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Greek mythology relationships
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According to Japanese mythology, the world begins with the birth of seven deities. These seven deities arise and then pass away in what the Japanese call the, “plain of high heaven.” After this, five more couples were born, the last named, Izanagi and Izanami, who were ordered by their peers to consolidate the earth, which at this point was a chaos of muddy water. Izanagi and Izanami stood on the bridge of high heaven, thought to be the rainbow, and dipped their jeweled spear in the murky water below. When pulling the spear out of a piece of mud dropped of the tip and is said to have formed the island of Onogoro.
Izanagi and Izanami then moved down to the island, built a house and consummated a child. The first child was born a misfit and was abandoned in a boat in the reeds. Their second child, the island of Awa, was considered to be a misfit also. Soon the couple learnt what was being done form the other deities and reckoned their problems, Izanagi spoke first, then gave birth to the eight main islands of Japan.
This couple had many more children till Izanami died while giving birth to her last child, The God of Fire. More bodies sprang up from her decomposing body, and even more sprung up from Izanagi’s tears of sorrow. So mad, Izanagi cut off the God of Fire’s head, and from the blood and limbs, sprung yet more divine beings.
Meanwhile, Izanami had gone to the underworld, where her husband called for her return, she told Izanagi to wait in patience, but he could wait no more and went to Hades. He found his wife, a hideous rotten heap, and fled from the underworld, blocking the entrance with a rock.
Once out of the Underworld Izanagi felt he had to wash his body from the impurities of the underworld. In a river he washed himself, from his clothes were born more deities. The God of Wind, Susa-no-wo, sprang from his nose, from the right eye came the God of the moon, and from his left eye, Amaterasu Omikami, the Sun Goddess, was born who is the principle deity of Japan and is said to be a direct ancestor of the Imperial House.
The Sun Goddess and her brother
Susa-no-wo had refused to obey his father and was banished from the high heavens. Before leaving he wanted to say goodbye to his sister, The Sun Goddess. His sister was very untrustfu...
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Ø The Mandarin ducks o These ducks are considered to show love and are associated with happy marriages and therefore they are not hunted.
The Japanese are in general fascinated by the supernatural. Ghost stories abound and mythical creatures populate the countryside. Many of the tales are told of mischievous tree living tengu and the malignant Oni. These creatures are said to have insatiable appetite for cucumber, but also for animals and human beings.
Japanese mythology is a fascinating collaboration of dashing heroes, supernatural being and intelligent animals – of love and hate, gratitude and resentment, gentleness and cruelty. This is just a brief overview of the major gods and goddess, heroes, and animal deities of Japanese mythology.
Works Cited
Campbell, Joseph. Oriental Mythology: The Masks of Gods, Penguin Books, New
York, NY, 1976
Dorson, R.M. Folk Legends of Japan. Charles Tuttle, Rutland, Vermont, and
Tokyo, 1962
Piggott, Juliet. Japanese Mythology. Hamlyn Publishing, New York, NY, 1975
Webster, R.G. Japan: from the old to the new. S.W. Patridge & Co., 1905, 1978
On the big island of Hawaii lays many secrets of traditional Hawaii that have long been forgotten by the republic that took over Hawaii after the Kona period. But many people still live up to these traditions in their homes and not wanting to overlook where their original family had come from. These traditions are based on stories and prayers that respect the primary four gods that make up the world. These gods help the people of Hawaii in succeeding the best out of life and honor them in returning them appraisal. One of these four gods is Ku, the God of war. He is the most fearful and brutal God that conspired war and violence. Many strong leaders worshipped him in hopes of bringing them glory and succeeding in war. One leader built a temple dedicated to Ku in hopes of uniting all of the Hawaiian Islands. On this temple stood a sculpture that would hold the spirit of the god called Kuka-ili-moku the war god figure. This 9 foot tall wooden sculpture is from Hawai’i and was probably created around AD 1790-1810. It is currently held in the British Museum in London. It is one out of many ti’i figures coming from the Polynesian islands. These ti’i figures are fairly common among Hawai’i islands and are believed that ancestor and godly spirits consume in them. Kuka-ili-moku the war god figure helps influence the people of Hawaii based on its structural body, it’s legend and story.
After the waters of Apsu and Tiamat mix, the gods Lahmu and Lahamu ("slime, mud") emerge. And from this pair come Anshar ("whole sky") and Kishar ("whole earth"), meaning perhaps "the horizon, the circular rim of heaven and the corresponding circular rim of earth" (Jacobsen 168). Anshar and Kishar give birth to Anu, the sky god, who in turn begets what one translation calls "his likeness" (Heidel 18) Ea, the trickster god of the flowing waters, who is familiar to us as Enki.
Shintoism is a polytheistic religion that believes the world was created by “Kami” (deities or spirits). Although Kami are thought to be invisible presences, they are treated as persons and are given names. Kami are not believed to be living beings in a distant realm; rather their presence is felt as powers in or near this world. Two of these Kami, Izanami (“female who invites”) and Izanagi (“male who invites”) are said to be the creators of the Japanese Islands, as well as three major
Hesiod’s Theogony and the Babylonian Enuma Elish are both myths that begin as creation myths, explaining how the universe and, later on, humans came to be. These types of myths exist in every culture and, while the account of creation in Hesiod’s Theogony and the Enuma Elish share many similarities, the two myths differ in many ways as well. Both myths begin creation from where the universe is a formless state, from which the primordial gods emerge. The idea of the earth and sky beginning as one and then being separated is also expressed in both myths.
