Jealously Equals Death A major piece of Othello that William Shakespeare is writing about is the underlying jealously that each character possess. That jealously drives characters to make choices that lead to the death Desdemona, Othello, Iago, Emilia and Roderigo. Shakespeare’s uses the story of Othello to tell a tail of how one person’s jealously can cause the spread of jealously through an entire group no matter their social status. Othello and the other character are very important members of their society and to see the death of those five members caused by single person’s jealously is frightening. From the start of the story Iago plays on Roderigo’s anger about losing Desdemona to Othello for his own personal gain. Iago is extremely
This will be solving two problems at once because by successfully convincing Othello that Desdemona is breaking wedlock will crush him especially due to it being with Cassio. Iago then says that since Othello “is of a free and open nature”(1.3.442) he will easily be able to play to Othello’s values. Iago is a very smart and sneaky individual who knows how manipulate people to his own gain. Iago even begins to first play to Othello’s open nature by telling him “O, beware, my lord, of jealousy! It is the green-eyed monster which doth mock the meat it feeds on”(3.3.195-197). Iago acknowledges that jealously is a terrible human emotion that will eat a man from within and lead to his own fall. Iago also believes that his revenge is not motivated by jealously when in truth is jealousy that he warns Othello of to avoid. Even when Othello has been consumed with jealously he denies it saying that
“Why, why is this?
Think 'st thou I 'd make a life of jealousy,
To follow still the changes of the moon
With fresh suspicions? No. To be once in doubt
Is once to be resolved. Exchange me for a goat,
When I shall turn the business of my soul
To such exsufflicate and blown surmises,
Matching thy inference. 'Tis not to make me
Iago' s jealousy rises mainly from a his boss, Othello, picking Cassio to be his right hand man. "One Michael Cassio, a Florentine, a fellow almost damn'd in a fair wife; that neverset a squadron in the field, nor the division of a battle knows more than a spinster;" (1.1.2.) Iago believes Cassio is way too under qualified. Therefore (not on purpose), Iago feel less like a man and giving Iago little power. He hates when people are in a higher position than him. Also when giving Cassio the lieutenant job, it gave Iago someone new to direct his attention and jealousy toward. Iago makes a plan to get revenge by making it look like Othello's wife and his newfound lieutenant are having an affair behind his back. And then Iago can get the job he believes he rightful deserved in the first place.
Shakespeare’s work “Othello” emphasizes the dangers of jealousy. The play demonstrates how jealousy is powered by affirmations that can easily be proven false. Therefore, resulting in the destruction of many lives, including the tragic hero himself. It is extremely apparent that jealousy is a behavioral propellant on the entire plot. Specifically, the play begins in the midst of Iago’s jealous behavior towards Cassio. Lago’s twisted actions refer to the source of jealousy, indicating that he takes revenge on the people around him and is the least discontent with the lives he damages. As the play progresses, both the tragic hero and Iago’s jealous behavior develops. Othello’s Moorish values make him obscure in comparison to other Venetians suggests that the reason for his jealousy is unreasonable. Notably, Shakespeare exhibits that jealousy is unreasonable throughout the play as a result of the tragic hero’s fatal flaw, an issue that is psychological. The action and behavior Othello performs in enviousness is not a source of a reasonable act of
The tone of the story is tragic and serious. Meanwhile, there isn't any point of view because this is a play and a play doesn't normally have a narrator. Shakespeare lets the reader make up his/her own imagination with the characters' words and behavior. Since Othello is the protagonist, he is explained in more detail. Although Othello is a brave warrior, he is a jealous person; his jealousy also prevails over his good sense. The whole play depicts the fact that jealousy causes corruption. There are many conflicts found in Othello, and person vs. person is one of them. An example is when Iago seeks revenge against Othello and Cassio because of his anger and jealousy. Person vs. society appears when Desdemona's father Brabantio, disapproves her marriage to Othello because he is several years older than Desdemona, from a different class, and a different race. An internal conflict of person vs. himself is found when Othello is in a dilemma about whether or not should he believe that Desdemona is being unfaithful to him. Othello loves and trusts Desdemona until his jealousy is aroused by the cruel manipulations of Iago. Iago's intention was to persuade Othello to believe that Desdemona is having an affair with Cassio. As Iago succeeds in convincing Othello that Desdemona is guilty of adultery, it leads to the climax of the play. And so Othello must face emotions he can't deal with. His jealousy drives him insane, and his judgment is replaced with anger and hate. At this time, the reader notices that the death of Desdemona is inevitable. Othello smothers her, and he eventually kills himself when he knows that Iago falsely accused Desdemona. This also represents the tragedy of the play.
Iago manipulates Othello by telling him false lies about his wife and Cassio having an affair which ruins the relationship between Othello and his spouse. To Othello, Iago is a loyal, trustworthy, and honest friend. Othello is always asking Iago for advice because he is closer to him and puts his full trust on his faithful friend. However, Iago abhors Othello through jealousy because Othello appointed Cassio as his lieutenant. “I’ a...
