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The effects of the cold war on film
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Invasion of the Body Snatchers is a 1956 American science fiction horror film produced based on Jack Finney's science fiction novel The Body Snatchers (1954). The storyline is based around an extraterrestrial invasion that begins in the fictional town of Santa Mira. Extraterrestrial plant spores have fallen from space; these spores then grow into large seed pods. Each pod can reproduce a duplicate copy of a human. As each pod reaches full development, it takes on the physical characteristics, memories, and personalities of each human placed near it. In order to take on these traits however, the human must sleep. Although the duplicates resemble and seem normal, they entirely lack human emotions such as love, ambition, faith, etc. Little by …show more content…
Being set in 1956, Invasion of the Body Snatchers is a highly accurate film representing the 50’s era. Even film’s overall theme is based around mass hysteria which can be tied into paranoia towards the spread of communism, a direct result of the Cold War. There also other factors in the film that shows what life was like during that era. Take look at the cast itself. The cast was entirely all white as African Americans faced racial discrimination throughout the 20th century because Hollywood tended to avoid using African-American actors/actresses. Segregation was still widely prominent throughout the USA and Hollywood significantly relays that message with the absence of African American roles. We can also look at other cultural aspects such as Dr. Bennell’s smoking habit. Early throughout the film Bennell is seen smoking cigarettes which nowadays would be taboo but because this is the 50’s, many physicians still doubted that there was a wide-spread connection between smoking and disease. It would not be until the mid-sixties for warning labels to start appearing on cigarette products and advertisements to warn the public of the health risks associated with smoking. Overall, I strongly believe that Invasion of the Body Snatchers does a great job representing the 50’s with its close knit suburban lifestyle
Of course, there were so many stereotyping that appear in the film such as: the Iranian man who is called Osama or ties to terrorist - Black people don’t tip or more Gang bangers have tattoo and sagging pants. More at the beginning of the film, The Asian women who stated that “Mexicans don’t know how to drive they brake to fast”. Don Cheadle who treated his partner as Mexican when she is actually Porto Rican descendant.
In today’s culturally diverse, politically correct society, it is hard to believe that at one time racism was not only accepted as the norm, but enjoyed for its entertainment value. Individuals of African descent in North America today take the large, diverse pool of opportunities offered by the film industry for granted. Much like Canadian theatre however, there was a time when a black man in any role, be it servant or slave, was virtually unheard of. It took the blaxpliotation films of the early nineteen seventies to change the stereotypical depiction of Black people in American Cinema, as it took The Farm Story, performed by a small troop of Canadian actors, to create a Canadian theatre industry. To be more specific, it took the release of Melvin Van Peebles, Sweet Sweetback’s Baadasssss Song, in 1971, to change the tradition view of Black people in American film.
Back in the 1800’s, when calculating the population, African Americans were counted as 3/5 of a person (Antonia, p2). One would think that in the past two hundred years people’s beliefs would have changed a little bit, but the general white public are stuck into believing the common stereotypes commonly portrayed in movies. In films and television shows blacks are almost always portrayed as murderers, robbers, rapists, pretty much anything negative, like American History X, for example. Two black men are shown breaking into a white man’s car. People see this, and in turn believe that all black men will try and steal their car; as stupid as it may seem, it is true, and as a result, film producers try to incorporate this into their films. Very rarely, if ever, is it possible to see a minority depicted as a hero-type figure. Every once in a while, there will be an independent film from a minority director, but as Schultz states in Lyon’s piece, “We [blacks] are still being ghettoized in Hollywood, a serious black project of any scope is as difficult to get marketed today as it was in the ‘70s.” By making a barrier to entry for minorities in the film industry, it’s almost as if America is trying to keep black films out of the popular media. At first glimpse, it may appear that minorities are very hard to be seen in the filming industry, when in reality, they are becoming more and more apparent in America’s mainstream media culture, particularly in action movies.
It is impossible to overstate the influence that Sidney Poitier had on African Americans and white Americans in the 1950's and 1960's, as both a role model and image maker. With an integrity that never failed, Poitier broke the color barrier, and forever changed the racial perceptions held by both motion picture audiences and executives in an industry dominated on both sides of the Atlantic by whites.
However, since alienation is external and not earthly it become an indicator of pods as a standing idea of communism which slowly takes possession of regular people. Well, this overlooks the more subconscious anxieties which are clearly detectable in film. There was more domestic issues going in America rather than communism at the time: the role of women in society, most importantly mothers, was shifting, racial difference were becoming a much more present issue in American culture.
The fifties was a learning year and the 60's became the time to express everything that they learned. The 60's was a time for new and innovative ways to entertain the people. Since the blacklisting continued in Hollywood, the making or films became very difficult to express. The restrictions, such as the production codes, kept the big corporations to produce films that had no interesting subjects. These films also had to be films that show no signs of communistic values. The film industry was failing to bring in the audience to the theaters. With the TV making a big wave all over, the U.S. the film industry was losing it is money. Then in 1961 something big happened, 20th Century Fox took apart its lot. This act was one that led to a chain reaction. Studios were assuming the role of distributors. This would allow the independent companies to come in and add a new flavor to the silver screen. During this time films changed it's traditional film making ideas. Things started to get graphic, more violent, sexual and more expressive. Movies had found a new look and with the production codes now gone and the blacklisting ending, there was an explosion of ideas that would be presented to the United States.
