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Hollywood influence on society
Hollywood influence on society
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Introduction: Binge watching movies and TV shows on Netflix until 3 o’clock in the morning may be affecting your subconscious more than you think. Film has evolved at a rapid rate since it’s birth in the 1880’s and while primarily film has been used to tell a story, it has affected the values of many people around the world (Wikipedia). Film has become a type of “Visual Anthropology”. This means that an era’s cinema will be able to display different values of a culture, important events and even nods to items that were popular at that time. Even historians are beginning to utilize film as a way to understand the past more easily and film is becoming its own sub-sect of anthropology. (Cinema: A Visual Anthropology/Observational Cinema: Anthropology, …show more content…
Sometimes, a movie’s influence on people is unintentional, for example Jaws. Prior to the craze of shark movies, much fewer people were afraid of sharks but, because of the exaggerated nature of movies like Jaws, it caused people to think shark attacks are much more common than they actually are (The Effect of Background Music in Shark Documentaries on Viewers' Perceptions of Sharks). Jaws specifically, had such a strong impact on people that it influenced policy reports on shark attacks in Western Australia. (The Jaws Effect: How movie narratives are used to influence policy responses to shark bites in Western Australia) Some people have been able to successfully harness this power in order to influence the values of people watching movies through subliminal message. After interning at the Packard Campus of the Library of Congress under George Willeman and researching the impact of film on values of the viewers, it has become apparent that cinema has been able to have a significant impact on politics, human and civil …show more content…
(n.d.). The True Story of 'The Butler' Retrieved December 18, 2016 Grassilli, M. (2007). Anthropology and Cinema: Visual Representations of Human Rights, Displacement and Resistance in Come Back Africa, by Lionel Rogosin. Visual Anthropology, 20(2/3), 221-232. doi:10.1080/08949460601152831 Koppes, C. R., & Black, G. D. (1990). Hollywood goes to war: How politics, profits, and propaganda shaped World War II movies. Univ of California Press. Neff, C. (2015). The Jaws Effect: How movie narratives are used to influence policy responses to shark bites in Western Australia. Australian Journal Of Political Science, 50(1), 114-127. doi:10.1080/10361146.2014.989385 Nosal, A. P., Keenan, E. A., Hastings, P. A., & Gneezy, A. (2016). The Effect of Background Music in Shark Documentaries on Viewers' Perceptions of Sharks. Plos ONE, 11(8), 1-15. doi:10.1371/journal.pone.0159279 O'Shaughnessy, N. (2009). Selling Hitler: propaganda and the Nazi brand. Journal Of Public Affairs (14723891), 9(1), 55-76. Tate, A. S. Remember the Titans, Historical Fact or Fiction?. VÁVROVÁ, D. R. (2010). Cinema: A Visual Anthropology/Observational Cinema: Anthropology, Film, and the Exploration of Social Life. Anthropological Notebooks, 16(3),
Society tends to associate propaganda films with issues such as Nazi Germany and their film messages for their country; however, it is also possible for small independent companies, groups of like-minded people and individuals to use the media of film to incorporate messages for our society (The Independent, 2010). These messages are often in relation to changes that individuals should make in order to improve the standards by which they live their lives and changes to everyday habits that will benefit the individual, the individual’s family, a group of individuals or even a single person (Barnhisel and Turner, 2010).
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
...at the various means of propaganda have on the great masses, film is without question the most powerful. The written and spoken word depend entirely on the content or on the emotional appeal of the speaker, but film uses pictures, pictures that for eighty years have been accompanied by sound. We know that the impact of a message is greater if it is less abstract, more visual. That makes it clear why film, with its series of continually moving images, must have a particular persuasive force. Film is a very effective tool in waging a war. With out it, it would be hard to get the people to stand behind you and
Rosenstone, R.A, "The Historical Film: Looking at the Past in a Postliterate Age," in The Historical Film: History and Memory in Media, edited by Marcia Landy, (New Brunswick,New Jersey: Rutgers University Press, 2001): 50-66.
