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Metamorphosis the novel
Essay about isolation
The Metamorphosis critics
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It is said that no man is an island, and no man stands alone. Hence, true human existence can not prevail positively or productively without the dynamics of society. Yet, this concept is very much a double-edged sword . Just as much as man needs to exist in society and needs the support and sense of belonging, too much social pressures can also become a stifling cocoon of fantasies and stereotypes that surround him. He becomes confined to the prototype of who or what he is expected to be. Thus, because society is often blinded by the realms of the world, its impositions in turn cripples humanity. If he does not conform, he becomes a social out cast, excluded and excommunicated from the fabric of life. The theme alienation in a small society is depicted primarily through setting by both authors Conrad and Kafka in Metamorphosis and Heart of Darkness. This depiction demonstrates how this isolation has a negative impact on the individual and ultimately leads to his destruction and decadence.
As illustrated in Metamorphosis, Kafka demonstrates the isolation of Gregor, the protagonist through the medium of his room. The “room” symbolizes how Gregor lacks relationship with his surroundings, his family and others. Kafka describes it as being “ A regular human room …” with “the four familiar walls”(3). This is society’s standards. It is portrayed as being full of ones basic essentials; with the regular old furniture. However, as the novel continues, Gregor’s life continues to change. His room is transformed to his new life and essentials. He begins to lose all his furniture, that “he had been use to [for] so long”(33). As a result there is a sense of emptiness and hollowness which is reflective of his surroundings and within himself. ...
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... authors conclude that it is through alienation within a small society that ultimately leads to the primary characters’ demise and death. Whether their individual cases are self imposed or externally imposed, the results and the impact are the same, annihilation of the human soul. Their craft make emphatic use of setting to the successful depiction of this theme. Both characters ultimately fall into the abyss of loneliness and despair proving that human existence cut-off and on its own is more destructive than positive . Thus their message seems to suggest that as humans, we need society in order to truly belong and have a connection, purpose and worth in this life, in order to truly live.
Works Cited
Conrad, Joseph. Heart of Darkness. New York: Barnes and Noble Classics, 2003.
Kafka, Franz. The Metamorphosis. Trans. Stanley Corngold. New York: Bantam, 1972.
By force or choice, people are isolated from a certain community due to malevolence in the nature of the particular society to eventually lead their life independently. Moorhouse approaches the idea of isolation by using symbolic features which segregate certain
The feelings of loneliness and betrayal are feelings that we all feel one too many. Some have these feelings for a few simple days, and then those feelings soon pass. For others, however, this is a feeling that is felt for most of their lives. Our loneliness may make us feel alone, when our loneliness is actually common. In The Metamorphosis by Franz Kafka, the topic of alienation is an ongoing theme from beginning to end. I have interest in this passage because it reveals the writers understanding of a feeling that we all get from time to time. This novella helps us relive these emotions with an understanding that we are not alone in our loneliness.
...nderson, 107). The novels demonstrate that humans react to alienation by choosing to alienate themselves rather than allow others to alienate them. The protagonists intentionally withdrew themselves from society before society could hurt them by denying them acceptance. They equally fear rejection which is common among human kind.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
During the course of Kafka’s novella, The Metamorphosis, we see in Gregor Samsa a man who fears the concept of intimacy—most notably with members of the opposite sex. It is important for us to contrast the commonly accepted definition of intimacy against that of Gregor’s. The popular definition deals with the mark of a close association between two parties, may it consist of a physical or emotional connection. Gregor’s definition seems to be a polar opposite to the conventional one; or more simply, he feels the closest connection to the women he can maintain a sizable distance from. We come to a better understanding of Gregor’s definition of intimacy when scrutinizing his relationship with his sister: he feels most intimate with her, although she feels utterly alienated from him. Ironically enough, Gregor tends to long for the women that he is least capable of approaching or coming in contact with, including his mother. The passage in which Gregor’s mother and sister attempt to remove all of the furniture from his room helps to illustrate his fear of intimacy. He immediately clings onto a picture frame of an ornately adorned fashion model, refuses to loosen his grasp, and claims to feel at greatest ease in this position. The irony is that the intimacy established with the model in the picture frame is the furthest thing from a genuine connection or association between man and woman. Therefore, the picture frame is a metaphor of Gregor’s inability to establish conventional intimacy with members of the opposite sex due to his own perception of what intimacy actually means.
