You will never be happy if you continue to search for what happiness consists of. You will never live if you are looking for the meaning of life.” (Albert Camus). In The Shipping News both Quoyle and Bunny have trouble moving on from past experiences and understanding life. Like the quote they keep dwelling on the past and have trouble understanding the future. They both struggle with denial over Petal leaving and can’t seem to move on. Bunny projects her fear of her mother leaving into her dreams of the blue beads. Quoyle is insecure because he is fat and his father and brother would make fun of him. Bunny shares this trait with Quoyle because Petal didn’t give her attention when she was young. Furthermore, a psychoanalytic analysis of Bunny …show more content…
and Quyole will look at their core shared issues of denial, displacement, projection, and avoidance that they share when facing changes and their fears. Bunny and Quyole both struggle with denial of Petal and self-worth. When Bunny was young her mother, Petal would leave all the time and pretend like she didn’t know who her and her sister sunshine were. Throughout the book Bunny is in denial about her mother leaving and her death. “Then Petal is in a coma. She’s sleeping, dad says, and can’t wake up.” (Proulx 335) This quote from Bunny explains her denial and sadness she has for her mother passing. This is a defense she uses to keep believing that things don’t die. Furthermore, one could also view this reaction as a denial of death. Quyole shares a similar denial with Bunny because when Petal kept cheating on him and finally left with the kids he didn’t believe she would do that. “Quoyle, in his living room, blubbing through red fingers, said he could forgive Petal anything if the children were safe.” (Proulx 24). Quoyle was ready to just forget everything Petal did and let her back into his heart. Although Bunny’s denial is about death and Quoyle’s is over abandonment they both share one key reason, Petal. Both of them don’t want to come to the realization that she is a bad person or that she abandoned them both. Quoyle gets over his denial in the end when he gets involved with wavy. He is able to get over his past with Petal and see that he can move on with his life. Both Quoyle and Bunny’s denial is selective perception according to the Psychoanalytic perspective, meaning that they are choosing to see what they want. Bunny and Quoyle both project their fears or past experiences toward people and objects in this book.
For example, Quale and Bunny both share an anxiety towards water. As a young child Quoyle’s father would throw him in the water trying to teach him to swim. This only made Quoyle demonstrations a sense of fear toward water. He didn’t learn to swim and now when he is near water he projects his memory and hate toward his father toward the water. “And Quoyle feared water, could not swim. Again and again the father had broken his clenched grip and thrown him into pools, brooks, lakes, and surf. Quoyle knew the flavor of brack and waterweed.” (Proulx 2). Later in the book Quoyle has to resolve is anxiety of water and get into his boat to retrieve a man’s body. “Always do what you are afraid to do” (Ralph Waldo Emmerson). This connects to Quoyle getting over water because he still went out and tried to help event tough he almost drowned and the weather was bad. Although Bunny had a fear of water, it wasn’t her main fear, It was more a side-affect to the fear. One could say that Bunny’s sight of the white dog symbolizes the way that her family’s past haunts her. She projects this fear of her life through the white dog, and to tie this back to Quoyle she sees it in the water when they are on the boat. “But Bunny looked at the foaming bow wave. There, in the snarl of froth, was a doges white face, glistening eyes and bubbled moth.” (Proulx 150). Another projection Bunny shows is in …show more content…
her dream of the blue beads. In this dream she is holding blue beads, Petals beads, and they start to fall off the string. “Seeing blue beads that fell and fell from a string even though she held both ends tightly.” (Proulx 40). This dream could also show Bunny’s fear of abandonment because the beads represent Petal leaving. In the end of the book Bunny seems to resolve this projection because when she is writing her Christmas list she asks for blue beads Avoidance according to the Psychoanalytic perspective is when one stays away from people, places or situation, which make us become anxious with painful events from the unconscious.
