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Jane Eyre and female oppression
The roles of women in literature
Jane Eyre and female oppression
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In this excerpt from Jane Eyre, Jane focuses her feelings toward men and how they are depicted as imprisoning women in the novel. At the beginning of the quote, Jane relates how she cannot help but make it known her position on the way women are treated. The author, Charlotte Brontë, uses Jane as a symbol to show the problems women faced during the 19th century. “Then my sole relief was to walk along the corridor of the third story, backwards and forwards, safe in the silence and solitude of the spot, and allow my mind’s eye to dwell on whatever bright visions rose before it—and, certainly, they were many and glowing; to let my heart be heaved by the exultant movement . . .” (115). This example certifies the point Jane is attempting to make …show more content…
By doing such, she is representing the millions of women during this time period that are facing the same issues and are in search for total fairness. This, rather, certifies the aspect of women feeling imprisoned during the 19th century. Jane is imprisoned from a society that accepts women in the world. “It is in vain to say human beings ought to be satisfied with tranquility: they must have action; and they will make it if they cannot find it. Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot. Nobody knows how many rebellions besides political rebellions ferment in the masses of life which people earth” (118). Jane’s words in this example certify how she feels about being confined by men during this time period. When she says, “Millions are condemned to a silver doom than mine…”, she is referencing women, who are the millions in the world that are condemned. This is a strong quote that causes the reader some sense of the struggle all women faced during this time. Jane is stressed over the idea that she will never be thought equal against …show more content…
John Rivers has asked Jane to join him as his wife on his missionary trip to India. In many ways, the proposal tempts her, as it is an opportunity to perform good works and to be more than a governess, schoolteacher, or housewife. However, she realizes that these jobs are what make her independent from men. This is likely the reason why she denies his request for marriage. Jane’s teaching jobs at Lowood, Thornfield, and Morton have all made her feel trapped, which may be a part of what made her consider his request. Yet, St. John’s principles of ambition and arrogance are not those that Jane upholds in her heart and are, in fact, completely opposite. Misguided religion threatens to oppress Jane throughout the book and is also one of St. John’s traits. These signs are obvious reasons why their relationship would never have been successful. The adversity that perishes Jane is one of her internal conflicts. St. John also embodies masculine dominance, which a major reason for rejection by Jane, as she hates male dominance. This causes Jane to desire to escape in order to remain true to herself, for she realizes that her conventional manner of dealing with oppression cannot constitute a way of life, especially for her. Her feminist ways of life and struggle for equality allows for her rejection of St. John. In her rejection of Rochester, Jane privileged principle over feeling and she is now aware of the negative effects such emotional repression can have.
The red hue is conjointly used in The Book of Revelations as the color of the seven headed dragon. “Then another sign appeared in heaven: and behold, a great red dragon having seven heads and ten horns, and on his heads were seven diadems” (Revelation 12:3). This dragon represents evil and esoteric darkness. The tenebrous serpent is Jane’s burden due to her extreme passions and unpleasant aunt. While crimson is not traditionally associated with light-dark imagery, the red room was selected to illustrate both Jane’s passion as a child and as the color of war and bloodshed. At this moment in the novel Jane is bleeding from the violent head wound she received from John Reed, this physical blow only begins to scratch the surface of the horrible war Jane has been fighting. The psychological and even sometimes physical war is fought for Jane’s equality and the right to love and be loved. Brontë progresses to illustrate the vile sanguine room. “Out of these deep surroundings shades rose high, and glared white, the piled-up mattresses and pillows of the bed, spread with a snowy Marseilles counterpane. Scarcely less prominent was an ample cushioned chair near the head of the bed, also white, and looking as I thought, like a pale throne” (Brontë 17). The white chair is symbolic of justice and the victory of incorruptibility. The allusion to the stark white demonstrates the innocence of Jane, against those charges vehemently thrust upon her by John Reed. This is further affirmed with the mention of the snowy throne. “And I saw a great white throne, and him that sat on it, from whose face the earth and the heaven fled away; and there was found no place for them. And I saw the dead, small and great, stand before God...And the sea...
Through the baring of Jane’s inner thoughts and emotions, and indeed Emily Brontë’s own feelings, it is evident that she was left with this bitter feeling after this shocking incident underling Jane’s and Emily’s belief that both genders should be treated equally, even though differences do exist. With this quotation, Brontë takes the time to show the emotional side of females and how it affects them. Jane appears as being completely affected by her feelings, while Rochester seems to not have been affected at all. The author is attempting to express, through Jane, her own feminine side. This is one of those specific times in the novel where we’re faced with the reality of the female side that Jane portrays, and we are forced to reevaluate our
In fact, I am glad the book ended with the focus on the character of St. John instead of with Jane or Rochester, as it hints to us that the importance of the book is not about finding the right person, falling in love, and living happily ever after. The theme of this book is about following your conscience. In this regard, Jane and St. John both did the same thing in this story: They both had strong, driving consciences; they both were tempted but pursued their course; and they both found a satisfying life in the end. This book is not about developing a relationship with a romantic partner, but about developing a relationship and learning to follow and live in tune with your own moral conscience.
In Jane Eyre, Charlotte Brontë clearly demonstrates the relationship between sexuality and morality in Victorian society through the character of Bertha Mason, the daughter of a West Indian planter and Rochester's first wife. Rochester recklessly married Bertha in his youth, and when it was discovered shortly after the marriage that Bertha was sexually promiscuous, Rochester locked her away. Bertha is called a "maniac" and is characterized as insane. Confining Bertha for her display of excess passion reinforces a prevalent theme in Jane Eyre, that of oppressive sexual Victorian values. Bertha's captivity metaphorically speaks on the male-dominated Victorian society in which women are inferior and scorned for acts of nonconformism.
