The 19th century was an era of reform where journalist and crusaders alike helped shape some of the crucial laws that form our nation today, among the abundant problems that existed in our nation at that time a vast issue was housing, more specifically tenements, and in the middle of one of Americas most important reform which aided in originating the aggressive investigative journalism was Jacob A. Riis. Jacob Riis was born on May 3, 1849, in a small rural Denmark town third oldest out of 15 children to a highly educated school teacher and a homemaker, who was a former governess. Strong-willed and confident Riis was a natural born activist who assisted needy families in his town from a young age. One noticeable moment of his charity was when …show more content…
The publication served as a double edged sword, while he was urging landlords and officials to take an interest in the lives of those within the tenements, he was also condemning the futility of many of the tenets who were content to stay in an unhealthy, dangerous, living situation. This book was to many upper class citizens the first time of hearing and seeing the abject poverty that many lower class citizens were subjected to. Riis used strong literary and physical imagery to erect pathos to his audience. Armed with a bright flash camera and a barrage of adjectives he traversed the slums to capture “That strip of smoke-colored sky up there is the heaven of these people. Which makes him…wonder the name does not attract them to the churches?” (Belmonte 3) Riis Lutheran background made him a perfect activist for this cause, even though the church wouldn’t be directly involved with his work due to the controversy surrounding his image. Even many news publications rejected his work completely, but it was able to stand the test of time even receiving many
The book deals with several sociological issues. It focuses on poverty, as well as s...
She was not a master of style, plot development or characterization, but the intensity of feeling and aspiration are evident in her narratives that overrides her imperfections. Sandra Cisneros’ The House on Mango Street, written in 1984, and Anzia Yezierska’s Bread Givers, published in 1925, are both aimed at adolescent and adult audiences that deal with deeply disturbing themes about serious social conditions and their effects on children as adults. Both books are told in the first person; both narrators are young girls living in destitute neighborhoods; and both young girls witness the harsh realities of life for those who are poor, abused, and hopeless. Although the narrators face these overwhelming obstacles, they manage to survive their tough environments with their wits and strength remaining intact. Esperanza, a Chicano with three sisters and one brother, has had a dream of having her own things since she was ten years old.
The connection between poor living conditions, low income families, and inequality of varying groups go hand in hand when dealing with poverty as discussed in Evicted by Matthew Desmond. These issues are often swept under the rug for those not immersed in the situation and can even be unknown. There is gender inequality which can affect every aspect of life, including dwelling. There is also racial inequality which also renders the quality of life. Both themes have a deeper meaning and are connected at the source of poor education and job discrimination.
On the very first page, Riis states, “Long ago it was said that ‘one half of the world does not know how the other half lives.’ That was true then. It did not know because it did not care (5).” In first-person, Riis discusses his observations through somewhat unbiased analysis, delivering cold, hard, and straightforward facts. Following the War of 1812, New York City had a population of roughly half a million, desperately in need of homes. The solutions were mediocre tenements: large spaces divided into cheaper, smaller rooms, regardless of whether or not there were windows. Some families were lucky, being able to afford the rooms with windows, while others had to live in pitch-black, damp, and tiny rooms literally in the center of the building. These tenements contained inadequate living conditions; disease murdered many citizens, causing a shortage of industrial workers. The Board of Health passed the “Tenement-House Act” in 1867,...
Inner-city life is filled with glimmers of hope. The children had hopes of leaving the dreadful streets of the ghetto and moving into an innovative and improved place. There are times when Lafayette states, ...
I also find it interesting how Rivoli described the conditions of a garment worker. She described a child in Vietnam chained to a sewing machine without access to food or water, and spoke about a young girl from India who earned 18 cents per hour and is allowed to visit the bathroom only twice per day. This young girl lived in a room with 12 other girls; she shares a bed and only has gruel to eat. She is forced to work 90 hours each week, without overtime pay, and lives not only in poverty, but also in filth and sickness.
Riis writes his book effectively and manages to grasp the attention of the nation with his exposé of real life stories and his snap photography of the tenements of New York City. His point of view wasn’t always objective and he had many stereotypes burned into his brain, but at the same time without some of those preconceived ideas I don’t think his writing would have been as effective as it was. There were real emotions and deep feelings that went into his work. Without his connection to the poverty stricken, he would not have an understanding of where those immigrants were mentally, the pain they were going through and the ‘rough road’ ahead of them. The main purpose of his book was to try to help open the eyes of the people in New York to the conditions in which the immigrants are living. By opening their eyes, he hoped that there would be compassion growing in their hearts and maybe open up to that community and aid in the reconstruction of the tenements in which they resided.
