The Dressmaker is a gothic drama film, directed by Jocelyn Moorhouse, which explores the main character Tilly’s search for the truth behind a murder accusation. In this process, the audience is confronted with the themes of isolation, a need to make peace with the past and manipulative power. Moorhouse’s innovative directorial skills, in particular through the use of colour, symbolism and camera angles enable audiences to connect with the characters of the film in a realistic manner.
By force or choice, people are isolated from a certain community due to malevolence in the nature of the particular society to eventually lead their life independently. Moorhouse approaches the idea of isolation by using symbolic features which segregate certain
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communities from the members of the town. In a wide shot, we see Molly’s house set atop a hill, separated and stranded from the rest of the town, almost a “haunted house” as its appearance is rather daunting compared to the other homes which are well-managed and approachable. This demonstrates how Molly’s lifestyle is different from those around her, as she leads her life impassively. Moorhouse has cleverly symbolised isolation to show the divergence between the rich and the poor. Teddy’s family is shown living in meagre surroundings whereas, the richer community is shown to live rather lavishly as shown by Elsbeth’s reaction as she enters the poverty stricken family’s region, “What are we doing here?...My God!” she wails repulsively, enhancing her disgust for the poor and hence the difference in her class compared to the poor. While such exclusion from a larger community can be demeaning, throughout the film, Molly and Teddy’s family are perceived living life at their personal convenience and exclude themselves from involvement with the village. We encounter the idea of isolation through Moorhouse’s subtle and ingenious methods of distinguishing between different classes. Negative memories often lead people to embark on a journey to discover the reasoning behind particular incidents to find justice.
Tilly is a character whose past is constantly inflicting her present life as she is perplexed with an alleged murder accusation. We often see the flashbacks of Tilly’s childhood shown with a lack of colour in a gloomy and depressed background while she is constantly called names such as “bastard”, “daughter of a slut”, making audiences sympathise for her. Moorhouse explores the representation of the dull times in Tilly’s life using the murkier and darker shades of brown for the screenplay in the ominous flashbacks against present times in which vibrant colour is applied. By using brighter shades of red, orange, gold etc. for the present times of Tilly’s life, Moorhouse suggests a change in the demeanour of her life as we see Tilly seeking the light of truth to make peace with her past and in the process, seeking revenge against those who have wronged her in the past. This makes the audience feel a sense of protectiveness and feel supportive towards Tilly. Her quest for the truth is shown as she constantly questions Molly on her commitment of the murder of Stewart Pettyman, “Did I commit a murder...Am I a murderer?” Furthermore, Teddy accentuates the purpose of Tilly’s return, “I reckon you came home for one of 2 things, revenge…or me…” This statement puts further emphasis on Tilly’s ambition of knowing the truth about her past and ultimately disprove the accusations that she was targeted of. Molly, along with Tilly, suffered from the saddening memories of the loss of her daughter, which is also shown from a brief memory of Tilly in tears in a slow-motion eye-level perspective black and dull grey shot, moving audiences and causing a emotional turmoil within them. Tilly achieves her goal of uncovering the truth and hence also takes revenge for the discrimination against her and Molly from the town members by lighting fire to the whole
town. Moorhouse enhances how one’s past can often lead to a pursuit of discovery using colour to represent the tone and temperament of the film. Power may correspond to one’s class but it can also be used to manipulate opposing ideologies to ultimately use it to one’s advantage. Moorhouse has shown how the search for power is prominent throughout the film by applying effective camera angles that emphasise this theme. In an eye-level shot, we are introduced to Tilly’s profile, holding her cigarette, signifying the powerful and determined woman that she is. Tilly is resolute to expose the truth behind her alleged murder accusations. She persuades the townspeople, particularly the women, on the idea of presenting oneself in an elegant and stylish manner through her lush dressmaking skills to eventually achieve information from them regarding her involvement in the “murder” of Stewart Pettyman. Often when Tilly is in the scene, an eye-level shot is applied to lead audiences to feel as though she is specifically addressing them. Furthermore, when a perspective shot from the town is taken, it is often directed from a low angle, putting Tilly in position of power over the town, signifying her. Furthermore, when Trudy does not believe in Tilly’s ability to transform her, “A dress can’t change anything” Tilly confidently responds, “Watch and learn, Gertrude, watch and learn.” This scene delivers to the audience a level of superiority for Tilly as she becomes “in charge” and asserts her point. Often when significantly powerful characters in focus, a low angle shot is used to show their ability to manipulate characters and their eminence of class compared to other characters, for example, Evan in seen crowding over Marigold’s timid figure as he threatens her. However, in change of events, Marigold attacks Evan and then crowds over Evan asserting her authority from a higher angle, endangering Evan . Such shots reveal to the audience, the prominence of involved characters. The Dressmaker is a relatable film as it that revolves around one’s need to remedy one’s reputation and attain one’s dignity through one’s talents and mindset. Moorhouse shows her intricate directorial techniques to portray a gothic and eerie film with through symbolism, camera techniques and colour to invoke compassion, sensitivity and support in audiences.