Slow as it may be I think that you see how overtime a lot of things have changed in our culture the way they changed in film, from the start of the film from the hatred and unwillingness to allow the changes of African American students in their schools and allowing for the first African American Head football coach in their town, the town begins to relax and accept the changes and move on. The second film shows again the racial divide and the fight for equality in America. The film Men of Honor is based on Master Chief Carl Brashear who fought to become a Navy diver something that was not allowed in the Navy during that time period which was the 1950’s to 1960’s. You seem from the start the parallels of the time by not allowing Carl to even attend the diving school and sabotaging him in every way. You again see the similarities of what the culture was like then in America, and this is honestly the best example as this was based off of a man who went through these struggles. I chose these films because although they both deal with the same issue of racism I feel they do the best job of capturing the true nature of what our culture was like at the
One of the major strong points of The Fifties is the author's ostensible need to include every detail that could have impacted the formation of any aspects that pertain to the developments that shaped the fifties. This is most notable in the characterization of major figures of the time such as Marlon Brando and Elvis Presley. For example, in reference to Brando, Halberstam (1993)
It was seen that African Americans would only be cast for roles as slaves and maids which were demeaning to them and their community. As the movie ‘Gone With The Wind’ made in 1939, the post Civil War era “All the heroes in this film are white, whereas the black characters are mostly stereotyped as loyal servants or mammies.” (p. 2, ) Resulting in them being perceived as someone their not.
Maxton Shelton 3/28/2024 Comm 290 Intercultural movie analysis Malcom X has had an impact on many people for good reasons and had a strong following and was an activist. Malcom X was an African American, Muslim, and human rights activist who was assassinated on February 21, 1965. His past goes with the civil rights movement and openly advocated for racial equality and black empowerment. Malcom X’s speeches and ideology are still being used today by activists. One of the main cultural concepts I noticed throughout the film, Malcom X, was bias.
Ever wondered if there is a serial killer in your community? The characteristics of a serial killer may shock you or be surprisingly familiar to some of you. It is important for society to get informed about the various types of serial killers that are out there. It is essential for families to educate their children about strangers, to be careful with everyone they encounter on the streets, store, and even in their neighborhoods. A serial killer is defined as a person who murders three or more people in at least three separate events, with a "cooling-off period" between the kills. The big question is, what makes a person do these atrocious killings? We will analyze personal histories, categorized serial killers,
There have been many twists and turns in the ways in which the black experience was represented in mainstream America cinema. But the repetition of stereotypical figures, drawn from ‘slavery days’ has never entirely disappeared (Hall, 1997). A Stereotype can be described as a widely held but fixed and oversimplified image or idea of a particular type of person or thing (Oxford University Press, 2014) and can affect the target by getting hold of a few simple, vivid, memorable, easily grouped and widely recognised characteristic, about a person and reduce everything to the specific traits and exaggerate them (Hall, 1997). One of the most well-known stereotype has to be the ‘Black-stereotype’ which can be seen in all media productions ranging from news, film, music videos, reality television and other programming and forms of entertainment. Beginning around 1830, the history of African-Americans is a centuries old struggle against oppression and discrimination and because of these major issues, popular representations of racial ‘difference’ during slavery, has caused two main themes that are seen as blackface stereotypes today.
The 1910s and 20s represented an innovative time for Black entrepreneurs and filmmakers, who built their films and legacies from the ground up while dealing with social, cultural, and political pressures from White and Black Americans. Central to this era was the emergence of what became known in America as the “race film” genre, marking the inception of a long legacy of Black film and entertainment. Race films, made by Black people for Black audiences, not only reshaped the cinematic landscape but also left an indelible imprint on the broader discourse surrounding Black identity in America (Caddoo, 2014). America’s political climate and its fixation on African Americans affected how society treated them and the art forms produced in response.
Bryan Cranston takes the role of an undercover federal agent, Robert Mazur,in “The Infiltrator”, a film based on true events in the year 1986. The opening scene of the film portrays Mazur in a bowling alley during a drug bust. The operation was going smoothly until the wire taped to his chest malfunctioned and started to burn right through his flesh, potentially being able to compromise the entire operation. Cranston was given the opportunity for early retirement with full benefits but was determined to keep fighting against the war on drugs, trafficking, and money laundering. Mazur goes on to further his case on illegal trafficking of narcotics, by following the money instead of the drugs, belonging to one of, if not possibly, the biggest cocaine distributor Pablo Escobar of the “Medellin Cartel”.
The abduction of children for various purposes; ransom and extortion, work, sex, power, custody, has historically been a feature of many societies. (Encyclopedia). There are two types of child abduction: parental child abduction and abduction by a stranger. It is near impossible to conceal a kidnapped child in the world today. 1 child goes missing every 40 seconds -354,000 abductions occur within the family each year -over ½ of the abductors are men -49% of abductors have criminal records -4,600 stranger abductions occur each year -sexual assault is most common as a motive -75% of all abductions involve a weapon of some sort. After everything that happens to all parties involved there can be short