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Counterculture movement
American literature and culture
Essay of transcending
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Jack Kerouac's On the Road and Allen Ginsberg's Howl
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It was a 1951 TIME cover story, which dubbed the Beats a ‘Silent Generation, ’ that led to Allen Ginsberg’s retort in his poem ‘America,’ in which he vocalises a frustration at this loss of self- importance. The fifties Beat Generation, notably through Jack Kerouac’s On the Road and Allen Ginsberg’s Howl as will here be discussed, fought to revitalise individuality and revolutionise their censored society which seemed to produce everything for the masses at the expense of the individual’s creative and intellectual potential. Indeed, as John Clellon Holmes once noted: “TIME magazine called them the Silent Generation, but this may have been because TIME was not really listening. ”
Holmes in essence established the Beats as a recognized group in his 1952 New York Times article headlined ‘This is a Beat Generation,’ and Kerouac would later define the changing the preconception of the name ‘Beat’ from “poor, down and out, deadbeat, on the bum, sad, sleeping in subways,” to a “slogan or label for a revolution in manners in America. ” This new ‘beatitude’ described a positivity and optimism that life could be better if individuals only chose to live it their own way, an idea repeatedly expended in both the texts in question here. On the Road and Howl challenge conventional culture in the frank, sometimes seedy but always emotional material they discuss, as well as through their form and literary style which are decidedly gritty, jumbled and real in comparison to traditional literature that had previously been reserved an artistic production of highbrow culture.
Defining the terms culture and counterculture, as Raymond Williams’ exte...
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...option and adaptation of transcendental literature suggests a desire to create a balance in wanting to belong to an American literary tradition, but also start something entirely new.Both Howl and On the Road presented examples of widening literary conventions in reviving the consideration and importance of the self. As Honan observed, “the Beat influence has helped us to question our reportage on, and accounting for, the human past. We no longer think it absolutely truthful to account for past lives or events in a wholly retrospective way.” Indeed, it is feasible to assert that the increasingly travelled youth of today continue to thirst for a more meaningful identity as the Beats propounded, and it ultimately pervades that in the face of Eisenhower’s static America, “the Beats brought literature closer to the texture of life, and their influence has not ended. ”
In 1990, when he was 22 years old, Christopher McCandless ventured out into the Alaska wilderness in search for true happiness, and 2 years later he suffered a tragic death. An aspiring writer, Jon Krakauer, found McCandless’ story fascinating and chose to dedicate 3 years of his life to write a novel about him. The book entitled “Into the Wild” tells the tale of Christopher McCandless, an ill prepared transcendentalist longing for philosophical enrichment, who naïvely, failed to consider the dangers of isolating himself from human society for such a long period of time. Though Christopher McCandless made a courageous attempt to separate himself from society, in order to achieve self-fulfillment, the stubborn nature of this reckless greenhorn led him to his unfortunate demise.
From the outside, the 1950’s was a great time for America. Society revolved around the idea of America being a middle-class nation. Americans worshipped conformity, and materialism satisfied the need to conform. However, the prosperity of materialistic America hid the growing, numerous problems. Dissent in any way was not tolerated; all injustice was stifled by a fear of difference. In “Fifties Society,” Alan Brinkley discusses the truth of the era; that the fear of nonconformity was hidden by the seemingly prosperous middle-class nation. Brinkley argues the Beat movement and “feminine mystique” show that the people who did not fit in reveal the true colors of 1950’s society.
Throughout the words and the lives of the Beat Generation, one theme is apparent: America, everywhere from Allen Ginsberg’s “America,” to Jack Kerouac’s love for Thomas Wolfe. Although the views of America differ, they all find some reason to focus in on this land. Ginsberg, in his poem “America,” makes a point that not many of us can see as obvious: “It occurs to me that I am America. I am talking to myself again.” Each and every one of us make up America, and when we complain about something that is wrong, we are complaining about ourselves. Being raised by his mother as a Communist, and being homosexual, Ginsberg found many things wrong with America, and he does his fare share of complaining, but at the end he decides, “America I’m putting my queer shoulder to the wheel.” Ginsberg didn’t want to sit and watch everything go wrong. He was going to do something, despite the fact that he was not the ideal American.
Firstly, the group of friends and writers most commonly known as the Beats evolved dramatically in focal points such as Greenwich Village and Columbia University, and subsequently spread their political and cultural views to a wider audience. The three Beat figureheads William S. Burroughs, Allen Ginsberg and Jack Kerouac each perceived an agenda within American society to clamp down on those who were in some way different from the accepted ‘norm’, and in response deliberately flirted with the un-American practices of Buddhism, drug use, homosexuality and the avant-garde. Ginsberg courted danger by lending a voice to the homosexual subculture that had been marginalised by repressive social traditions and cultural patterns within the United States.
Through journal entries, highlighted passages, stories of people’s encounters, and personal experiences, author Jon Krakauer attempts to reconstruct the life of a young transcendentalist man named Chris Johnson McCandless in the biographical novel Into the Wild. McCandless was a 24-year-old young man who completely severed his connection to the world, his family, and all of his tangible possessions in hope to survive off the land in Alaska. In the two years that led to his Alaskan Odyssey McCandless created a new life for himself and lived by the name Alexander Supertramp, in hope to leave his old life behind. Krakauer starts his novel “Into the Wild” by bluntly revealing to the audience that he had only survived 113 days and his remains were found two weeks after preceding his death. Rather than focusing on McCandless death, Krakauer focused on his life. Although Krakauer is biased, he proves to be a credible biographer and proves the assertions he made in his authors note.
