Johannes Brahms Vergebliches Ständchen

1558 Words4 Pages

One of the most famous German composers of the romantic erra was Johannes Brahms. Brahms mastered in composing both concert and recital literature. Though he was a very self-critical composer, and he took longer to complete some his most ambitious pieces, he created beautiful literature for a variety of instruments. For voice, Brahms is believed to have composed over 100 German lieder songs. Some standard lieder songs that are often performed by vocalist today are “Vergebliches Ständchen” “Wie Melodien zieht es mir”. “Vergebliches Ständchen” is a dialogue that is happening between a young man and a young lady. The young man is calling upon the girl who has little interest in him. “Wie Melodien zieht es mir” is a recount of how a sweet melody …show more content…

Thank you Und beschworst darin die Bösen, And conjured up in them the evil, Bis ich, was ich nie gewesen, till I, which I have never been sacred Heilig an das Herz dir sank, blessed sank to the heart of you, Habe Dank! Thank you! The Hermit songs are a wonderful American song cycle by contemporary composer Samuel Barber. The Hermit songs are a set of 10 songs. The text stem form anonymous authored poems written by Irish monks in the from the 8th to 13th centuries. Samuel Barber was great friend of the great opera superstar Leontyne Price. We wrote these Hermit songs with her voice in mind and would continue to write for her voice. They performed a premier concert of the Hermit songs with Baber at the piano in 1953. Since then, the Hermit songs have become a standard song cycle in vocal literature, especially for sopranos. 4. The heavenly banquet I would like to have the men of Heaven in my own house; with vats of good cheer laid out for them. I would like to have the three Mary's, their fame is so great. I would like people from every corner of Heaven. I would like them to be cheerful in their

Show More
Related

  • Analysis Of Bernard's 'Song Of Songs'

    1311 Words  | 3 Pages

    Throughout Bernard's collection of sermons, he justifies the central concerns of the “Song of Songs” within his selected works. He develops a creed of mystical contemplation, meditation, and personal connection with God. Bernard, using an allegorical approach, wrote about the “Song of Songs” and his sermons creating the metaphor of the church, stressing the importance of love in knowing service to God. The “Song of Songs” has many interpretations within the love poem, and Bernard conveys them by discussing what the “Song of Songs” is, dives into what the kisses are that indicate the progression of the soul, describes who the four kinds of spirits are, and identifies the bride and Bridegroom. With Bernard discussing what the “Song of Songs” is, he first starts with his interpretation of the title and then goes into what the book is about.

    Read More

  • Johannes Brahms

    1737 Words  | 4 Pages

    Johannes Brahms was a German Composer, Pianist and conductor of the 19th century or the Romantic period. He was one of the 3 B's or the Big three: Bach, Beethoven and Brahms. Johannes was a very self-critic man he burned many of his pieces before he could get anyone's opinion on them and he burned all of his compositions that he wrote before the age of 19.

    Read More

  • Johannes Brahms' Cultivation of Musical Architecture

    1966 Words  | 4 Pages

    Johannes Brahms, a striking individual of unmistakable character, is defined by his compositions as meticulous and enlightened. His comprehensive grasp on classical and baroque form, with his familiarity of counterpoint and musical development, allowed him to effortlessly traverse and cultivate upon the musical architecture laid out by the likes of Bach and Beethoven. Born in Hamburg in 1833, he was the son of Johann Jacob Brahms, who travelled from North Germany, in which the family name “Brahms(t)” propagated (Musgrave 4). His father being a musician by profession instigated Brahms into his own domain of music. With Brahms’ first instruments being the violin, cello and the natural horn (predecessor of the French horn), it was discovered that the genius possessed absolute pitch and had also developed a system of notation on his own even before formal introductions into music (Musgrave 9). His astonishing understanding of musical rudiments was further cemented at age seven by his first teacher Otto Friedrich Willibald Cossel, with piano literature ranging from Bach to Schubert to Clementi (Musgrave 10). The young gifted talent quickly matured, with his compositions being sedulously characterized in craft similar to the seasoned taste of aged liquor. Following in the wake of Beethoven, his style of romanticism seemed restrained, and viewed as being confined to classical forms. With his preference towards absolute music, his works demonstrated “as [Ian] McEwan/ [Clive] Linley would have it, at the intersection of emotion and reason” and of “powerful intellect and of passionate expressivity” (Platt and Smith 4). However, being the headstrong romantic that he is, he manipulated the limiting factor into an area of expanse, in which he...

