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Gender in literature
Gender issue in literature
Gender in literature
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Isabel Allende’s novel, House of Spirits, is an insightful snapshot into various aspects of Latin American culture as told by a granddaughter through her grandmother’s journals. Right at the beginning of the novel the reader has a sense of mysticism and childlike reasoning when introduced to the horse-sized dog Barrabas who was carried in by the sea on a Holy Thursday and Clara’s astounding gifts of clairvoyance as detailed in her journals. We are taken on a journey that follows four generations through the turmoil of life, death, and a political revolution. While the tale of the Trueba family is intoxicating, it is but a vessel that carries the true message of the classism in society, the roles of men and women, and the politics of Chile. …show more content…
As illustrated in House of Spirits, there were two main classes at odds with each other: the Crisollos and the Mestizos. The Crisollos were those of direct Spanish descendants and fairer of skin, controlled nearly all of the land in Chile, and were the only ones who were able to hold any semblance of power within the government. The Mestizos were those who were born of a mix of Spanish/Crisollos heritage with the indigenous they had limited political power, and were the ones who worked the land owned by the Crisollos. This social structure had been established during Spanish colonial rule in the region and the concentration of wealth and land in the hands of the few is a prevailing problem throughout Latin America and House of Spirits. Just like in House of Spirits, the lower class had limited social mobility and rights and so they were presented with few ways to …show more content…
The relationship between Esteban Trubea and Pedro was a great personification in the novel of the conflict between social classes. Pedro rallied his fellow land workers together, crying out for their rights and demanding them to begin asking for the respect they deserved. Esteban had amassed his wealth through his own hard work, a violent temper, and the traditional Conservative politics of the time. The rhetoric that Pedro was peddling was gaining leverage among the other workers but Esteban was not one to encourage this kind of dissidence, especially not after discovering the relationship between Pedro and his daughter Blanca and attempted to murder this rebel to the status quo. There are many more instances throughout the novel of conflict between the classes but is the tip of the iceberg of what was experienced during this
In Peter Winn's Weavers of Revolution, a factory in Santiago, Chile fights for their independence against the Chilean government of the 1970's. While this rebellion is going on, presidential elections are taking place and Salvador Allende is the presidential candidate which represents the common people. The relation between Allende and the people he represents is a unique one because at first this class, the working class, helps and supports Allende to become president, but then both parties realize their different plans for the future and the working class actually contributes to the downfall of Allende's presidency.
Colonial Latin American society in the Seventeenth Century was undergoing a tremendous amount of changes. Society was transforming from a conquering phase into a colonizing phase. New institutions were forming and new people and ideas flooded into the new lands freshly claimed for the Spanish Empire. Two remarkable women, radically different from each other, who lived during this period of change are a lenses through which many of the new institutions and changes can be viewed. Sor Juana and Catalina de Erauso are exceptional women who in no way represent the norm but through their extraordinary tales and by discovering what makes them so extraordinary we can deduce what was the norm and how society functioned during this era of Colonial Latin America.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
Maria Elena de Valdes writes her review based upon the novel The House on Mango Street by Sandra Cisneros analyzing the identity of the main character, Esperanza, and how the text relates to Mexican-American individuals. Valdes’ review evaluates The House on Mango Street with a feminist view on to show the struggles of a young chicana girl coming of age and how she chooses to establish her own identity.
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
...book. These symbols and recurrences are not coincidental or superficial, but upon investigation, give deeper insight into how deeply the mindset of our main character was affected. We now know that Felipe had almost no choice and was lulled into this household. Then there is a plausible explanation about the true relationship between Aura and Senora Consuelo. This book turns out to be a very strange life/death cycle that still leaves questions that need to be answered.
Classes in colonial Latin America are most commonly viewed by social standing or by ones wealth. The different levels of classes had their honor to defend. Social expectations needed to be defended. The family within a class also had a certain honor to defend. Any actions that would defile a family member would defile the honor of the family. The status of the family within the class would be on the line.
Because Belisa Crepusculario had such a difficult childhood in which she experienced so much loss in her life, she is forced to become a stronger person both mentally and physically to survive such devastating circumstances. It will ultimately be this strong sense of survival that she develops through these experiences of great loss, which will guide her through the survival of life threatening situations.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
Isabel Allende’s The House of the Spirits was strongly influenced by the three waves of Feminism. Allende’s focus throughout the novel was to diminish the gender inequality between men and women. Through her female characters Clara, Blanca, and Alba, Allende showcases the gradual rise of women in Latin American society. She incorporates political and societal aspects to emphasize women’s empowerment throughout the novel. Clara, Blanca, and Alba each individually represent the three waves of Feminism that gradually gave women the power to lessen the gender hierarchy present in their society.
The one of the main themes in the epilogue, and in the entire novel is
Isabel Allende’s novel, Eva Luna, amalgamates many of the techniques and conventions associated with the picaresque tradition, magical realism and bildungsroman in order to present a critique of dominant Eurocentric ideologies of the patriarchy and oligarchy in 20th century Latin America and to valorize the voices and experiences of the marginalized and oppressed. A prominent aspect of Eva Luna which acts as a vehicle for the novels critique of the patriarchal oligarchy are the numerous motifs and symbols utilized throughout the novel. The manner in which Allende introduces and develops symbols and motifs throughout the novel functions to set up a number of oppositions which portray a sense of loss of freedom and expression under the oppression of the colonizing oligarchy, illustrate the superficiality of oligarchic power and align the reader with expression over silence and transgression above oppression.
In the short story, “And of Clay Are We Created” written by Isabel Allende, a reporter named Rolf finds himself alone with a small girl, Azucena, of whom he tries to save from a mudslide. As tragedy strikes, he finds himself staying by her side until help arrives. His darkest secrets creep out of the dark as he begins to tell the girl stories from his childhood. In the end, he lets her sink into the mud as she closes her eyes to fall into a peaceful sleep that becomes the end of her life. The theme of the story is that as a person, no one can move on if they have not taken care of their personal demons or past that haunts them. The author shows multiple forms of literary devices within the story, such as foreshadowing, flashbacks, and imagery, to form the theme of the story.