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Essay about into the wild book
Essay about into the wild book
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In Jon Krakauer’s Into the Wild, he retells the story of a young man named Chris McCandless by putting together interviews, speaking with people who knew him, and using letters he writes to his companions. Chris McCandless also known as Alexander Supertramp is a bright young man and after graduating from Emory University with all honors, he abandons most of his possessions and travels around the west, making long lasting impact on whomever he meets. He then hitchhikes to Alaska where he is found dead. In chapter 14 and 15, both named “Stikine Ice Cap”, Jon Krakauer interrupts the boy's story and shares his anecdote of going to Alaska to climb a dangerous mountain called the Devils Thumb. Krakaure’s purpose is to refute the argument that McCandless is mentally ill because many others, like Krakauer have tried to “go into the wild” but they are lucky to survive unlike McCandless. While describing his climb, Krakauer exhibits through the descriptions of and uncertainty about personal relationships. Through portrayal of the Stikine Icecap as both terrifying and beautiful, Krakauer’s ambivalence towards his journey is revealed. Upon looking at the aerial photograph of the Devil’s Thumb, Krakauer describes it as “particularly sinister” (135) and “dark” (153). By personifying the mountain as evil, Krakauer’s fear intensifies because the mountain is hard to climb and there is an underlying metaphysical danger. Furthermore the mountain’s tangible “blade-like” (135) summit ridges indicate the mountain is hazardous, dangerous, and capable of killing climbers like a knife. During the second ascend, Krakauer crosses a " Gothic cathedral" (152). Krakauer is uncertain of what to make of the Alaskan scenery. At times, he views the mountain as ... ... middle of paper ... ...increasingly anxious “because “[he] had no radio nor any other means of communicating with the outside world “(140). Krakauer’s dire need of assistance helps him recognize that he needs contact with the outside world to not only survive but to relive his innate desire of belonging. Likewise, Krakauer states “ at such moments [climbing the mountain ] something resembling happiness actually stirs in your chest, but it isn’t the sort of emotion you want to lean on very hard”(143) he implies the rush he gets from climbing mountains is not fully fulfilling and reliable; he needs part of the happiness to come from friendships and relationships. While describing his climb, Krakauer exhibits his ambivalent feelings towards his voyage through the descriptions of a fearsome yet marvelous landscape, fragility versus confidence, and uncertainty about personal relationships.
Krakauer also adored what nature had in store for his yearning for intriguing natural events. In is youth, he “devoted most of [his] waking hours to fantasizing about, and then undertaking, ascents of remote mounts in Alaska and Canada” (134). Shown by the time he spent dreaming, people can infer him as a person who deeply admires nature. At the age of eighteen, Ruess dreamed of living in the wilderness for the sake of fascination. He wandered to find events that could surprise him until his near death, in which he decided to find the more ...
The epigraphs presented by Krakauer before each chapter of the memoir Into the Wild dive deep into the life of Chris McCandless before and after his journey into the Alaskan wilderness. They compare him to famous “coming of age characters” and specific ideas written by some of his favorite philosophers. These give the reader a stronger sense of who Chris was and why he made the decision to ultimately walk alone into the wild.
In 1992, Christopher McCandless set off on an odyssey into the backcountry of Alaska, an adventure that had proved fatal. After McCandless's corpse was found, Jon Krakauer wrote an article on the story of Chris McCandless, which was released in the January 1993 issue of Outside magazine. The article had received a negative response; several readers criticized McCandless for being foolish and ill-prepared, and showed no sympathy or remorse for his death. McCandless has been referred to as a nut, a kook, and a fool. However, McCandless was not a nonsensical man. In 1996, Jon Krakauer's novel, Into the Wild, was published. The novel uncovers more detail of McCandless's story. Into the Wild rebuts the idea of McCandless being someone who is foolish, and speaks of the many occasions where McCandless has demonstrated great perseverance and determination. The novel also proves the intelligence of McCandless, and brings insight into McCandless's psyche. The following examples will illustrate how McCandless was not a fool, but someone to admire.