The novel Jane Eyre, by Charlotte Brontë, depicts the coming of age of a woman who encounters great hardships, obstacles, and heartbreak. During the Victorian era women were subordinate to men and often times lacked the same opportunities and privileges that society and the family structure gave to men. Although society and the family structure of the Victorian era treated men and women differently, men were also oppressed, experienced suffering, and had to overcome poverty, but due to the masculinity that men were forced to portray during the era often times the hardships of men have been overlooked when analyzing the men in Jane Eyre. The characters John Reed, St. John Rivers, and Edward Rochester suffer various forms of lack and poverty that contributes to their oppressive and suffering nature precipitated by societal and family structure as well as being impoverished by their circumstances throughout the story even though they come across as having wealth and power.
In Charlotte Bronte’s Jane Eyre, Jane is an orphan who is often mistreated by the family and other people who surround her. Faced with constant abuse from her aunt and her cousins, Jane at a young age questions the treatment she receives: "All John Reed’s violent tyrannies, all his sister’s proud indifference, all his mother’s aversion, all the servants’ partiality, turned up in my disturbed mind like a dark deposit in a turbid well. Why was I always suffering, always brow-beaten, always accused, forever condemned?" (27; ch. 2). Despite her early suffering, as the novel progresses Jane is cared for and surrounded by various women who act as a sort of "substitute mother" in the way they guide, comfort, and inspire her. By looking into Charlotte Bronte’s own childhood and family background, as well as discovering aspects of Victorian motherhood in the mid-nineteenth century, one may be enlightened as to why so many substitute mothers are present to Jane throughout the novel. The substitute mothers, although a starting point for Jane’s emotional redemption, do not prove to fulfill what a mother in the Mid-Victorian era would be.
She would continue to look for true love based upon equality and independence. This novel portrays the way Jane fought against the 1800s stereotype of a woman’s position in society.
Similar to many of the great feministic novels of its time, Jane Eyre purely emerges as a story focused on the quest for love. The novel’s protagonist, Jane, searches not only for the romantic side of love, but ultimately for a sense of self-worth and independence. Set in the overlapping times of the Victorian and Gothic periods, the novel touches upon both women’s supposed rights, and their inner struggle for liberty. Orphaned at an early age, Jane was born into a modest lifestyle, without any major parent roles to guide her through life’s obstacles. Instead, she spent much of her adolescent years locked in imaginary chains, serving those around her but never enjoying the many decadences life has to offer. It is not until Jane becomes a governess that many minute privileges become available to her and offer Jane a glance at what life could have been. It is on her quest for redemption and discovery that she truly is liberated. Throughout Charlotte Bronte’s classic novel Jane Eyre, the story’s protagonist Jane, struggles to achieve the balance of both autonomy and love, without sacrificing herself in the process.
In their respective stories, Bront and Gilman both utilize vivid imagery to paint a picture of the effects of female subjugation on the women who experience it. In Bront’s Jane Eyre, as a young child, a dependent of her Aunt Reed, Jane was unjustly punished for striking her cousin, Master John Reed. Jane is sentenced to spend time locked up in the “Red Room,” which she describes in great detail; “A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre, the two large windows, with their blinds always drawn down, were half shrouded in festoon and falls of similar drapery.” (p. 8). To young Jane, the room is foreboding and mysterious, creating fear within her heart, yet she can do nothing to escape it.
cannot be the business of a woman's life, and it ought not to be. The more
One of these, St John Rivers finds Jane a job teaching at a charity school. He then surprises her by telling her that her uncle has died and she is rich and he is also her cousin, knowing this she shares the inheritance equally with him and two other cousins. St John wants to travel as a missionary and he wants Jane to go with him as his wife, Jane wants to go but not as his wife because she doesn't love him, she nearly gives in but then hears Mr. Rochester's voice calling her. She hurries back to Thornfield but it has been burnt down by
was little more than a servant who was paid to share her scarce amount of
How does Bront portray Jane as an unconventional female character in the novel Jane Eyre? Jane Eyre was published in 1847, during the reign of Queen Victoria. The novel was written by Charlotte Bront, but published under the pseudonym Currer Bell. Pseudonyms were used frequently by women at this point in time, as they were believed to be inferior to men. The The work of female authors was not as well respected as those of male writers.
The article Preface to "What Policies Would Promote Social Justice for Women?" written in 2010 states same idea related to the work Jane Eyre about gender equality. Despite the theoretical relevance of sexual inequality and Jane Eyre the feminist literature signifying the importance of gender issues that needs to change relations on social position. Also, these analyses the impact of changing issues now a days. It is quite surprising that the same issue is continuing over the centuries. The author of the article Preface to "What Policies Would Promote Social Justice for Women?" mentions gender inequality in business, politics, education, and other areas has been closely studied. “Gender discrimination is not limited to the business world. There
Women, in all classes, were still living in a world which was misogynistic and male-dominated. Their purpose in life was to produce male heirs and maintain the home by hiring and overseeing servants. It was also taboo for one to marry significantly below one’s social class. This is one reason that Jane is not a conventional heroine for the society of her time. Although, as a governess, she is not considered to be as low as a housemaid, she is still part of the hired help in the house. This is why it is unconventional for her and Mr Rochester to be in a relationship. Yet this is not as peculiar as how Jane Eyre ends their relationship due to her sense of betrayal. It would have been considered extremely foolish for a working-woman’s sense of betrayal to end and turn down a man of great wealth.