is very much just like us, and you can be sympathetic for Satan because he disobeyed God .In paradise lost by John Milton, Satan is a sympathetic character because he comes off more like man then the figure of God. Anything he does, Feels, or acts on is just like a human
When a person hears Satan, a streak of fear, and the thought of evil, arises. People fear Satan, and think of him as evil, but in John Milton’s Paradise Lost, he displays a thought of the Father being the evil being, and Satan a tragic hero. In Paradise Lost, Book 1 and 2, the minor areas where God is shown, He is displayed as hypocritical. He contradicts himself by creating the humans to be of free will, but when Satan displays free will, he is shunned. Satan can be described in many terms, and by many people, but all can be disputed.
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Milton's introduction of Satan shows the reader how significant Satan is to Paradise Lost. He uses Satan's heroic qualities to his followers, and his ability to corrupt to show the thin line between good and evil. Satan was one of the highest angels in Heaven and was know as Lucifer, meaning, light bearer. This shows he was once a good angel. Milton makes the reader see him as a leader and a strong influence to all in his presence. He best describes Satan's ways when stating, "His pride/ had cast him out from Heaven, with all his host. / Of rebel angels, by whose aspiring/ To set himself in glory above his peers" (Milton Book I). Satan's pride was the main reason that God banned him from heaven. Satan always tried to be number one and a leader, instead of following in God's shadow. He would of lived a life in Paradise forever, but he had to follow his feelings as he states, "Better to reign in Hell than serve in Heaven" (Milton 31). This shows how strongly he felt about not being above everybody else.
MacCaffrey, Isabel. "Satan’s Voyage". Modern Critical Views: John Milton . Bloom, Harold, ed. Chelsea House Publishers: New York, 1986.
Helen Gardner addresses this notion, claiming how “Satan is, of course, a character in an epic, and he is in no sense the hero of the epic as a whole. But he is a figure of heroic magnitude and heroic energy, and he is developed by Milton with dramatic emphasis and dramatic intensity” (Baker/Helen, 208). Satan is without a doubt the antichrist, or “villain” in the biblical scriptures, however one must take into consideration his alternative and more ambiguous portrayal in Paradise Lost. In this paper, I will analyze Satan’s actions, physical portrayal and speeches in Book I of Paradise Lost, and argue that from the textual evidence, these aspects of Satan are ultimately ambivalent, thus Satan cannot be categorized as either the extreme hero or the extreme villain, but rather as a dramatic figure with both heroic and villainous characteristics. The preliminary depiction of Satan’s actions in Paradise Lost appears after Milton describes God, his kingdom of heaven, and his children Adam and Eve.... ...
Following the standards of classic tragic heroes, Satan is a determined leader with an extreme amount of hubris. He knows that God is the most powerful being and yet he still rises against him, wanting more than just God’s highest approval. As compared to most tragic and epic heroes, Satan begins in a position of supreme status but his tragic flaw leads to his downfall. In Book I, Milton describes Satan’s fatal flaw of hubris:
In Milton's Paradise Lost, he writes the story of the fall of Satan, his followers, and mankind. Many critics often view Satan as the unlikely or tragic hero of the epic poem. Satan is, obviously, the main character throughout most of the poem, but not necessarily the hero. Satan's main purpose is to fight G-d, and try to be on the same level as Him. The important thing is to realize that Satan is sin, and being humans, who are all born into sin, we can easily relate to a sinful character. G-d is holy and perfect. This is something which we, being fallible humans, cannot begin to comprehend. Satan does, at the beginning, follow many of the attributes which coincide with Aristotle's definition of a tragic hero; however, after the first few Books, Satan looses his status as a tragic hero rather rapidly. Along with this, Satan's thoughts parallel the idea of "Evil, be thou my good," (p76, line 110) which is the opposite of what G-d intends.
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)