    Read More

  • Compare And Contrast Wolfgang Amadeon And Beethoven's Symphony No 40

    709 Words  | 2 Pages

    Wolfgang Amadeus Mozart and Ludwig van Beethoven are very famous past composers that have created many pieces that have influenced not just people of their time, but people in modern times as well.

    Read More

  • Analysis Of Clara Schumann

    1156 Words  | 3 Pages

    A peer to such keyboard greats - such as Rubenstein, Thalberg, and Liszt - Clara Schumann (1819-1896) was a brilliant pianist and composer. Carrying a career which extended over sixty years, Schumann contributed a great deal of repertoire to the world of Lieder. Much like her performing technique, her compositions were famous for carrying a beautiful tone and poetic temperament. In analyzing Clara Schumann’s Liebst du um Schönheit, one can cultivate an understanding of Schumann’s compositional techniques, as they are implemented in the style of German lieder.

    Read More

  • Biography of Johannes Brahms

    608 Words  | 2 Pages

    Born on May 7, 1833, Johannes Brahms is regarded as the foremost romantic composer of instrumental music in classical forms. He composed virtually every variety of music except opera. Although his music was the object of attacks by followers of Richard Wagner, and Franz Liszt, his popularity grew over time as a great composer of unique individuality (Weinstock 456). His life, influences on him and his music, and his outstanding musical works all take a part in the history of this famous composer.

    Read More

  • Clara Schumann: Life And Music In The 19th Century

    810 Words  | 2 Pages

    Clara Schumann like most women of her day, faced a myriad of obstacles to becoming recognized composers in the 18th and early 19th century.

    Read More

  • Johann Sebastian Bach Research Paper

    1227 Words  | 3 Pages

    Johann Sebastian Bach was one of the most famous German composers of his time. All of his work was mostly during the baroque era. The baroque period was from 1600 to 1750 and it is known to be one of the most diverse musical periods as opposed to the other classical music eras. It was in this era that “included composer like Bach, Vivaldi and Handel, who pioneered new styles like the concerto and the sonata.”(Classic FM) Johann Sebastian was born in the midst of the Baroque era as he was born on March 31, 1685 in Thuringia, Germany. Johann came from a family of musicians, which is how he himself became one as well. It was his father who showed him how to play his first instrument, which was the violin. His father was also a well-known musician in his town as he “worked as the town musician in Eisenach.”(Johann Sebastian Bach) It is known that Johann Sebastian went to a school that taught him

    Read More

  • Franz Liszt Analysis

    1338 Words  | 3 Pages

    Franz Liszt, Hungarian piano virtuoso and composer. Among his, many notable compositions are his 12 symphonic poems, two (completed) piano concerti, several sacred choral works, and a great variety of solo piano pieces.

    Read More

  • Johann Stamitz: A Classical Era Composer

    1141 Words  | 3 Pages

    Born as Jan Václav Antonin Stamic and later Germanized as Johann Wenzel Anton Stamitz, he was an influential composer and violinist. He was born on June 19, 1717 in Deutschbrod, Bohemia, now called Havlíčkův Brod, Czech Republic. Stamitz received a musical education from his father from a young age, and attended the Faculty of Philosophy at the University of Prague for the academic year of 1734 – 1735, and shortly thereafter left the university to become a violin preformer. In 1741, he was employed as a string player in the court orchestra of Mannheim, Germany. Stamitz went on to marry Maria Antonia Luneborn on July 1, 1744, the couple had 5 children, two of which died in infancy. One of their children, named Carl Phillip Stamitz went on to have a successful musical career. By 1745, he was appointed as the concertmaster of the court orchestra at Mannheim, with a role as the conductor and lead violinist. In the years of 1754 – 1755, he travelled to France to conduct for the Concert Spirituel and the Concert Italien, which were the two most important concert series of 18th – century Paris. He returned to Mannheim in 1755, his health rapidly deteriorated and he died in Mannheim on March 27, 1757 at the age of 39. The entry of his death contains the following quote: “March 30, 1757. Buried, Jo'es Stainmiz, director of court music, so expert in his art that his equal will hardly be found “. Overall, he was an accomplished individual and died at a very young age.