For Quoyle he feels he has to avoid car wrecks. Ironically when Quoyle gets his job at the Gammy Bird in Newfoundland he receives the assignment to report car wrecks. This is an undertaking for Quoyle because car wrecks are a reminder of what happened to Petal. “I can’t cover car wrecks. You know why. I think of what happened.” (Proulx 72). Quoyle attempts to keep her out of his conscious when reporting but she always seems to seep into his mind. In the end he resolves this avoidance by doing the reports and finding another woman who actually loves him and ends up marrying him. Bunny on the other hand is unknowingly avoiding her ancestors past by becoming the good instead of bad. The Quoyle’s are known as bad people and the people of Newfoundland didn’t like them much. Her instinct to push the teacher on behalf of Herry shows her ability to stand up for what is good and right. The story comes from Beety later in the day after it happened “Herry tries to tell her his problem she mimics him, pushes him back. Herry’s blubbering away and finely wets his pants and is humiliated. And here comes the avenging angel, Miss Bunny Quoyle, full speed ahead, and rams mean Mrs. Lumbull behind the knees.” (Proulx 301). In the end Bunny resolves her avoidance by no longer fearing the haunting of the white dog
that symbolized her ancestors past. Therefore, Bunny is not only protected from the evils of her ancestry, but she also proves to have a good heart, indicating that the sequence of evil chain becomes destroyed. In conclusion the Psychoanalytic perspective states that Human beings are driven by forces of which they are unaware. This connects to Quoyle and Bunny because they become effected by events that happened to them both as children but they are unaware of it. The psychoanalytic analysis of Bunny and Quyole examined their core shared issues of denial, displacement, projection, and avoidance that they share when facing changes and their fears. After reading the book one finds it easy to see these core issues stated above. One comes to the conclusion that Bunny and Quyole both share the fact that their childhoods were not pleasant and they left a lasting impression on their emotional and mental state.
This gives the author opportunity to use his writing to give personal insight to the situation. Moody gives a first person narrative of a person’s mind when going through a highly unexpected change in their life through the narrator. The story starts sporadically going from present day Halloween to past memories of the narrator with his sister. Moody adds sentences fragments such as “Jokes with the fillip of sentimentality. Anyway, in this picture her blond hair...” (294). The fragments that constantly appears gives the narrator a complex mindset, and the narrator gets off topic throughout the story. After a recent death or just any major change in life, the thoughts of the mind are running trying to make sense of the situation. His mind creates confusion in the story, but this is what the author wants to portray through the
An example of this would be how the setting ties with the conflict. In “The Sound of Thunder” the atmosphere before the dinosaur beings to attack is portrayed by Eckels’ fear, “‘I was always sure I’d come through alive. I had good guides, good safaris, and safety. This time, I figured wrong.’” Therefore, the setting is dangerous, which then leads to the conflicts both resulting in the attacks. Another similar aspect of the problems was the character’s ignorance to the peril they face. Val narrates, “For me, the crocodile was a symbol of the power and integrity of this place and the incredible richness of its aquatic habitats.” This shows, instead of realizing the danger of the deadly predator, she is enticed by them. Lastly, each character’s actions during the conflict alter the future. In “The Sound of Thunder” the whole world’s future is changed, but during “Being Prey” Val’s actions that compose the conflict change her own future. The contents of the conflict are very similar in the two
Polly’s mother could no longer manage to take care of her, and therefore, she required the care of another person. All her life she grew up without obtaining proper care and because of this she was incredibly weak and in need of nurturing. Polly needed a home where the people cared for her and gave her peace and rest instead of forcing her to labor. She was unable to complete even the simplest of household tasks and Amos knew this. He provided a safe and peaceful home for her final days. Polly sat still and afraid while being sold. She knew not of what the outcome of the sale would result as and greatly worried. When Amos bought her, he brought comfort and reassurance to both her and her mother. Polly needed Amos, and he came through to
After months of brooding, Quoyle discovers that Wavey’s late husband, like Petal, was unfaithful and emotionally abusive. Quoyle then initiates an emotional conversation with Wavey and finally is able to accept that his relationship with Petal was unhealthy. Wavey, too, confesses her husband’s infidelity and the two connect more deeply (307-308). They are uniquely situated to understand one another’s burdens – grieving the loss of a lover while simultaneously feeling relieved by the loss of a tormentor. The two can be happy together and still acknowledge the grief that may never fully disappear. Their meeting was facilitated entirely by Quoyle’s journey. It is unlikely that he would have ever met a woman with whom he had enough in common to accept his loss had he remained in his old
People in society tend to face many challenges that occur in their lives. Some of these challenges can affect people's lives in a positive way or a negative way. If they face their challenges in the negative way, they will suffer for a long time. Having confidence in themselves is considered the best way to overcome the suffering they have in their lives. In the novel, The Shipping News, by Annie Proulx, Quoyle deals with many difficult challenges along his life journey by suffering from bad childhood experiences which led him to have a low self confidence, falling in love with the wrong person that made his life miserable, and raising his two children on his own without getting any support from his wife.
