Johann Sebastian Bach was born on March 21, 1685 to Johann Ambrosius Bach and Maria Elisabeth Lammerhirt in Eisenach, Thuringia, Germany. Bach was born into a musical family of many generations. Bach’s father worked as a town musician in Eisenach and taught Bach how to play the violin. Bach started schooling in religion and studied Latin and other materials at the age of 7. The Lutheran faith that he was raised in influenced many of his musical works. At the age of 10 Bach became an orphan. His big brother Johann Christoph who was and organist at a church in Ohrdruf accepted him into his home. He would add to Bach’s knowledge of music by further instruction and enrolling him into another school.
Bach had different talents one of these talents he had but later lost was a beautiful soprano singing voice. This attracted a school in Luneburg to Bach where he took up playing the harpsichord and violin. One of Bach’s crucial influences was an Organist named George Bohm. In the year 1703 Bach gained his first job as a musician for the court of Duke Johann Ernst in Weimar. He was a violinist and served as a replacement organist. Bach’s reputation as a great performer was growing rapidly. His technical skill landed him another job as an organist at
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a new church in Arnstadt. His responsibilities included providing music for religious and special events, and giving lessons in music. Bach’s arrogant attitude often put him at odds with the church officials and his students. Bach left the church of Arnstadt in 1707 and gained another organist position at St.
Blaise church in Muhlhausen. However this position did not work out as he planned since his musical style offended the pastor. His complex arrangements had various melodic lines weaved into them. Whereas the pastor believed simple music arrangements for the church were better. Bach developed a famous musical cantata called “Gottes Zeit ist die allerbeste Zeit.” After spending 365 days in Muhlhausen Bach gained the position of organist (again) for Duke Wilhelm Ernst’s court. While working for the Duke Bach composed many of his best compositions. One of Bach’s most famous pieces “Toccata and Fugue in D Minor” was written while working for the
Duke. Bach went on to have many more jobs in music and wrote more compositions. By the year 1740 Bach began to lose his eyesight. Bach did not let blindness keep him from writing music and working. He was, however, well enough to travel and have concerts for Frederick the Great, the King of Prussia in 1747. In 1749 Bach was trying to compose a new composition called “The Art of Fugue” but could not complete it. Bach wanted to fix his ever decreasing vision with surgery. This surgery failed leaving him completely blind. Sadly Bach passed away due to a severe stroke, in Leipzig on July 28, 1750. In his lifetime, Bach was better known for his role as an organist instead of a composer. His life inspired other composers such as Amadeus Mozart, Ludwig van Beethoven, and Felix Mendelssohn. The latter of these composers Felix Mendelssohn reintroduced us to Bach’s works.
Johann Sebastian Bach was a German composer, said to be one of the best organists of his time (Baroque Music). He was born in March 1685 in Eisenach, Thuringia as the youngest of eight children. His father Johann Ambrosius was also a musician and a court trumpeter for the Duke of Eisenach, and Director of the musicians in Eisenach (Baroque Music). Bach came from a family with a music talent, with his family members having held positions as organists, Cantors, instrumentalists in Thuringia.
Johannes Brahms was born on Tuesday 7th may 1833, in the city of Hamburg the birthplace also of Mendelssohn. Johann Brahms was himself a musician, and played the double bass for a time at the Karl Schultze Theatre, and later in the Stadttheater orchestra. In 1847 Johannes attended a good Burgerschule (citizens? school), and in 1848 a better, that of one Hoffmann. When he was eight years old his father requested the teachers to be very easy with him because of the time that he must take for his musical studies.