Films are necessary in our time period because the human eye can articulate the message intended through sight allowing visual imagination to occur. In the book, world 2 by Max Brooks, he creates a character by the name Roy Elliot who was a former movie director. Roy Elliot manages to make a movie titled “Victory at Avalon: The Battle of the Five Colleges” and some how it goes viral. Similarly, Frank Capra’s film, “Why we Fight” expresses a sense of understanding the meaning of wars. Films do not inevitably portray truth because they display what the film director views as important and beneficial for people to know.
Rascaroli, Laura. "The Essay Film: Problems, Definitions, Textual Commitments." Framework: The Journal of Cinema and Media 49.2 (2008): 24-47. JSTOR. Web. 08 May 2014.
In his essay, “It’s Just a Movie: A Teaching Essay for Introductory Media Classes”, Greg M. Smith argues that analyzing a film does not ruin, but enhances a movie-viewing experience; he supports his argument with supporting evidence. He addresses the careful planning required for movies. Messages are not meant to be telegrams. Audiences read into movies to understand basic plotlines. Viewers should examine works rather than society’s explanations. Each piece contributes to Smith’s argument, movies are worth scrutinizing.
Cinema Journal 48.1 (2008): 27-50. Project MUSE. Web. The Web.
" Cinema and the Nation. Ed. Mette Hjort and Scott Mackenzie. New York City, NY: Routledge, 2000. 260-277.
Media have taken a very special place in our society. We all human are very fond of movies and the television shows, news, and films that TV projects for our entertainment, which has a direct or indirect effect on our lives, whether we realize it or not. Consciously and subconsciously everything we watch and the information we consume has smaller or bigger effect on our brain (does watching television affect, 2014). Media and films primary goal are to attract the audience, and they are careless of how damaging the effect of the movie content is on public perceptions. To attract more audience of all ages, “the more outlandish, more violent, and more antiestablishment the content of the film is better (Holzer, Slater, 1995)”.
Today movies and television are rapidly consumed by the public. With resources like Netflix and Hulu, binge watching can draw a viewer in and entice them to forget about reality for a little bit of time. Or as binge watching goes, more than a little bit of time. One of the other differences of today’s entertainment versus entertainment of the past seems to be that people want to be entertained more on their own. Rather than a crowd excitedly cheering for an execution, one person may cheer at a fictional character getting graphically killed.
Boggs, J. M., Petrie, D. W. (2004). The Art of Watching Films (6 ͭ ͪ ed.). New York, NY: McGraw-Hill.
Film is a practice for an artist to channel their internal need to disseminate a message or try to collapse ever-shifting boundaries within the industry. Media and film means more to me than just a ‘subject’ that I wish to study. They represent an influential part of current society and also something that shapes our concepts of others. For this reason alone it is vital that we analyse how it operates and especially those who create and control it. I am keen to study the subject because of my passion for uncovering the messages behind the media - from propaganda to art.
Movies take us inside the skin of people quite different from ourselves and to places different from our routine surroundings. As humans, we always seek enlargement of our being and wanted to be more than ourselves. Each one of us, by nature, sees the world with a perspective and selectivity different from others. But, we want to see the world through other’s eyes; imagine with other’s imaginations; feel with other’s hearts, at a same time as with our own. Movies offer us a window onto the wider world, broadening our perspective and opening our eyes to new wonders.
Ethnographical film is an audio-visual medium created from fragments of shorter clips, often following a story line, documentary style, or theme. It has been praised in the past for a life-like portrayal of other peoples, with Mead arguing that the behaviour film captures can be preserved for future generations, passing down rituals and language to predecessors. (1975:4) Granting all of this, aspects of the medium such a subtitles and background commentary can: ‘often impart authority's authority to the most fragmented images.’ (MacDougall 1978:413)