Ultimate freedom is an odyssey everyone, at least once in their lifetime, tries to conquer. Chris McCandless did everything in his power to try and capture that freedom he was searching for. He ultimately gave up his own life during that quest. Did he find what he was searching for? We may never know. Very many people have diverse opinions on this character. Chris McCandless was not selfish. He was a young, well-educated boy. His parents handed him everything on a silver platter; he wanted to prove not only to himself but to everyone else he could do things on his own. His possessions did not define who he was as a person. He thought towards everyone else he was just another brick in the wall, a pretty rich boy, and that did not “fly” with him. He had to prove his worth.
One of the most important literary devices Jon Krakauer use in his novel is irony. By using this device, he depicts the breathtaking and heart-wrenching story of Christopher McCandless. On the first page of the authors note, Krakauer gives a synopsis of his novel. He writes, “In April 1992, a young man from a well-to-do East Coast family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. Four months later his decomposed body was found by a party of moose hunters” (Krakauer, ANI). However, McCandless himself is unaware that the fate of his excursion will prove to be abominable. He believes that his own physical competence and superior intellect will guarantee his survival in the Alaskan taiga. The fact that the reader knows Chris is dead within the first few sentences of the book but the character is portrayed as believing he is going to live is an example of situational irony. . This gripping introduction entrances the reader adding ...
Into the Wild, written by John Krakauer tells of a young man named Chris McCandless who 1deserted his college degree and all his worldly possessions in favor of a primitive transient life in the wilderness. Krakauer first told the story of Chris in an article in Outside Magazine, but went on to write a thorough book, which encompasses his life in the hopes to explain what caused him to venture off alone into the wild. McCandless’ story soon became a national phenomenon, and had many people questioning why a “young man from a well-to-do East Coast family [would] hitchhike to Alaska” (Krakauer i). Chris comes from an affluent household and has parents that strived to create a desirable life for him and his sister. As Chris grows up, he becomes more and more disturbed by society’s ideals and the control they have on everyday life. He made a point of spiting his parents and the lifestyle they lived. This sense of unhappiness continues to build until after Chris has graduated college and decided to leave everything behind for the Alaskan wilderness. Knowing very little about how to survive in the wild, Chris ventures off on his adventure in a state of naïveté. It is obvious that he possessed monumental potential that was wasted on romanticized ideals and a lack of wisdom. Christopher McCandless is a unique and talented young man, but his selfish and ultimately complacent attitude towards life and his successes led to his demise.
Jon Krakauer, fascinated by a young man in April 1992 who hitchhiked to Alaska and lived alone in the wild for four months before his decomposed body was discovered, writes the story of Christopher McCandless, in his national bestseller: Into the Wild. McCandless was always a unique and intelligent boy who saw the world differently. Into the Wild explores all aspects of McCandless’s life in order to better understand the reason why a smart, social boy, from an upper class family would put himself in extraordinary peril by living off the land in the Alaskan Bush. McCandless represents the true tragic hero that Aristotle defined. Krakauer depicts McCandless as a tragic hero by detailing his unique and perhaps flawed views on society, his final demise in the Alaskan Bush, and his recognition of the truth, to reveal that pure happiness requires sharing it with others.
The tone is set in this chapter as Krakauer uses words to create an atmosphere of worry, fear, and happiness in McCandless’s mind. “The bush is an unforgiving place, however, that cares nothing for hope or longing”(4). McCandless is on the path of death, which creates worry and fear for the young boy. “He was determined. Real gung ho. The word that comes to mind is excited,” (6). Alex is very excited and care free, which Krakauer used to his advantage in making the tone of Alex’s mind happy. The author creates tones to make the reader feel the moment as if the readers were sitting there themselves. Krakauer uses dialogue and setting to create the mixed tones of this chapter. As one can see from the quotes and scenery the author uses tones that are blunt and are to the point to make the reader feel as though the emotions are their own. Krakauer uses plenty of figurative language in this chapter. He uses figurative language to support his ideas,to express the surroundings, and tone around the character. To start the chapter he uses a simile describing the landscape of the area, “…sprawls across the flats like a rumpled blanket on an unmade bed,” (9). This statement is used to make reader sense the area and set the mood for the chapter. The use of figurative language in this chapter is to make a visual representation in the readers mind. “It’s satellites surrender to the low Kantishna plain” (9).
