Isolation In Frankenstein Essay

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Mary Shelley’s Frankenstein is an attempt at connection—a narrative woven by its three principal narrators that attempts to share their legacies, dreams, and destructive secrets. The novel begins with the sea captain Walton writing to his sister about his longing for a companion, a wish paralleled by the other characters in the story: namely Victor Frankenstein and the monster he creates. The whole narrative, therefore, is an effort to connect with others and alleviate loneliness and seclusion. It is fitting then, that this very notion of isolation is the greatest destructive force in the novel, as it facilitates and prompts monstrous behaviors. Emotional isolation from both family and society drives Frankenstein and his creation to dangerous …show more content…

Victor initially aspires to take on the role of a caretaker to his creature, claiming that as its “creator and source” he shall take on the role of a father who “should deserve…[to] claim the gratitude of his child” (36). Although Victor imagines himself in the role of a father, the use of biblical references in the connotations of “creator” and “father” suggest that he is incapable the relationship of a domestic family but rather desires that of a god to his worshiper. This incapacity for domestic affection can be traced to Victor’s emotional isolation and detachment from his own family relationships. Hence, Frankenstein refuses to make emotional connections with the monster after its creation. When the monster first comes to Victor, “he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear…I escaped and ran downstairs” (40). In this passage, the monster’s mannerisms recall those of newborn babies; though inexperienced, his babbling represents an attempt at connection with Victor. However, Victor does not listen to the monster, and instead runs away, denying both himself and his creation human …show more content…

After being abandoned by Frankenstein, the monster wanders the countryside seeking connection in society and nature. After being rejected from society because of his physical appearance, the monster becomes fascinated with the De Lacey family while observing them from afar, inside a hovel. The monster regards the family as “superior beings” and wishes to “restore happiness” to them, so that he could “win their favour and…love” (91). The monster’s professions of feeling towards the family demonstrate his empathy, which is kindled by the presence of their domestic affection and his hope to one day be a part of this union. Though he is physically separate from the De Lacey’s (he makes no direct interactions with them), he is still able to make an emotional attachment to them, and is therefore not isolated. However, the monster becomes truly “alone” when the De Lacey family rejects him, causing in the monster emotional isolation that fuels a destructive and vengeful rage. This is exemplified best in his burning of the De Laceys cottage soon after their departure. The monster describes how he “lighted the dry branch of a tree” and set fire to the cottage, watching as it “was quickly enveloped by the flames” (113). In setting fire to the cottage, the monster destroys not just a reminder of the De Lacey family, but a symbol of domestic

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