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Style of jazz essay
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My Experiences Listening to a Live Performance of Christian McBride Big Band.
I have never been in a jazz club before. I always wanted to attend a live performance of American jazz musicians and learn more about the history of jazz. It was one of the reasons I chose this class in the first place. From my perspective, I view jazz together with classical instrumental music as elegant and exclusive. I associate it with luxurious restaurants, theaters, places like Carnegie Hall and Lincoln Center, where people with great taste and deep understanding of music come to enjoy performances and celebrate important moments in their life. For my final paper I had an opportunity to visit the famous Village Vanguard jazz club on January 12th, 2014. Christian McBride Big Band was performing that day and it was interesting and new to me since I have not heard them before. The performance lasted for an hour and an half. To me it seemed to have ended too quickly and only seven pieces were played. I listened to Getting’ to It, Optimism, Science Fiction, Black Narcissist, and Shake and Blake. Christian McBride’s wife Melissa Walker performed two songs: Upside Down and Ev’ry Time.
The first thing that caught my attention is that the club itself was seemingly small for such a band, which consisted, as I counted, of sixteen musicians and one vocalist. I think the band took up a little less than half of the whole Village Vanguard’s room. I was sitting in the second row, which was pretty much in the middle of the room. When everyone in the band started to play, to me it sounded a little too loud for such a small space. Since I sat close enough to the band I could see that some musicians switched between two instruments instead of using only one. For ins...
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... my feet to it), but more laid-back and cooler than Fitzgerald does. In my opinion, Walker’s songs are longer and their content is more developed than Fitzgerald’s. Even though Melissa Walker’s songs were happy and inspiring in their context, they did not sound as catchy or dance-like as when Ella Fitzgerald sang.
In general I think that Christian’s McBride Big Band jazz is very accessible, positive, energetic, flowing and resonant music. It is also brassy because many wind instruments are used such as trombones, trumpets, and saxophones. This performance made my day. I was really moved by the positive and energetic music, and it made me hungry for more live jazz. I would love to come again and listen to Ron Blake. His style reminds me of John Coltrane or Joe Henderson, but Blake plays it at a more relaxed tempo and to me it feels like my soul sings with the music.
On February 17th, I attended the “UIC Jazz Ensemble” at 7 in the evening. The concert was located at the Illinois room in Student Center East. The concert director was Mr. Andy Baker, and he is one of the music professors at UIC. Besides, he is a lead trombonist of the Chicago Jaz Ensemble, co-leader of the sextet BakerzMillion. He is also a first-call theatre and studio musician. The lights in the room were pretty dim, and the room was filled with audiences. I noticed that there were a total of nineteen musicians performing that evening, and a lady jazz singer accompanied the musicians throughout the concert. There were sixteen members playing the wind instruments, including the trumpet, trombone, saxophone, flute, and French horn. Some of them were standing, and some were sitting. Besides wind instrument, the concert also included a guitar, drum and piano into the performance. They were played by Edwin Garcia, Aaron Gorden, James Wenzel and Will Gingrich respectively.
William Howland Kenney provides an in depth look at the Chicago jazz as a cultural movement that shaped the 1920’s. His new interpretation of the Chicago Jazz life reveals the role of race, cultural, and politics in the growth of this new musical style. This in depth look focuses on the rise of jazz from 1904 until its end in 1930. This book covers a lot of areas in Jazz that were fundamental in its development. My overall impression is that this book is well written, it is expansive in its overview of jazz. Kenney is knowledgeable in this area of cultural history, and his book is well researched. The purpose of this book is to
Music is magical: it soothes you when you are upset and cheers you up when you are down. To me, it is a communication with souls. I listen to different genres of music. When appreciating each form of music, with its unique rhythm and melody, I expect to differentiate each other by the feelings and emotions that it brings to me. However, I would definitely never call myself “a fan of jazz” until I witnessed Cécile McLorin Salvant’s performance last Friday at Mondavi Center. Through the interpretations and illustrations from Cécile’s performance, I realized that the cultural significance and individual identity are the building blocks of jazz music that create its unique musical features and support its development.
The jazz band I observed played a series of six different songs. Although all the songs were categorized as jazz, each song had its own special style and sound to it. The band consisted of three different players. Paul Meyers, the guitarist and composer, Andy Eulau, the bassist, and Dave Rataczak, on drums. The songs performed were entitled “Love for Sale” by Cole Porter, “Once I Loved” by Antonio Carlos Jobim, “Stars” by Paul Meyers, “Blues for Mel” also by Paul Meyers, “Last Night When We Were Young” by Harold Arlen, and “Samba Novo” by Luis Eca.
The rest of the trumpet section was also very lively; I felt they carried the main theme in almost every song which certainly kept me interested in the performance. The conductor kept the band on time, and to me they never missed a beat. One could tell they were certainly well rehearsed and truly knew how to use their instruments. A lot of music these days has become focused on generating the catchiest lyrics or chorus, so seeing this jazz ensemble was very refreshing. I was delightfully surprised to see such remarkable music talent at a performance of that size and caliper.