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
She mentions how she physically cares for Othello, asking him to take care of himself and his body. She then uses this as a segway proving that if he trusts her council in these small matters then her advice on larger matters should hold even more weight and proof upon them. Othello agrees to her council and asks to be alone so that he may think, However Iago had different plans. Previously Desdemona had spoken to Cassio and had told him she would try to win back Othello’s favor for him, and Iago used this friendship to his advantage. After Othello had spoken to Desdemona and agreed to meet with Cassio, Iago began to whisper poisonous thoughts into his ears saying Desdemona is unfaithful. Desdemona is clueless to this change of events and continues to play in to Iago’s hands, innocently continuing to befriend Cassio and entreat Othello to accept him. Even so, she continues to love her husband even when he begins to act distant and strange. Desdemona tries again to comfort Othello when he is distraught, but this time he pushes her away, wishing not to be comforted by his wife as he is now suspicious of her. Later, Desdemona realizes her handkerchief is missing, not knowing Emilia took it as Iago had instructed her. Desdemona realizes that Othello will be cross with her, but she does not realize the torrent of frustration she has now been placed in the
“Othello”, by William Shakespeare, is a story of jealousy’s potential to manipulate thoughts and eventually lead to ultimate demise. The key to extremely detrimental jealousy lies within one’s ability to recognize it or deny it. It seems that the important theme of “Othello” is that if jealousy is not recognized and immediately dealt with, it receives a head start to commence the process of rotting away all normal human reason. Othello’s speech in Act III scene iii beginning with line 178 is the first and most important indicator of the trouble ominously looming on Othello’s horizon. His immediate response to Iago’s accusations is that of total denial. By depriving himself of that initial venting process, Othello gives his jealousy the perfect culture on which his jealousy can turn cancerous and grow out of control. Othello does not spit out the seed that Iago has planted within himself soon enough and thus lets Iago water it with smooth speech until its roots spread and cannot be uprooted. The only way to appropriately illustrate this point is through an in depth analysis of specific text from the play.
Throughout the novel, up until his insanity, Othello is described as a temperate man whose honor does not allow him to believe assumptions unless he has been shown proof. Firstly, when the men of Brabantio, Desdemona’s father, confront Othello’s men, Othello calmly says, “Keep up your bright swords, for the dew will rust them.” (10). Othello is confronted on the matter of his elopement with Desdemona with force and with words. Not only is he very cool about his dealings with violence, but also when he is asked to tell the story of how he had Desdemona fall in love with him he states the truth, and he doesn’t leave out any details of how he accomplished it. He openly admits that had any other man told his story, that man also would have won her heart. Only a truly honorable man can admit that it was a story, and not his personality that truly won the woman’s heart. Othello’s honor is shown by his trust in the people he knows and loves. When Iago tells Othello that he believes Cassio and Desdemona are having an affair, Othello does not believe Iago initially.
Iago lulls Roderigo into believing that there is just one more thing standing in the way of Roderigo having Desdemona. Iago understands how to use people. He knows what to say and how to act to influence people’s actions. This is why he is such a terrifying villain. The character of Iago is the perfect mould to start with when crafting the perfect villain.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello. Throughout the play, jealousy is a ruler over Iago’s thoughts and actions, influencing the way he feels about himself. Iago’s jealousy is exhibited while speaking with Roderigo “One Michael Cassio, a Florentine/ (A fellow almost damned in a fair wife)/ That never set a squadron in the field, / Nor the division of a battle knows/ More than a spinster—unless the bookish theoric, / Wherein the toged consuls can propose/ As masterly as he.
Othello doesn’t realize Iago doesn’t care towards him and never did after Iago wasn’t promoted to lieutenant. Iago plays the as the main director of what happens in Othello’s life. Othello doesn’t realize it thought. Iago is able to hide his emotions towards others. Which allows Othello not to notice he is faking every emotion of helping Othello. Iago is always at ease when in the eyes of his peers. “He moves jovially and at ease among the gentlemen of Cyprus, even as he sets up Cassio for a drunken fall” (Barnes 15). This shows how committed Iago was to strike revenge against his foes. Only a psychopath could hide their feelings in front of the people you want to hurt. “Iago refuses to show the "outward action" which would "demonstrate / The native act and figure of [his] heart / In complement extern" (“Where Iago Lies” 19). Because of Iago, Othello creates his own anxiety. He has anxiety because he now worries that Desdemona may be cheating on him with Cassio. Iago creates Othello’s fear by twisting his words to have different meanings. “Iago: O, beware, my lord, of jealousy/ It is the green-eyed monster which doth mock/ The meat it feeds on” (Shakespeare 1816-1818). Iago is manipulating Othello into believing that Othello shouldn’t be jealous, which tricks Othello into being jealous. The green-eyed monster is another term for jealousy. It is Othello though that allows him to get trapped in anxiety. Iago exploits him to bring Othello to a tragic
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
Othello has many positive traits, including being a great leader and loyal. He also has one negative trait that ultimately leads to his death; jealousy. Iago provokes deep, strong emotions in Othello, jealousy being the strongest. Jealousy is a nasty little emotion. It causes people to do terrible things because once it is on a person’s conscience, it stays for quite some time. Because of these effects, jealousy can impact some of the strongest people such as Othello. The love between Desdemona and Othello was portrayed so elevated and pure and was filled with religious words and phrases that just added to the strength and sanctity of their love. Othello has such a strong mind, but jealousy caused by the manipulation of Iago, negatively impacts him. Iago convinces Othello that Desdemona is cheating on him with his friend Cassio. When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love