Of all of the characters in “The Shipping News” by Annie Proulx, it is Quoyle, the story’s protagonist, who undergoes the most change. Quoyle is an extremely uncoordinated, overweight man, with a large protruding chin. Even as a child he grew up with cruel verbal abuse from his classmates, and was constantly told he was a failure by a father. As a result, Quoyle is weak, lonely, vulnerable, submissive, and truly believes that he will always be a failure. The pain from his family history and personal past continually haunts Quoyle. By separating himself from his family line of murderous and cruel abusers, Quoyle develops into a strong character, and is finally able to look at himself without feelings of self-detestation.
This results in a change of perspective and outlook on life. The first mate had believed in the ship Sally Anne so much that he did not think that anything could happen to it. He believed that the ship was stronger and studier than it was. After the accident the mate is forced to begin to see the truth about the ship and his life. He finally began to see that the thing he dedicated his whole life to was not as great as he thought. By the end of the story his outlook on life changes and he starts to think about what is next and working on the next step in surviving. The truth is something that people hide from and try as hard as they can not to face, however there are something’s that you cannot ignore as much as you try and one
The struggle to battle with the persistent grief of self-blame and lack of identity is a constant reminder to the barriers in relationships. Leroy grieves over the fact that he has lost his identity as a father and husband. Although he often thinks of Randy, the memories of him have faded. As a result, he latches on to Norma Jean but she doesn’t respond back. This causes him to feel like a failure of a husband. Norma Jean is grieving over the emptiness in her life. It was not the life she thought she would have. Her deceased son symbolizes her emptiness because of his death. She also feels emptiness towards her husband. For example, she feels very uncomfortable around him and always tries to find something for him to do. When Leroy arrives back home from his accident Mason implies, “he thinks she’s seems a little disappointed” (Mason 220), displaying Norma Jean frustrated with his lying around doing nothing but watching television and smoking pot. In addition, Norma Jean feels emptiness towards her mother, which is presented in the way her mother criticizes her. When tragedies occur in a family and self-confidence fades it can take over your life a...
people's lives. What Winnie didn't know was that her wish of being left alone was going to come true sooner than she thought. The firs...
Murakami portrays the wave as a symbol for his fear when he writes, “In my case, it was a wave”(356). The narrator explains that his fear has taken the shape of a wave. The reason that the author uses this symbol is so that the main character has a physical object that he can face to get rid of his fears. The narrator describes his friend’s pictures as a symbol for the memories that they had together, “I found myself steeped in warm memories. The deep feelings of the boy K. were there in his pictures…”(367). When he sees the pictures K. drew, the author vividly remembers all of the great memories that he and K. had. It is through these drawings that the narrator ultimately realizes that he must face his fear in order to put his life back together. Some might say that these examples are not symbols, but are meant to be taken literally. These examples are symbols because the wave was not literally the narrator’s fear, but it was the fact that his friend died from a wave that haunted him. Also, the pictures that K. drew are not a literal memory of their relationship, but they connect the narrator to those memories. Overall, the use of symbolism furthers the theme of facing one’s
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
Robert shares a special relationship and bond with animals, in particular rabbits. The rabbits are a symbol of Rowena, not only because they were her prize possession, but also because the rabbits remind Robert of his younger sister. Both Rowena and the rabbits are characters of innocence and purity. Being considered as small, fragile and precious to those who love and look after them. Findley uses the rabbits to evoke feelings of guilt from Robert, during the constant appearances in the novel. When Rowena dies, R...
The most prominent example of this is the imagery of the wallpaper and the way the narrator’s opinion on the wallpaper slowly changes throughout the story; this directly reflects what is happening within the narrator’s mind. At the beginning of the story, the narrator describes the wallpaper as “Repellent.revolting. a smoldering unclean yellow” (Gilman 377). As the story continues, the narrator starts to become obsessed with the wallpaper and her opinion of it has completely changed from the beginning. Symbolism plays a big part in “The Yellow Wallpaper” too.
She continues in this sequel to talk about the abuse she faced and the dysfunction that surrounded her life as a child and as a teen, and the ‘empty space’ in which she lived in as a result. She talks about the multiple personalities she was exhibiting, the rebellious “Willie” and the kind “Carol”; as well as hearing noises and her sensory problems. In this book, the author puts more emphasis on the “consciousness” and “awareness” and how important that was for her therapeutic process. She could not just be on “auto-pilot” and act normal; the road to recovery was filled with self-awareness and the need to process all the pieces of the puzzle—often with the guidance and assistance of her therapist. She had a need to analyze the abstract concept of emotions as well as feelings and thoughts. Connecting with others who go through what she did was also integral to her
In general, the discrepancy between appearances and reality is ironic. Irony is encountered throughout our daily activities and comes in many forms; verbal, situational. and the cosmic. Verbal irony is the most familiar kind, this occurs when we understand that.