Jazz Music

Introduction The general character of a society forms and functions can be directly or indirectly reflected in a society’s music. However, not proven music is a potential basis for social structure and a reflection of a society’s values. According to Western societies, music is usually considered as either popular or classical. Popular music has been considered as low brow or vulgar in contrast to classical music which is exalted and considered as art music. In this regard, popular music is disregarded and considered inconsequential while the classical music is upheld above the realm of every day’s life activities. With this in mind, music begins to emerge as a potential foundation for social activity. According to Jazz critics, Jazz originated from New Orleans, a state in the United States, about 100 years ago. Its rhythmical roots can however be traced from the musical traditions of both Europe and Africa (McCann, 41). In some cases it has been considered as a union between African and European music. From the African music Jazz is said to have acquired its rhythm and feel as well as the tradition of playing instruments in the musician’s own way thus making it an extension of the musician’s own voice. From the European side Jazz is

Critics argue that Jazz music was not exclusively blacks’ invention and innovation. On analyzing the history of Jazz a conclusive conclusion can be made that indeed, the blacks were the great innovators of Jazz (McCann, 62). As the Europeans are associated with classical music, so is Jazz music supposed to be considered as African-American music. Despite the challenges and negative social conditions experienced by blacks, some have been able to gain and maintain stardom, demand respect, and recognition for being the inventors and continued innovators of Jazz music. On a positive note, Jazz has been a significant force for respect, racial integration and social