The silence hangs heavily in the air, creating a single moment where one can feel the weight of the absence of sound. But a lone D cuts through the stillness, a flicker of light amidst black oblivion. It is followed by eleven other notes, a simple melody, but one that will be the very core of one of the greatest musical masterpieces to ever be conceived. This twelve-note melody becomes entwined and enveloped in an intricate accretion of variations, counterpoints, and modified themes, all based on the original twelve-note motif. The entire collection of variations comprises what is considered to be Bach’s most ambitious undertaking, the Art of the Fugue, meant to serve as an intensive study of the fugue as an entity. Already a complex and multifaceted piece, Art of the Fugue gains a whole new level of depth and significance when placed inside its historical context, amidst the story of its creation and the demise of its creator. During the two hundred and fifty years of its existence, Art of the Fugue has acquired quite the reputation, as it has become enshrouded in a web of mystery and mystique. However, when we strip away these layers, the piece retains its magnitude, as the sheer mastery of the piece is enough to merit substantial renown and reverence.
Johann Sebastian Bach was one of the most famous German composers of his time. All of his work was mostly during the baroque era. The baroque period was from 1600 to 1750 and it is known to be one of the most diverse musical periods as opposed to the other classical music eras. It was in this era that “included composer like Bach, Vivaldi and Handel, who pioneered new styles like the concerto and the sonata.”(Classic FM) Johann Sebastian was born in the midst of the Baroque era as he was born on March 31, 1685 in Thuringia, Germany. Johann came from a family of musicians, which is how he himself became one as well. It was his father who showed him how to play his first instrument, which was the violin. His father was also a well-known musician in his town as he “worked as the town musician in Eisenach.”(Johann Sebastian Bach) It is known that Johann Sebastian went to a school that taught him
Lutheran church music in its first two and a half centuries can be characterized by the incorporation of a staggering variety of styles and musical genres. Plainchant, imitative polyphony, and chorale hymnody existed alongside one another, and composers such as Heinrich Schütz (1585-1672) and Johann Hermann Schein (1586-1630) were among the first to synthesize elements of Monteverdi’s seconda pratica with a fully German practice. Fruits of this multi-style crosspollination, whether a continuo based melodic-harmonic framework, polychoral textures, use of the solo voice or obligato instruments, all paved the way for the apex of this tradition, the concerted vocal works of J.S. Bach. The introduction of many of these Italianate elements can be traced back in part to the multitude of motet anthologies which appeared in the first decades of the seventeenth century. The most influential and enduring of these, compiled and edited by Erhard Bodenschatz, brought composers such as Lassus, Marenzio, and Giovanni Gabrieli into widespread use within Lutheran churches. Bodenschatz’s 1618 and 1621 motet anthologies, both titled Florilegium Portense, enjoyed widespread use well into the eighteenth century during Bach’s tenure in Leipzig. The 1618 Florilegium contains 115 works mostly by German composers from four to eight voices, a listing of which is shown in Table 1-1. The 1621 Florilegium reflects the growing trend in the second and third decade of the seventeenth century of these anthologies to include a greater number of works by Italian composers. Less than half
Johann Sebastian Bach was born into a family of musicians. It was only natural for him to pick up an instrument and excel in it. His father taught him how to play the violin and harpsichord at a very young age. All of Bach’s uncles were professional musicians, one of them; Johann Christoph Bach introduced him to the organ. Bach hit a turning point in his life when both of his parents died at the age of ten years old. Bach’s older brother Johann Christoph Bach took him in and immediately expanded his knowledge in the world of music. He taught him how to play the clavichord and exposed him to great composers at the time. At the age of fourteen, Bach and his good friend George Erdmann were awarded a choral scholarship to the prestigious musical school St. Michael’s in Luneburg. From then on, Bach began to build his career in the music industry. His first two years at the school he sang in the school’s a cappella choir. Historical evidence has shown that Bach at a young age would visit Johanniskirche and would listen to the works of organ player Jasper Johannsen. This was thought to have been the inspiration to Bach’s Toccata and Fugue in D minor. Studying at the prestigious musical school has help Bach network his way around and become acquaintances’ with some of the best organ players at the time such as Georg Böhm, and Johann Adam Reincken. Through his acquaintance with Böhm and Reincken Bach had access to some of the greatest and finest instruments.
The truth can sometimes depend on the circumstance and the person who states it. When confronted with conflicting accounts or questionable details, a judge within the court of law must decide the sentence of an individual with these obstacles in place. In this case, the defendant Dannie McGrew has been charged with the murder of Barney Quill, but claims that it was self-defense. The following contains a thorough explanation as to how the judge decided upon the verdict of acquittal.