Though Stephen initially felt isolated both physically and psychologically due to his illness, through Sachi’s comfort and the calm beauty of Matsu’s garden, Stephen finds his stay at Tarumi to be much less secluded. This proves that though one may feel alone at times, other people or things may help vanquish that feeling. In today’s world, isolation is everywhere – there is isolation due disease, intelligence, race, etc. Yet, people find that the little things like _____ to make them realize they are not alone. This sense of aid shows that like the paint in the puddle of water, all it takes is something small to make the biggest difference.
After feeling ostracised by the township, the alienated Brennan family are driven to leave the town of Mumbilli at 4:30am. With hardly any peer support, Tom begins to lose his sense of security, resulting in his transformation into an unconfident teen who is afraid of public opinion. It is no wonder that Tom is unable to move on in his new town as he is being held back in fear of revealing his past. Burke tactfully illustrates Tom’s emotional kaleidoscope through phrases such as “I felt the knot snap” and “my guts landing at my feet” (Burke, pg 172) when reflecting on the accident. On the contrary, with encouragement from family members, Tom begins to step out of his comfort zone and face the future that is to come.
The theme of isolation is established and developed through the setting of Crow Lake. Located against the deserted territory of Northern Ontario, Crow Lake is a diffident farming settlement that is “... linked to the outside world by one dusty road and the railroad tracks” (Lawson 9).
We may believe were not in no form of isolation from a single thing but we are all in isolation without notice. In the book “The Brief Wondrous Life of Oscar wao” by Junot Diaz, he shows isolation in every character in a very distinct way but still not noticeable. Throughout the Brief wondrous life of Oscar Wao, Diaz conveys that there is isolation in every person through his characters that are all different in personalization but are still isolated from something.
Isolation can be a somber subject. Whether it be self-inflicted or from the hands of others, isolation can be the make or break for anyone. In simpler terms, isolation could range anywhere from not fitting into being a complete outcast due to personal, physical, or environmental factors. It is not only introverted personalities or depression that can bring upon isolation. Extroverts and active individuals can develop it, but they tend to hide it around crowds of other people. In “Richard Cory,” “Miniver Cheevy,” The Minister’s Black Veil,” and “Not Waving but Drowning,” E.A. Robinson, Nathaniel Hawthorne, and Stevie Smith illustrate the diverse themes of isolation.
Describing a course in history when isolation was highly adopted, Deresiewicz writes, “The mob, the human mass, presses in… The soul is forced back into itself—hence the development of a more austere and embattled form of self-validation…where the essential relationship is only with oneself” (par.8). Deresiewicz describes the time of urbanization, when country folks began flooding into cities. With so many people moving into the city, there was not any room to breathe because there was not any privacy or space—all the voices and thoughts were forced into one sector of society. This forced some people to advance past the crowd and focus on oneself, on the soul. When submerged by a sea of people, the best shelter is inside the body and mind, where one can reflect the internal self and external world in a serene environment. Extending on the importance of temporary isolation, Deresiewicz adds, “Solitude becomes, more than ever, the arena of heroic self-discovery, a voyage through interior realms” (par. 8). When engaged in the physical world, people don’t focus on themselves because there is too much stimulation occurring around them. But when alone in solitude, when there is no around except oneself—no noises, sounds, distractions—then a person is able to reflect on his or her character. It is important to immerse in introspection because mental health is as vital as bodily health. And by delving deeper into the psyche, individuals discover new information about themselves that wouldn’t have been uncovered with others because the only person that truly understands him or her is that
Preliminarily, had been established that Mrs. Maloney was the murderer of her husband Mr. Maloney. Despite this, it was for good reason, as it was due in part to mental anguish. This can be concluded by the reactions and behaviors Mrs. Maloney presented in Dahl’s eyewitness account. To start, Mrs. Maloney was headed for the store at around 6 o’clock. Why would she continue to act even if her husband is dead? “Hello, Sam,” she said brightly, smiling at the man in the shop. “Good evening, Mrs. Maloney. How are you?” “I want some potatoes, please, Sam. Yes, and perhaps a can of beans, too. Patrick’s decided he's tired and he doesn't want to go out tonight,” she told him. … “Anything else?” The grocer turned his head to one side, looking at her. “How about a dessert? … How about a nice piece of cake?” … “Perfect,” she said. “He loves it.”” This quote, from Dahl’s account, shows that she obviously cannot completely function mentally. She murdered him, then went and bought him cake. At this point, she is very confused about herself and the events that occu...
