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Poem the love song of j alfred prufrock
Summary of the love song by Alfred prufrock
Summary of the love song by Alfred prufrock
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Trust is a Trap
Trust is a biological tendency that humans along with other species of living things tend to develop after spending a certain amount of time with one another. For some people it is easy to trust others, but for others who have been deceived on one too many occasions, it takes an immense amount of time for them to put their faith in someone. Humans naturally grow to trust people, and the more faith they put in someone, the more vulnerable they will be if they are ever betrayed. In the poem “The Love Song of J. Alfred Prufrock”, T.S. Elliot seems to be exploiting this human flaw. Elliot seems to believe that people can be easily lured into traps, especially if it is not blatantly obvious that they are in a vulnerable position.
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Alfred Prufrock, a man who has seemingly witnessed many things throughout his lifetime. Prufrock begins his story by luring the reader in. He seems to be putting the reader in a hypnosis, for he says, “Let us go then, you and I… Like a patient etherised upon a table”. Patients are etherised before they go into surgery so that they will not be able to respond to any type of sound, smell, or touch while they are in surgery. This is done to keep them from feeling pain, for they are so unconscious that the only thing they are capable of is dreaming. Prufrock wants the reader to be in this state while reading his song; he wants the reader to be aware of nothing but what is going on in each line of the …show more content…
At first glance, the reader would not be able to tell that Prufrock is blatantly saying he is leading you into a trap. He compares the streets to a tedious argument that has insidious intentions, meaning that the streets are meticulous, but they purposefully were unnavigable to the reader. The road leads to an overwhelming question, but only Prufrock knows the way. The lines “Oh do not ask ‘What is it?’ let’s go and make our visit”, shows that he is not willing to give the reader directions immediately; he wants the reader to journey with him for a while before giving them a way out. The reader now cannot escape listening to Prufrock’s song. Because of Prufrock’s skill in persuading and the reader’s willingness to trust him, they have been lured into his
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Maximize the interaction with in the group to facilitate unity of the three individual groups (management and workloads)
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Someone once said that true love is only an illusion and can never be achieved. This is evidently shown through many elements of the poem by John Keats, “The Eve of St. Agnes.” Much of this poem is about the imagination and how it can blind people and make them oblivious to the true events that are occurring. We the readers can see this very easily through the portrayal of one of the main characters Madeline. The second main character Porphyro tries to authenticate her quest for a dream experience however ends up taking advantage of her while she thinks she is still dreaming. The poem does endorse how the power of Madeline’s visionary imagination can influence her and the others around her, but also that happenings outside of the dream can cause the person in the dream to be taken advantage of with out the dreamers knowledge. The truth is that Porphyro knows exactly what he is doing and instead of doing things in a honorable way, he decides to proceed in a dishonorable way and totally violates her visionary imagination.
Throughout the poem, Eliot uses a number of similes to reveal different parts of Prufrock’s character and internal dilemma. An example of this is seen in lines 1-3 when Eliot writes, “Let us go then, you and I, when the evening is spread out against the sky like a patient etherized upon the table.” What is interesting about this quote is that it sets the stage, essentially, for the rest of the poem. Eliot starts out by opening the piece with a line that gives the poem a very calm vibe, suggesting an invitation to go on an intimate stroll with the narrator. The third line, however, compares the evening to someone lying on a table about to go through surgery. The fact that Eliot uses this simile reveals, early on, a part of Prufrock’s character and his fragmented view of love in that he sees it as a rather gilded part of humanity. We, the readers, notice that Prufrock associates love with ...
infamy.", meaning that Prufrock speaks only because he knows no one will pay attention to him and he won't be heard. Purfrock repeats certain phrases to clue the reader in that they are part of the story. "You and I" in the first line, suggest that you must be with him to understand his story. Furthermore, in line 12 Prufrock states, "Lets us go and make our visit" including the reader so he can follow along.
“[He] should have been a pair of ragged claws/ scuttling across the floors of silent seas” (Eliot, 73-74). This comparison is very powerful because he doubts he can progress and is constantly putting himself down. Prufrock sees himself as a crab, taking a long time to reach the destination if at all and having to side step around everything. He is constantly looking for guidance proving the doubt Prufrock has that he can never be worthy enough of making a decision without guidance. He may begin something or have an idea then begin to wonder “and how should I presume?” (Eliot, 54) repetitively begging for help and guidance each time he repeats it. The more desperate he is growing. Prufrock does not believe he is capable of making decisions for himself without knowing the answer or end result. He is pleading for help to prepare for what is to come and separates himself from the rest of
The general fragmentation of "The Love Song of J. Alfred Prufrock" is obvious. The poem seems a perfect example of what Terry Eagleton calls the modern "transition from metaphor to metonymy: unable any longer to totalize his experience in some heroic figure, the bourgeois is forced to let it trickle away into objects related to him by sheer contiguity." Everything in "Prufrock" trickles away into parts related to one another only by contiguity. Spatial progress in the poem is diffident or deferred, a "scuttling" accomplished by a pair of claws disembodied so violently they remain "ragged." In the famous opening, "the evening is spread out against the sky / Like a patient etherised upon a table," and the simile makes an equation between being spread out and being etherised that continues elsewhere in the poem when the evening, now a bad patient, "malingers, / Stretched on the floor, here beside you and me." There it "sleeps so peacefully! / Smoothed by long fingers . . . ." This suspension is a rhetorical as well as a spatial and emotional condition. The "streets that follow like a tedious argument / Of insidious intent" lead not to a conclusion but to a question, a question too "overwhelming" even to ask. Phrases like the "muttering retreats / Of restless nights" combine physical blockage, emotional unrest, and rhetorical maundering in an equation that seems to make the human being a combination not of angel and beast but of road-map and Roberts' Rules of Order.
