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Narrative essay about an anti hero
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In her novel, The Blind Assassin, Margaret Atwood leads us into the lives of Iris and Laura Chase, who are the descendants of a rich and influential Ontario family. The story is told through Iris’ perspective and as it goes on, we are introduced to all of the Chase family including Iris and Laura’s parents, Mr. and Mrs. Norval Chase. The novel focuses primarily on the relationship dynamics among the Chase family and specifically emphasizes on Laura and Iris’s relationship. Almost immediately, the reader is inclined to believe that Iris is the heroine of the story, until we learn that Iris has committed several atrocities against her sister and husband. Although Iris quickly turns into the villain, the reader cannot help but sympathize with …show more content…
Recall that Norval is of the rich and influential Chase family who owns the Chase and Sons Button Company. Despite his social and economic position, Norval proposes to his wife who is of lower social level than himself. The vivid details of the proposal set up the anti-hero characterization of Norval because he is introduced as relatable and down to earth. Iris further emphasizes this when she tells us that her father was very sincere in his proposal because “awkwardness in men was a sign of sincerity” (69). At this point Norval seems like a sweet young gentleman who has an agreeable relationship with his fiancé, as they both wanted to be together to “change the world for the better” (69). The two marry and they live in Avilion along with the rest of the Chase family. However, very soon after, Norval and his two brothers are sent off to the Great War and he must leave his wife behind. During the war we begin to see a great character development in Norval as he shifts from being a seemingly nice young man, to an anti-hero. After his brothers die at war, Norval loses an eye, begins having extramarital affairs with the army nurses, begins to drink, and becomes an atheist. As readers, we begin to condemn the decisions he is making at war because we know that his loving wife is back home attending to the factory and the home meanwhile he …show more content…
He would always take Iris to town with him for business meetings as moral support. He especially needed someone to take because the button company was failing and his ultimate purpose in life was his company over everything. As we begin to learn, his bad business deals and the bad economy were causing some of his factories to close. Workers were rioting against him and the lives of his daughters were endangered. During this part of the story, the reader feels very bad for Norval as he has a legacy to maintain, especially because he is the sole surviving son of the company’s founder. Desperate, Norval turns to his business rival named Richard for help. Even though Richard had a lot of money he never really helps Norval in his crisis and just manipulates him to overturn unions, which makes the workers even angrier. Caught in a tighter spot than before, Norval basically sells Iris to Richard in exchange for salvation of his company. He initially tells Iris that “it’s up to [her]” (226) but that he had given his “consent already” (226). Eventually, he manipulates Iris by telling her that it’s all for her and Laura’s economic futures as their family is now close to poverty. The reader is obviously indignant when at Norval’s manipulation of Iris. Iris hopes to marry Richard solely for salvation of her father and his company. This is the most villainous action Norval does
Minerva Mirabal was the most heroic of the Mirabal sisters. Rafael Trujillo ruled the Dominican Republic for 30 years; he was oppressive, creepy, and a little insane. The Mirabal sisters were killed because they tried to rebel against him. Minerva is heroic. Because she was the first of her sisters to join the rebellion, she went to law school, and she slapped the dictator with a slap.
The book Blind, written by Rachel DeWoskin, is about a highschool sophomore named Emma, who went blind after being struck in the face with a firework. When she first lost her sight, Emma was placed in a hospital for over 2 months, and once she was released, she could finally go home again. DeWoskin uses the characterization of Emma throughout the beginning of the text to help the reader understand the character’s struggle more. Especially in the first few chapters, it was difficult for Emma to adapt to a world without sight. For instance, DeWoskin writes, “And sat down, numb, on our gold couch. And tried to open my eyes, rocked, counted my legs and arms and fingers. I didn’t cry. Or talk” (DeWoskin 44). As a result of losing a very important scent, she’s started to act differently from a person with sight.
In order to get the title she wants, Muir deceives the family by passing as an innocent young girl when in reality she is a grown woman using them for her benefit, thus her role as the protagonist can be questioned by some. She is a smart and manipulating woman capable of making the men in the family fall down to her will. Her intentions are for the two young brothers in the family, Gerald, who...
The theme that has been attached to this story is directly relevant to it as depicted by the anonymous letters which the main character is busy writing secretly based on gossip and distributing them to the different houses. Considering that people have an impression of her being a good woman who is quiet and peaceful, it becomes completely unbecoming that she instead engages in very abnormal behavior. What makes it even more terrible is the fact that she uses gossip as the premise for her to propagate her hate messages not only in a single household but across the many different households in the estate where she stays.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
...e if she attends the ball, and the burdens that will be overpowered if she is chosen to live her life with the Prince; a life that only beauty could bring, something Iris doesn’t hold, and although a person may only have beauty as a strength, there is always a darker weakness preventing them from exploring the disfigured world that surrounds them.