Ludwig van Beethoven was born in the town of Bonn, Germany on December 16 of 1770. Bonn is located in western Germany on the Rhine River. Beethoven showed an affinity for music at an early age. His father, Johann, taught Ludwig to play the piano as well as the violin. Johann did this in hopes that his son would become a prodigy, and then reach fame like Wolfgang A. Mozart. Unfortunately though Beethoven mother died when he was seventeen. In addition to his mother’s death Beethoven’s father developed an alcohol problem. To escape these problems Beethoven found a job tutoring the two children of the von Breuning family. This relationship proved to be beneficial to Beethoven. The matriarch of the family happened to be well liked in the town of Bonn, so she introduced Beethoven to a few important people.
While he was taking lessons with Zachau at the Halle Cathedral, Handel became his assistant organist. He followed his father’s wish for him to study law, however after his father died, Handel quit his unwanted pursuit of the career, and eventually moved to Hamburg, Germany which was a major music...
Johann Sebastian Bach and Ludwig van Beethoven both flourished in their compositions of classical music; however, their genre of music differed considerably. Bach was a German composer during the Baroque time era of western music which is estimated to have taken place during 1600 to 1750. It was during this time that he composed prolific church organ music which included such works as the Mass in B Minor, much scared choral music, and the St. Matthew Passion, as well as composing over a thousand works in nearly every musical genre except opera. On the other hand, Beethoven was a German composer whom began to emerge during the classical era of western music twenty years after Bach. This era took place throughout the years1750 and 1830. The large quantity of arrangements, over two hundred works in numerous musical genres composed by Beethoven was significantly influenced by his predecessors, onset of deafness, and his highly personal expression of intellectual depth. Such works include the first an...
Johann Sebastian Bach was known as a musical master wrote many amazing masterpieces. One of the lesser known pieces is Bach’s BWV 543, entitled “Prelude and Fugue in A minor” and otherwise nicknamed “The Great.” This music is said not to be a famous piece for organ but does itself justice when compared to his similar and more famous works. The tight structure of the piece intertwined with its highly virtuosic nature is a great example of the influence the Baroque era had on Bach and his musical thought process.
Johann Sebastian Bach was born at Eisenach, in the region of Thuringia, Germany, in 1685. He was a composer and musician of the Baroque period. Bach was born in a family of long musical tradition as his antecessors had been professional musicians for several generations. Johann Sebastian grew under a strictly musical environment. All of his closest relatives were musicians, and by being surrounded by these influences, the young Johann Sebastian developed his musical and instrumental skills. Bach 's mother died in 1694, and his father died eight months later. Thus, at age 10, he had to move in with his oldest brother, Johann Christoph Bach , who was an organist
He lived during the last a part of the Baroque amount. He never really left the place where he lived, basically all of his life in was in central Germany, however he studied all the music from composers of that era. His own music shows that he learned and adapted music of many different countries, including French, German and Italian composers. However most of his life, Bach was forced to write church music. Bach wrote music for all genres, except for opera.
Mozart was born on Jan. 27, 1756, in Salzburg, Austria. His father was Leopold Mozart, a composer and a popular violinist. Mozart received his early musical training from his father. At the early age of 3 Mozart showed signs of being a musical genius. Then, at the age of five Mozart started composing. Beginning in 1762 Mozart’s father took young Mozart and his older sister, Maria Anna, on tours in Europe where they played the piano, harpsichord, violin, and organ, together and separately. Mozart learned to play the piano, harpsichord, and violin from his father. He gave public concerts and played at numerous courts and received several commissions.
Georg Fredric Handel was born in Halle, Germany in 1685. Though everyone saw Handel’s talent for music, his father was vehemently set on sending his son to law school. Later on, Handel’s talent was discovered by a duke, who insisted Handel be put into music lessons, on then did his father agree to send him to music lessons. By the age of 12, Handel had far surpassed his teacher in playing the organ.