Love is one of the most liberating connections two people can hold between each other when it is authentic and sincere. Many find completion and satisfaction when they find this ideal, true love in another. However, when love is turned into a façade in order to create the image of an perfect, fulfilling relationship, it can be alienating and destructive. In Walker Percey’s essay, The Man on the Train, he claims that love is ultimately a source of alienation instead of an escape into wonderful satisfaction. This theory is exemplified in Frank Capra’s It Happened One Night, a story of a woman, Ellie, on a journey to fill her void of true love and escape her feelings of alienation. only exacerbates her sense of alienation instead of functioning as a cure. Until Ellie can find real love within herself she will never be fully satisfied with her life. In the mean time she involves herself in many different scenarios with various men seeking some form of love, her distraction from alienation.
The poem begins by suggesting that Mr. Prufrock is mentally disassociated with society. Mr. Prufrock, addressing the audience or some imaginary confidante, proposes the mental journey commence "When the evening is spread out against the sky Like a patient etherised [sic] upon a table" (ll. 2-3). The lines evoke images of drug induced, altered realities. He follows by recommending visits to "one-night cheap hotels" (l. 6) and "sawdust restaurants" (l. 7). The references infer that the locations are not the speaker's normal environments and are part of fantasy environments. In lines 15 through 22, the speaker credits the smog with feline characteristics. He further states "Though I have seen my head [...] brought in upon a platter..." (l. 81). Although it is a biblical reference to the decapitation of John the Baptist, the statement is indicative of an active fantasy life. He admits to having heard mermaids sing and speaks of life on a beach. He creates the fanta...
In this passage, it's clear that Prufrock desires a woman's attention but doesn't think he will ever have it. This pessimistic outlook gives no hope at all and is just depressing.
"Eliots The Love Song of J. Alfred Prufrock." N.p., 28 Feb. 2014. Web. 01 Mar. 2014.
Parnia also said “the man portrayed everything that had happened in the room, yet significantly, he heard two bleeps from a machine that makes a commotion at three moment interims so we could time to what extent the accomplished went on for. He appeared to be exceptionally believable and everything that he said had transpired had really happened.” Dr. Parnias study included twenty thousand and sixty patients from fifteen healing centers in the UK, US and Austria, and had been distributed in the diary Resuscitation. Of the individuals who survived, forty six for each penny had encounters perfect with customary meanings of a close passing background and two for every penny showed full mindfulness with express review of “seeing” and “hearing” occasions or out-of-body encounters.
Alfred Prufrock has is his insecurity and lack of self-confidence. Throughout the poem Prufrock proclaims that he has an overwhelming question to ask, but he is too timid to ask it. He worries about how other people will respond. He says, “with a bald spot in the middle of my hair (They will say: ‘How his hair is growing thin!’) My morning coat, my collar mounting firmly to the chin, my necktie rich and modest, but asserted with a simple pin (They will say: ‘But how his arms and legs are thin!’)” (Eliot 1). This excerpt from the poem demonstrates Prufrock’s paranoia of how others perceive him. His lack of self-confidence hinders him from making a “bold” move, talking to women. J. Alfred Prufrock’s anxiety to communicate with others makes him the perfect example of a twentieth century modern man (Samet Guven
The Byrrafu Foundation The Byrraju Foundation seeks to build progressive self-reliant rural communities, with a holistic approach, by providing services in the areas of healthcare, environment, sanitation, primary education, adult literacy and skills development. The Foundation currently works to transform 150 villages in 5 districts of Andhra Pradesh- East Godavari, West Godavari, Krishna, Guntur and Ranga Reddy- and impacts 800,000 people. The Inspiration The Byrraju Foundation was set up in July 2001 inspired by the memory of the Late Byrraju Satyanarayana Raju, Founder, Satyam group of companies, a philanthropist who held villages dear to his heart. Mission To create a world-class platform for sustainable rural transformation.