Adam and Eve of Genesis and Izanagi and sister Izanami of Shintoism provide examples of myths that share both a passive and active pair of people who eventually create the Earth's population. In any case, certain popular creation myths, some closely tied to prominent religions, share more common characteristics than others. An entire sub-study, called comparative mythology, gives insight into this subject. Through studies such as comparative mythology, researchers and philosophers have discovered hundreds of parallels between the myths that make up every culture, including their creation myths. As most are deeply rooted in religion, comparisons based on geographic area, themes, and similar story lines emerge as religions form and migrate.
These human attributes bring to being mother earth and father sky in the form of Father Rangi and Mother Papa who were joined together in eternal darkness by their love for each other. This aspect is similar to other myths in that the male and female Gods of origin join together to make earth and sky and their offspring become aspects of the weather, seasons of the year and various plant and animal life that ultimately sustain life for humans that were created by the children of the original beings. Another similarity that this myth has with others is a flood story where the tears of Rangi flood the earth and create the rivers and seas because he was forcefully separated from Papa in order to bring light to the earth.
21 Pitts, Forrest R., Japan. p. 113. -. 22. Davidson, Judith. Japan- Where East Meets West, p. 107.
According to Aztec legend, the first world was created by a dual god- meaning that it was both a female and male- called Ometeotl. The Aztec pantheon included hundreds of gods, all who originated from Ometeotl himself. The Aztecs also believed that the gods represented forces of nature, such as rain, and also human characteristics (Benson 504). Prior to the current world the Aztecs believed that there were four other worlds, all which ended with a major catastrophe. After the end of the fourth world all the gods gathered at the Aztec’s main city, or Teotihuacán, to discuss the creation of the fifth world. They chose two gods: a wealthy, healthy one and a poor, sickly one that would both jump into the sacrificial fire. When they were sacrificed the first sunrise of t...
Two closely related creation myths come from the Chinese and Japanese. Their geographical ties and trading patterns forged a link. Both share the symbolism of the egg as part an old creation myth. In the Japanese version of the myth, the two gods that were first formed, made love to each other many times and each time a new god of something was born, such as islands, wind and fire. Izam, the female finally died and the creation of other gods was put to a halt. The pattern used here was from nothing to everything, and from the birth of gods to the halt of the creation, when Izam dies.
Aphrodite, goddess of love and beauty, later rose from the sea where Uranus's body had been thrown. Now Cronus became king of the universe. Cronos married his sister, Rhea, and they had six children. At the time of Cronos's marriage to Rhea, Gaea prophesied that one of his children would overthrow Cronos, as he had overthrown Uranus. To protect himself, Cronos swallowed each of his first five children -- Hestia, Demeter, Hera, Hades, and Poseidon -- immediatly after birth.
This mythology is about a god behaving destructively and other gods and human having to suffer the consequences of that behavior. The narration of "The Descent of Inanna" hits on this with the quote, "No one ascends from the underworld unmarked. If Inanna wishes to return from the underworld, she must provide someone in her place" (Kramer 36). In reference, to "The Epic of Creation", Marduk "made a net to encircle Tiamet within it, marshaled the four winds so that no part of her could escape: South Wind, North Wind, East Wind, and West Wind the gift of his father Anup, he kept them close to the net at his
Shinto is the indigenous religion of Japan. Founded in 660 B.C., it traces back to the very first people to settle in Japan. Shinto focuses on ancestral worship and is deeply immersed in Japanese culture. Even though it is as ancient as Japan itself, Shinto is still very widely practiced by Japanese people today. However, over the years, it gained some influence from Buddhism, Confucianism, and Taoism. Over 50 percent of the Japanese population still practice Shinto.
The ancient Chinese and Japanese myths also focus on exploring gender roles, and the pattern between creation and destruction. Even though both mythologies condone incest for the purpose of creation, each myth explains something different. The ancient Chinese myth explains the creation of humanity, while the ancient Japanese myth explains the creation of spirits and the islands of Japan. Looking at the myths’ depictions of gender roles, Izanagi and Izanami had clear demonstrations of gender roles for both genders. Nu Kua Marries Her Brother only focused on Nu Kua’s role. Lastly, when looking at both myths representations of creation and destruction, they are incredibly similar. The mild difference being that Nu Kua Marries Her Brother follows the pattern of having destruction follow creation. In conclusion, both Nu Kua Marries Her Brother and Izanagi and Izanami share similarities in providing explanations of creations, demonstrating clear gender roles, and exploring the pattern between creation and
Nathaniel Hawthorne's novel The Scarlet Letter has been one of the most powerful factors in shaping the modern understanding of Puritan society, even though it was written in the Romantic era. The book is essentially a long parable, driven by Hester Prynne and Minister Arthur Dimmesdale’s adultery. Consequently, Hawthorne constructs the events and the setting of The Scarlet Letter to support a central idea: the hypocrisy of the Puritans. The text portrays the Puritans' New England accurately, but it is highly unlikely that the failures of their planned utopia ever played out with the blatant symbolism of the scarlet letter 'A'. Hawthorne instead meant to reveal classifications made by the Puritans' collective mentality,
Hades, was inflamed with rage as Liliadne's godly glow faded and slowly, everyone grew silent. Demeter screamed, dropping plates and rushed to her, now mortal, child.