...nderson, 107). The novels demonstrate that humans react to alienation by choosing to alienate themselves rather than allow others to alienate them. The protagonists intentionally withdrew themselves from society before society could hurt them by denying them acceptance. They equally fear rejection which is common among human kind.
Feeling alone or isolated is not only a common theme is all kinds of literature, but something that many people face in life. Alienation is the perception of estrangement or dissatisfaction with one’s life. This means you feel like you don’t fit or connect, whether it’s from society, family, or a physical object. These feelings can be due to a lack of deep connections, not believing the same ideals as your society, and many other things. In Ray Bradbury’s novel, Fahrenheit 451, he discusses a man who goes against governmental rule and reads. EA Robinson portrays a man everyone inspires to be, but in the end he isn’t happy and kills himself. Lastly, WH Auden accounts of an “unknown citizen” who also has a picture perfect life, but in the end
In the stories “To Set Our House in Order” and “The Lamp at Noon” the authors are both able to effectively communicate that alienation is self-inflicted, while using multiple different techniques. As a result it becomes apparent that each author can take a similar approach to the alienation of a character in the story yet develop the theme in a unique way.
...l experienced a human condition as a result of their respective tragedies. Each individual diverted their emotions towards various elements in their efforts to comply with societal demands. As a result of fear, lack of confidence and suppression of society each individual reacted to their personal societal challenges through the human condition of disengagement from their respective societies.
The nature of isolation starts when an individual starts to separate him/herself from others, socially and emotionally, and is also used as a defense from dangerous people. One example is where Crooks tells that “The white kids come to play…… My ol’ man didn’t like that” (70). He’s been taught from his childhood to be by himself so that he would not get in trouble. Candy demonstrates this concept too when he talks about his fate after having to witness the shooting of his only companion, his old dog. “When they can me here I wisht somebody’d shoot me. But they won’t do nothing like that. I won't have no place to go, an’ I can’t get no more jobs”. This quote argues that men with disabilities and color in this book are treated as bad as dogs or even worse. Humans are evil by nature and by birth. It is how the world was made. To love and to hate, although, the latter wins. People in the higher caste tend to blame everything small thing that they get in trouble for on people under them. Therefore, when individuals intend to protect themselves, they isolate themselves from the world, emotionally and
Forced into isolationism, due to segregation, alienation becomes Crooks’ companion. On an attempt for his
In this instance Molly blatantly confronts Tilly with the truth, which is attempting to change characters, and their perception of her through clothes, will not be enough to deter the hatred as they are incapable of change. Such as in the case of Gertrude whom Tilly transforms outer appearance, to be perceived the way she wishes to be. Thus, the appearance and power of a dress is incapable of masking a character’s true self, a notion which is pertinent to the human
Do you ever feel trapped when you are in a place that you have never been before? Isolation criticizes society since it does not let everyone be equal or have the same rights. Isolation can completely change a person, and it is usually for the worst. Society “acts” like they try to prevent isolation, but in reality they isolate people for certain reasons, then those people get judged for being “different.” Upon closer inspection it is human nature to deny equal rights because people that do not act, dress, or look the same are labeled as strange, and unfortunately, many times are not accepted by the majority of society. This gives authors a way to shine a light on society’s flaws.