Jasper Johns Influence On The American Flag

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Flag, defined by Merriam Webster as a rectangular piece of fabric of a distinctive design that is used as a symbol (as of a nation), as a signaling device, or as a decoration. Having the definition in mind, let us take a look at the commonly known flag that is represented by the red, white and blue color design, the American flag. The familiar iconic color trio and recognizable emblem are the highly distinguishable aspects of the flag that anyone in the US can recognize. However, with respect to the flag, what happens when we alter its identity through a powerful expression known as art? In other words, what happens when we move a couple stars and stripes around, or possibly even add more color. By doing so, will this allow us to change the …show more content…

John’s stylistic approach, however, was different as he was one of the few artists to follow up the unique movement of art known as abstract expressionism. One of his main projects widely known from the abstract community is his series of painting of flags. These paintings originated after Jasper recalls on how he woke up from having a dream which involved him painting the American flag. Following that event, Jasper quickly gathered materials to bring this idea/dream to life and start a new project. By creating his own version of the American flag, he was able to transform what all Americans know as the flag into a “new, but familiar …show more content…

To clarify, one notable scholar that supports this idea about Johns is Philip Fisher. In his journal article “Jasper Johns: Strategies for Making and Effacing Art”, Fisher states “As far as the image is concerned his paintings are, we could say, stealing a ride on an already settled visual” (pg.319). In addition to this, another article to mention is written by Joan Carpenter, in which she writes about Jasper’s perspective of the changes done to the flag, “ I'm believing painting to be a language, or wishing language to be any sort of recognition. If one takes delight in that kind of changing process, one moves toward new recognition, names, images.” (Carpenter 8). As a result, what is being said by both scholars are that John's paintings are a familiar sight, however, we’re now viewing the flag with some slight changes that allow us to see it as a completely new thing. Taking the historical and political meaning of the flag and replacing it with a new perspective done by art. Furthermore, an idea of Claire Farago that I came across that’s almost identical yet relatable to Johns is mentioned in Mary D. Sheriff’s book, Cultural Contact and the Making of European Art Since the Age of Exploration, “ … two objects look very different in terms of style, imagery, function, materials, and so on, they elicit similar,

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