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
In the Pulitzer prize-winning novel Evicted, sociologist Matthew Desmond follows eight families as he exposes how the lack of affordable housing perpetuates a state of poverty. He even goes so far as to assert that it is eviction that is a cause of poverty, not the other way around (Desmond 229). While this latter argument is as engrossing and it is striking, analyzing it with justice is simply not possible within the scope of this paper. Nevertheless, it is these two factors—inescapable poverty and eviction—that engender an unrelenting condition of financial, emotional, and communal instability, effectively hindering any chance of upward mobility.
The tenement was the biggest hindrance to achieving the American myth of rags to riches. It becomes impossible for one to rise up in the social structure when it can be considered a miracle to live passed the age of five. Children under the age of five living in tenements had a death rate of 139.83 compared to the city’s overall death rate of 26.67. Even if one did live past the age of five it was highly probable he’d become a criminal, since virtually all of them originate from the tenements. They are forced to steal and murder, they’ll do anything to survive, Riis appropriately calls it the “survival of the unfittest”. (Pg.
Towards the end of the 19th century, reformers used many different tactics to encourage the public to advocate for social reforms. Jacob Riis used photographs of New York City’s slum tenements and its inhabitants to shock people with the truth. His book, How the Other Half Lives, provides a clear picture of the dangers that tenement life poses to middle-class values. Because all life is a product of its environment, Riis used pictures to encourage members of the middle class to see the poor’s struggles before it became a problem that undermined society’s ability to function. His approach had on tenement reform and the struggles of life in the tenement houses were detrimental to changing the poor’s way of life Jacob Riis, used a first-person perspective to explore the living conditions of that era. Riis was an immigrant, a photojournalist, a police reporter, and more importantly a social reformer He paints a very clear un-shielded
One of the most famous authors in American history is Edgar Allen Poe, thanks to his intricate and unsettling short stories and poems. One of the strongest aspects of Poe’s writing style is the allure and complexity of the narrator of the story. These narrators, ranging from innocent bystanders to psychotic murderers, add depth to such a short story and really allow Poe to explore the themes of death and murder which he seems to have an unhealthy obsession towards. Furthermore, he uses these narrators to give a different perspective in each of his many works and to really unsettle the reader by what is occurring throughout the story. The narrators, whether an innocent witness of death as in "The Fall of the House of Usher" or a twisted murderer as in "The Cask of Amontillado" are used by Poe to discuss the themes of death and murder within these stories and, depending on their point of view, give a different take on such a despicable act such as murder.
Cisneros depicts Mango Street as a rough neighborhood, but she also conveys a sense of community. She writes down that “we are safe,” (Cisneros, 28) to indicate that she can find the sense of community. Even if the author does not think she belongs to Mango Street, she does not deny that her community lives there. At the beginning of The House on Mango Street, Cisneros states that “I had to have a house. A real house,” (Cisneros, 5) illustrating that after knowing the American society’s evaluation criteria of success, she wants to follow the upward mobility and be viewed as a successful figure not only because she wants to be appreciated but also because white people will change their stereotypes of Hispanic people if they see that a Hispanic woman can be as successful as other whites. Her ambition triggers her to want to explore the meaning of being a Hispanic girl in the real world. Furthermore, in the “My name” session, the author depicts her great-grandmother’s life. “She looked out the window her whole life… but I don’t want to inherit her place by the window.” (Cisneros, 11) Cisneros wants a marriage formed because of love, like most white people do; her desire indicates that she wants to live like the whites, so that they will respect her and the Hispanic race later. In addition, Cisneros points out that she
Public housing was designed to liberate the city and streets of vagrants and paupers; however, in spite of strong support and investment, in practice it did not achieve that feat. The article The Beginning of the End of a Modern Ghetto by Sudhir Alladi Venkatesh discusses the racial and class stereotypes that obscured the way Chicago's Robert Taylor Homes functioned. When it opened in November 1962, Robert Taylor Homes, were twenty-eight sixteen-story buildings containing 4,300 units on Chicago's South Side, and was considered the world's largest public housing project. This demonstrated how much space and money was invested into this public housing project. The managers of the Chicago Housing Authority at first tried to work with the tenants but were quickly overwhelmed by the task of maintaining the enormous physical plant inhabited by thousands of children. The tenant applicant screening committees of managers and tenants eventually stopped meeting, the population grew steadily poorer, and by the 1970s single mothers on welfare made up the majority of the adult residents. This was the beginning of a failed experiment because after this things only worsened. The young...
In Evicted by Matthew Desmond, Desmond examines the complex nature of poverty and elucidates on the housing dilemma that prevents the poor from breaking from the vicious cycle of poverty. Desmond examines the lives of eight American families from different backgrounds and races and records their life stories. By documenting the struggles and difficulties that they face, Desmond demonstrates that even though the United States is one of the wealthiest countries in the world, it still has much ground to cover to try to untangle the complex nature of poverty in order to find productive solutions.