John Karkauer novel, Into the Wild tells a true life story about a young man
Chris McCandless is regarded as being something as a spiritual figure almost as a cult hero, some call him a disillusioned fool, some call him a great adventurer, and the debate still continues. As Matthew Power calls in his article, an article where he tells the story of McCandless,“The debate falls into two camps: Krakauer's visionary seeker, the tragic hero who dared to live the unmediated life he had dreamed of and died trying; or, as many Alaskans see it, the unprepared fool, a greenhorn who had fundamentally misjudged the wilderness he'd wanted so desperately to commune with.” Like so many stories covering Christopher McCandless’ death, both ends of the argument are discussed in an unfavored manner in the hopes to help develop an opinion on the McCandless story. This open ended question can only be answered open-endedly based on what the readers base for themselves as covered stories intend. Like Power has done, ...
According to what McCandless was trying to say, “It is easy, when you are young, to believe that what you desire is no less than what you deserve, to assume that if you want something badly enough, it is your God-given right to have it” (Krakauer 155). Similarly, Krakauer stated that, “When I decided to go to Alaska that April, like Chris McCandless, I was a raw youth who mistook passion for an insight and acted according to an obscure, gap-ridden logic” (155). He presumed that if he climbed the Devils Thumb, then it would fix everything that was wrong with his life. Krakauer said that, “In the end, of course, it changed almost nothing. But I came to appreciate that mountains make poor receptacles for dreams. And I lived to tell my tale” (155). However, McCandless did not come to that realization and unfortunately did not live to tell his
The most important part in writing a novel is to enable the audience to understand what is being communicated. Krakauer did so by clearly communicating his message to his audience. He wanted to share the story of McCandless, a young man who dreamt of conquering the wilderness alone. This conquest ultimately ended in failure and cast a feeling of sorrow upon his family and friends. With the exception of a slight difficulty to understand the story during certain chapters, Krakauer’s novel was full of thrill of emotion and life-lessons.
“Into The Wild” by John Krakauer is a non-fiction biographical novel which is based on the life of a young man, Christopher McCandless. Many readers view Christopher’s journey as an escape from his family and his old life. The setting of a book often has a significant impact on the story itself. The various settings in the book contribute to the main characters’ actions and to the theme as a whole. This can be proven by examining the impact the setting has on the theme of young manhood, the theme of survival and the theme of independent happiness.
Krakauer, Jon. The. The “Into the Wild”. New York: Anchor Books, 1996. Print.
In Into the Wild, Jon Krakauer explores the human fascination with the purpose of life and nature. Krakauer documents the life and death of Chris McCandless, a young man that embarked on an Odyssey in the Alaskan wilderness. Like many people, McCandless believed that he could give his life meaning by pursuing a relationship with nature. He also believed that rejecting human relationships, abandoning his materialistic ways, and purchasing a book about wildlife would strengthen his relationship with nature. However, after spending several months enduring the extreme conditions of the Alaskan wilderness, McCandless’ beliefs begin to work against him. He then accepts that he needs humans, cannot escape materialism, and can never fully understand how nature functions. Most importantly, he realizes that human relationships are more valuable than infinite solitude. McCandless’ gradual change of heart demonstrates that exploring the wilderness is a transformative experience. Krakauer uses the life and death of Chris McCandless to convey that humans need to explore nature in order to discover the meaning of life.