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911…” . This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issue, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz.
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
As soon as I walked in, I realized that it has totally different atmosphere from what my expectations were for the music concerts. Unlike all the other concerts I attended, this concert intended for small audience, probably around a hundred people. Also, this jazz concert seemed very relaxed and comfortable. Most of people were dressed very casual, wearing jeans and shirts. But the musicians were dressed in suit, which seemed quite awkward to me. There was a good diverse group of people, from young children to senior citizens. There was also a pretty even mix of different cultures, too.
Jazz is referred as “America’s classical music,” and is one of North America’s and most celebrated genres. The history of Jazz can be traced back to the early era of the 20th century of the U.S. “A History of Jazz” presents From Ragtime and Blues to Big Band and Bebop, jazz has been a part of a proud African American tradition for over 100 years. A strong rhythmic under-structure, blue notes, solos, “call-and response” patterns, and
The rapid development of jazz in both the United States and Europe generated a number of diverse musical expressions, including musics that most listeners today would not recognize as “jazz” music. In order to remedy this situation, jazz musicians and critics after 1930 began to codify what “real” jazz encompassed, and more importantly, what “real” jazz did not encompass. This construction of authenticity, often demarcated along racial lines, served to relegate several artists and styles (those outside a “mainstream” to the margins of historiography.
As it grew in influence and popularity, Jazz brought many young people together. It was such a social movement it brought mixed young people together to dance “The Charleston, The Cakewalk, The Black Bottom, The Flea Hop.” Since Jazz was such a influential and persuasive musical style. It had its time as a great social leveler and unifier. It brought together African Americans and Americans, in a love of fast, rhythmic music, which was multiplied through the radio and the recording industry. “What a crowd! All classes and colors met face to face, ultra aristocrats, bourgeois, communists, park avenue galore, publishers, broadway celebs, and harlemites giving each other the once over.” Jazz became attractively to popular Jazz Bands, it traveled widely playing all kinds of venues from restaurants, to dance halls, and even nightclubs. One of the many best renowned nightclubs would have to be the Cotton Club its where hollywood, paris and broadway rubbed elbows, people who came from all over the United States wanted to experience what was going on Harlem in the
In the early 1900’s African American musicians from various European cultures created a new style of music, known as Jazz. New Orleans is known as the birth place of Jazz with the French and Spanish migrants shaping early New Orleans’ culture. Settlers from other European countries including Italy, England and Germany combined Blues, Ragtime and Big Band Music to create what we now call Jazz.
The history of Jazz music is one that is tied to enslavement, and prejudices. It Is impossible to separate the development of Jazz music from the racial oppression that occurred in the United States as they are inextricably connected. Slavery was a part of our country’s development that is shameful and yet, lead to some of the greatest musical advances of the twentieth century.
What are some types of Rand B music that stands out in the world? In this essay I would be discussing three types of Rand B music; rhythm and blues, contemporary r and b, and r and b soul. Rhythm and blues regularly abbreviated as R&B, is a classification of popular African American music that started in the 1940s. Music can sooth the soul if one listens to different kinds of R&B music. In this essay, I would like to discuss the different categories of R&B music. There are many types of music in the world however, the one that stands out in everyone's brain is the sound of rhythm and blues. It has been around for a very long time. It has taught individuals interest around the globe. Rhythm and blues began in the late 1940s by slaves in the south which brought about new music, designed, and move styles.
This was my first Jazz event I had ever been to. I went to see the band The Chairman and the Board. This was a blues swing band. Having been to other concerts, I was expecting something similar as far as atmosphere and crowd. I was proved very wrong as this concert defied all my expectations and was in a whole different field as far as life entertainment goes. The first thing I noticed right off the bat was the audience. The age range of this audience was mainly 40-70. I definitely felt like the odd man out when I was there. It did get me thinking though, why was this audience so much older? I looked into the era of when most of those people were born, which was roughly around the years 1935-1980. I came to find out that in the 1940s bebop jazz had been created and swing music was very popular. Also at this time cool jazz emerged. It appears the 1940s were a wonderful time for jazz. In the 60s, Cuban jazz appeared. Every year there was something new and on the cutting edge in jazz. I think the reason no young people were there was because jazz is no longer a part of the modern-day music. It's not played on the top hits of the year radios. It's lack of exposure has made young people unaware of its glory. I don't see any advertisements for jazz music on the tv, or social media. I never hear about jazz while listening to the radio. It could be that teens want something to relate to in their music, that also has a catchy beat and modern lyrics. This event was hosted at the only live entertainment specific venue in Big Bear which is the cave. They have concerts there every weekend. This venue was absolutely perfect for this type of band because it was quaint and quiet with a respectful (yet very engaged) audience. I had no problem hearing what the performers were saying, Despite being far from the stage. The lighting at this venue looked like an old school jazz concert