    Read More

  • Biography of Franz Schubert

    687 Words  | 2 Pages

    Schubert's instrumental works show development over a long period of time, but some of his greatest songs were composed before he was 20 years old. In Schubert's songs the literary and musical elements are perfectly balanced, composed on the same intellectual and emotional level. Although Schubert composed strophic songs throughout his career, he did not follow set patterns but exploited bold and free forms when the text demanded it. Except for his early training as a child, Schubert the composer, was largely untrained and self-taught. His gift of being able to create melodies that contained both easy naturalness and sophisticated twists at the same time was unprecedented for his time. On this quality rests the reputation that music history finally gave Schubert.

    Read More

  • Beethoven and Bach

    893 Words  | 2 Pages

    Johann Sebastian Bach and Ludwig van Beethoven both flourished in their compositions of classical music; however, their genre of music differed considerably. Bach was a German composer during the Baroque time era of western music which is estimated to have taken place during 1600 to 1750. It was during this time that he composed prolific church organ music which included such works as the Mass in B Minor, much scared choral music, and the St. Matthew Passion, as well as composing over a thousand works in nearly every musical genre except opera. On the other hand, Beethoven was a German composer whom began to emerge during the classical era of western music twenty years after Bach. This era took place throughout the years1750 and 1830. The large quantity of arrangements, over two hundred works in numerous musical genres composed by Beethoven was significantly influenced by his predecessors, onset of deafness, and his highly personal expression of intellectual depth. Such works include the first an...

    Read More

  • The String Quartets by Ludwig Van Beethoven

    2064 Words  | 5 Pages

    The string quartets of Ludwig Van Beethoven were written over a long period of his life, stretching from 1799 to 1826. The tragedies that occurred throughout Beethoven’s life did not stop him from writing these seventeen masterpieces. The string quartets can be divided into three periods; early middle and late with the first six quartets of Op. 18 marking his ‘early’ works. As Beethoven’s writing began to flourish with creativity and imagination, he wrote the ‘Rasumovsky’ quartets that mark the ‘middle’ period in his career. Finally, the late quartets (also last works that Beethoven ever wrote) mark a cornerstone for various composers writing string quartets through the Romantic era and into the 20th century with use of counterpoint and harmony, especially. This essay will show how these works display great importance in developing the string quartet through Beethoven’s career, and also how their influences can be found in string quartets of other composers.

    Read More

  • Johannes Brahms Parody

    953 Words  | 2 Pages

    Two Rhapsodies, Op.79 – Johannes Brahms Johannes Brahms, (1833-1897) was a leading German composer and pianist of the Romantic period, who composed in almost every genre except the opera. Brahms, as a composer, was also well-known in his expertise on manipulating rhythm and movement. Brahms’ works features a great variety of emotion from amusement to sorrow. The unique texture of every Brahms’ works which he modelled from what he learned in the polyphonic school in the 16th century also differed from his contemporaries. Besides that, Brahms was also an expertise in miniature in his solo piano works.

    Read More

  • What Does The Poem So Ich Traurig Bin Mean

    870 Words  | 2 Pages

    Like the previous two poems, also the third text set by Ansorge is part of George’s Sänge eines fahrenden Spielmanns. It is the sixth poem of this cycle and is preceded by “So ich traurig bin” which Anton Webern set to music in his Opus 4. The poem consists of three stanzas containing four verses each. All verses are trochaic and end in unstressed syllables.

    Read More

More about Johannes Brahms Vergebliches Ständchen

Open Document