Theresa states that her nephew, Tiny, was shoot by the police and that it was not an accident. She states how police were after gang members for trying to make peace within their community. Allison witnessed police trying to take her son so they could beat him and she stood up for him and the cops let him go. At the end of her chapter she says that they knew they would her son and the cops did kill him after she decided to move away from that community. Theresa shows why kids in her community grew up to dislike the
“Unbroken” by Laura Hillenbrand is a capturing, inspiring, and unforgettable tale. Hillenbrand excels in narrative storytelling, expressing feelings and experiences that are difficult to capture in this style of writing. In this book, Hillenbrand provides a balance between facts and the story itself; she portrays the story by stopping at intervals and going more into depth about different facts that will help the reader to understand. The combination of the two create a story that’s both informative and emotionally capturing. Hillenbrand seizes the readers emotions through the use of morals and themes.
According to Elizabethan society, the center of Olivia’s dilemma with her marriage was ensuring her wealth, not marrying a man she loved (Joseph 170). Social class increases division among individuals in society. This play “ is not the story of a Juliet's or an Orlando's love .., but of the very realistic struggles and intrigues over the betrothal of a rich Countess, whose selection of a mate determines the future” (170). Readers looking past these boundaries created by class and gender, can find striking similarities in emotions characters have for each other. The personal struggles the characters face in this play demonstrate the obstacles that individuals faced because of their gender or place in the social hierarchy.
Throughout her life Nora had spent her time pleasing the men around her, first her father and then Torvald. As the reality erupted that her marriage to Torvald was loveless and not salvageable, she ignored Torvald's demand that she not leave him. He even made attempts to sway her decision by insinuating they could go on in the house as brother and sister. Her need to be a valued human in society had prevailed over the dependent, frail, creature that once belonged to Torvald. She set out to find her independence in spite of the limitations that society had placed on women. Her displeasure had burned a path beyond her little, secure world and the burden of being a plaything was lifted.
At an early age of five, Amory was already his mother’s companion; they set off to see the country in his father’s car up to he reached the age of ten. The life Beatrice and Amory were living, was not quite conventional, they are separate from most people, but unique and quite distinct from the other wealthy people around them. Beatrice was a sophisticated and well educated woman and who ensured Amory grew up the same. These are things which set him apart from his peers.
A breathtaking saga of a young girl’s tragic memories of her childhood. As with Ellen, Gibbons’ parents both died before she was twelve-years-old, forming the family. basis of the plot and themes of this novel. The fond memories she possessed of her mother and the harsh ones of her father are reflected in the thoughts and actions of Ellen. The simplistic and humble attitude that both Gibbons and Ellen epitomizes in the novel is portrayed through diction and dialogue.
When Jane is shunned by Mr. Brocklehurst in front of the entire Lowood population, Helen is the one person that does not immediately judge Jane. In fact, she makes her feel more comfortable in a place that is filled with punishment and hypocrisy. Though Lowood does not truly feel like home, Helen is able to provide Jane with not only all the compassion she needs as well as support and respect. This is one of the first loves Jane experiences on her journey and it allows her to become more open to the love she finds in her future endeavors.
Ibsen opens the play with the perfect home where Nora is planning Christmas and how she is planning every detail with no concern for her own needs. Torvald asks Nora, “what have you thought of for yourself?” (Doll 1). Nora replies that she doesn’t, “want anything at all.” (Doll 1). Nora displays her own selfless attitude as she prepares to provide all these great gifts for the family and nothing for herself. When Torvald pushes Nora to choose something, she chooses money so she can spend it on things for others and not for herself. The playful nature between husband and wife displays the perfect bond between them. The Hellmer’s are a middle class family and since Torvald got a promotion and is getting a raise, they can afford to spend more lavishly. They don’t have to worry about money anymore. They also have a Christmas dinner planned where they invite the sick Dr. Rank and then Nora’s friend Mrs. Linde. Nora convinces Torvald to try to see if he can get Mrs. Linde a job at the bank because she has fallen into some tough times. The relationship that Nora has is a great one that sets up this perfect family life for her.
Di Yanni, Robert. "Character Revealed Through Dialogue." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Literature. N. p.: Random House, 1986.