[2] After the fifties, Americans were emotionally dead. During the next decade the population would search again for the “grand ideals” of democracy. The American people were looking for something in the 1960’s; they were searching for ideals and dreams. The Sixties were a “time of rebellion, defiance of authority, acting out hopes and dreams. . . a time of reconsidering the way we lived, the way we behaved toward people in this country and abroad” (Zinn in Morgan, ix). During the Sixties people began to take into account American history and began to attempt to redress the past. Perhaps the largest and most influential group in motivating the American people was musicians. They began to put the feeling of America into songs, and they used those songs to fight for what they believed in, from anti-war songs to sexual liberation and free drug use. It was the fight for ...
Tytell, John. "The Beat Generation and the Continuing American Revolution". American Scholar 42 (1973): 308-317.
Jack Kerouac, was born on March 12, 1922 in Lowell, Massachusetts, as the youngest of three children. Jack decided to be a writer after his brother Gerard died at the age of nine. From the life and death experience of his brother's death, and the Catholic faith of his childhood, he developed a spiritual tendency in his character that would last throughout his life. The fact that Kerouac was a spiritual "seeker," may be the most vital aspect of his life. In post WWII, Eisenhower America, Jack Kerouac came from a poor rustic industrial community to change the face of American Culture forever. He chronicled the wild rebellious culture of "the Beats" in the late 50's and early 60's, paving the way for a more accepting American Society and the tolerance of alternative lifestyles enjoyed today.
During the “Beat Generation” there were three types of members: the wild boys, the hipsters, and the young politicians. They all have their different personalities and actions they use. The wild boys “drink to `come down’ or to `get high,’ not to illustrate anything.”(2) This shows a change in how they drank. They drank for themselves and to calm their feelings and feel better about them, not to show off to anyone. The wild boys’ characteristics make them `beat’ because are living life to the fullest, without any regret of tomorrow. They drink till they can’t drink no more or party till they can’t stand. This causes them to not worry about what will happen or how they are going to live tomorrow; they only care about the present. The hipsters they want to make “a mystique of bop, drugs and the night life, there is no desire to shatter the `square’ society in which he lives, only to elude it.”(3) The hipsters don’t care for society or care what it tells them to do. They go about their ways and do what they want. They don’t want to change the rules or the laws but only to make sure they don’t get swept up in ideas or thoughts that society gives them. The hipsters’ characteristics are `beat’ because they go against what is told to be the proper or correct way. They may get beat down in the beginning and face hard times, but later on they will find new ways of doing things and those will be the new way society sees things. The young politician looks up to “Badditt as a cultural hero.”(3) He goes along with what society has showed him to do. The characteristics of the politician make him beat because he doesn’t do anything for his own; he does what is right to do, and what will get him far in life. When society catches up to him he wil...
The year is1965, 8 years into the Vietnam war and 2 years in the shadow of a presidential assassination, marked the inception of an artistic vision, cut to Vinyl. Bob Dylan’s Highway 61 revisited is a testament to the state of America in the 1960s, using poetic devices, and engaging rock and roll music to capture the imagination of a breadth of people, unwittingly, it would seem, brought change to the minds of Americans. Opening their eyes to what was happening and inflicting a sense of new found justice in their hearts, Living vicariously through Bob Dylan’s intense imagery, due to the events unfolding in that period, People latched on to Dylan’s lyrics and imposed their own expression and feeling onto his songs.
“People today are still living off the table scraps of the sixties. They are still being passed around- the music and the ideas” - Bob Dylan (1992)
Jack Kerouac's On The Road is the most uniquely American novel of its time. While it has never fared well with academics, On The Road has come to symbolize for many an entire generation of disaffected young Americans. One can focus on numerous issues wh en addressing the novel, but the two primary reasons which make the book uniquely American are its frantic Romantic search for the great American hero (and ecstasy in general), and Kerouac's "Spontaneous Prose" method of writing.
Literature: From Faulkner and Morrison to Walker and Silko, American Literature Readings in the 21st Century. New York: Palgrave MacMillan, 2008. Print.
During the 1950’s, a group of young American writers began to openly oppose societal norms in favor of other radical beliefs. These writers believed in ideas such as spiritual and sexual liberation, decriminalization of drugs, and opposition to industrialism as well as consumerism (Parkins). Over time, these writers became known as the Beat Generation and created the Beat Movement. Among the members of this rebellious group was the infamous Allen Ginsberg, who is considerably one of the most influential poets of his time. By utilizing tools like imagery, allusions, and symbols, Allen Ginsberg’s “A Supermarket in California” discusses themes such as consumerism, sexuality, and alienation, which reflect Ginsberg’s personal beliefs and desire for change.
To say that the Beat generation has affected modern culture seems at first to be no great revelation; it is inevitable that any period of history will affect the time that follows. The Beat generation is especially significant, though, because of its long lasting impact on American culture. Many aspects of modern American culture can be directly attributed to the Beat writers, primarily Allen Ginsburg, William Burroughs, Neal Cassady, and Jack Kerouac. (Asher) Their influence has changed the American perception of obscenity, has had profound effects on American music and literature, and has modified the public’s views on such topics as sex and drug use.