Conrad changes the environment to cause his protagonist struggles, and Kafka does the same but through internal contrasts. Kafka’s transformation of Gregor into a disgusting vermin causes doubt within him. These doubts place his family in a position where they lose any love and care they ever had in their son. On what should have been a normal morning, Gregor awoke and “found himself changed in his bed into a monstrous vermin” (Kafka 3). Gregor's surreal transformation forces him to doubt and deny anything happening around him.
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
Sokel, Walter H. “From Marx to Myth: The Structure and Function Of Self-Alienation In Kafka’s Metamorphosis.” Critical Insights: The Metamorphosis (2011): 215-230. Literary Reference Center. Web. 15 Mar. 2014.
When comparing Franz Kafka and his personal life to The Metamorphosis it is obvious in more ways than one that he was writing a twisted story of his life. The emotional and physical abuse Gregor goes through are similar to what Kafka went through in real life. They were both abused and neglected by their fathers when they were disappointed with them. Kafka uses Gregor transforming into a bug as a way of exaggerating himself, trying to express his feelings and point of view. When writing, Kafka felt as if he was trapped in his room which he referred to as "the noise headquarters of the apartment". Gregor was an exaggeration of this because he could not leave the house to escape the noises and abuse.
For the majority of the story, Gregor can only explore one room. This one room becomes the majority of Gregor’s reality. By designing Gregor’s reality this way, Kafka emphasizes that Gregor has become cut off from reality and is placed in his own enclosed world. This claustrophobic setting helps to add an element of unease to the story and helps to express Gregor’s loneliness. By cutting Gregor off from his former reality, Kafka is emphasizing that Gregor is no longer a part of humanity. By doing this, Kafka shows that Gregor’s transformation has erased Gregor the man and all that remains is Gregor the bug. This is further highlighted by the removal of the furniture of the room. This removal shows that even Gregor’s own family has stopped seeing him as a part of humanity highlighting his loneliness. This can be seen here, “I won't pronounce the name of my brother in front of this monster, and so all I say is: we have to try to get rid of it. We've done everything humanly possible to take care of it and to put up with it."(Kafka
In fictional pieces, as well as in the real world, the feeling of isolation is very familiar to us, as humans. These feelings can be caused by other people’s actions, but sometimes they are self induced. In the novel, “Grendel”, it is undoubtable that the character of Grendel suffers from alienation. Not only is he unaccepted by the human society, but he also feels isolated from his only family member, his mother.
Using symbols, Kafka illustrates the story which is not just about Gregor’s transformation but it is more than that. The entire Metamorphosis is an allegory about Gregor changing into a vermin, symbolize that he wanted to free himself from his family obligation. “As Gregor Samsa awoke from unsettling dreams one morning, he found himself transformed in his bed into a monstrous vermin” (Kafka 7). He thought his transformation was a dream but he soon realizes that it was reality. Gregor was the source of the income for his family and was employed in a job he did not like. “What a grueling profession I picked! Traveling day in, day out” (Kafka 7). This is ironic because Gregor was forced by his father to choose the alienated career. Mr. Samsa was indebted to his boss; working as a traveling salesman he would have pay off his father debt. Working as traveling salesman made Gregor alienated socially and mentally. The word transformation does not only app...
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
Kafka creates a very lonely and abandoned world for Gregor Samsa in his short novel Metamorphosis. Gregor is an existentialist character who mutates into a giant bug without reason and no longer has any control over his life. He becomes completely uninvolved in the way that he does not talk or have any interaction with anyone inside or outside of the family. He is dehumanized. Gregor’s mother is disgusted by the looks of him and refuses to see or talk to him. Gregor is now lonely and abandoned by his family, does not eat and eventually dies.