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Essay on father son relationships
Essay on father son relationships
Essay on father son relationships
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Sean Penn and Jon Krakauer highlighted certain features of McCandless’ personality through certain relationships in Into The Wild the book and movie. Both artists highlight McCandless’ rebelliousness in the relationship between his parents and himself. On the other hand both artists took a different approach to his struggle with intimacy in his relationship to Ron Franz.
Krakauer used the relationship between McCandless and his parents to emphasize his rebelliousness. Krakauer uses a letter McCandless wrote to show how he felt about his parents offer to buy him a new car and pay for law school. The letters tone showed how much McCandless despised his parents and rebelled against them. McCandless acts surprised in the letter that his parents would dare make such an offer to him. He states “I’m going to have to be real careful not to accept any gifts from them in the future because they will think they have bought my respect” (Krakauer 21). The remark he made shows that he believed his parents could buy his respect. The remark illustrated that he would decline any offer his parents made to him. Krakauer lets the audience witness the hatred and rebellion McCandless exhibited towards his parents. In addition, he uses an epigraph to highlight why he despised his parents and allow the audience view things from McCandless’ perspective. The epigraph states “I sat at a table where were rich food and wine in abundance, an obsequious attendance, but sincerity and truth were not; and I went away hungry from the inhospitable board” (Krakauer 117). The epigraph showcases how McCandless feelings towards his parent’s materialism. McCandless rejected the materialism offered, and sought what his parents did not such as honesty and...
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...perience to let the audience witness how he rebelled against his parents and show the animosity he felt towards them. Penn used the dinner scene to highlight the tension between McCandless and his parents, and uses the scene to show why he rebelled from his parents. Krakauer made McCandless come off as a person who struggled with intimacy and wrote Ron a letter criticizing him to avoid being intimate towards him. Penn took the opposite approach and had both of them sitting, talking, and enjoying each other’s company. Both artists took a similar approach to McCandless rebellion with his parents, but opposing approaches with his relationship with Ron highlighting his struggle with intimacy.
Works Cited
Krakauer, Jon. “Into the Wild”. New York: Anchor Books, a division of Random House Inc, 1996. Print.
Pean, Senn, dir. “Into the Wild”. Paramount, 2007. Film
Many individuals decide to live their life in solitary; though, only a few choose to live in the wild. The book, Into the Wild, Jon Krakauer vividly paints the adventurous trek Chris McCandless went on. From the friends he made, to the hardships he went through, McCandless is portrayed as a friendly, sociable person despite the fact that he was a vagabond. Other than McCandless, there are even more individuals that have taken the risks to live in the wilderness such as, Jon Krakauer and Everett Ruess. All three of them had both similarities and differences between their own qualities as a person and their journey.
Roberts, David. "Jon Krakauer + Sean Penn: Back Into The Wild." National Geographic. National Geographic, n.d. Web. 26 Mar. 2014. .
After reviewing Krakauer’s writing, we can see that he uses devices to connect to the reader. Whether it is providing epigrams or Krakauer’s own personal beliefs. He also proves to the reader that he shares the same ideology as McCandless making him a bit more creditable telling McCandless’ story. Then the reader can infer that McCandless believes that nature is a place of healing, and that it is his dream. As Krakauer demonstrating McCandless dreams, he gives us a chance to reflect on our own dreams.
Throughout Into the Wild, Krakauer portrays Christopher McCandless as an infallibly eager young man hoping to distance himself from the society he so obviously loathes, to "live off the land," entirely independent of a world which has "conditioned [itself] to a life of security." Chris, contrarily to this depiction, is disparagingly viewed by some as a "reckless idiot" who lacked the sense he needed to survive in the Alaskan wilderness. This derogatory assessment of Chris's mindset is representative of the society he hopes to escape and contains all the ignorance that causes him to feel this way. Nevertheless, he is misjudged by these critics, allowing Krakauer to hold the more accurate interpretation of Chris's character, his goals, and his accomplishments.
In 1992, Christopher McCandless set off on an odyssey into the backcountry of Alaska, an adventure that had proved fatal. After McCandless's corpse was found, Jon Krakauer wrote an article on the story of Chris McCandless, which was released in the January 1993 issue of Outside magazine. The article had received a negative response; several readers criticized McCandless for being foolish and ill-prepared, and showed no sympathy or remorse for his death. McCandless has been referred to as a nut, a kook, and a fool. However, McCandless was not a nonsensical man. In 1996, Jon Krakauer's novel, Into the Wild, was published. The novel uncovers more detail of McCandless's story. Into the Wild rebuts the idea of McCandless being someone who is foolish, and speaks of the many occasions where McCandless has demonstrated great perseverance and determination. The novel also proves the intelligence of McCandless, and brings insight into McCandless's psyche. The following examples will illustrate how McCandless was not a fool, but someone to admire.
..., the use of literary techniques including irony, characterization and theme convey the author’s purpose and enhance Into The Wild. The author accomplished his purpose of telling the true story of Chris McCandless. He was an eccentric, unpredictable man that led a very interesting life. His life deserved a tribute as truthful and respectful as Jon Krakauer’s. Through his use of literary techniques, the author creates an intense, and emotional piece of literature that captures the hearts of most of its readers. Irony, characterization, and theme all play a vital role in the creation of such a renowned work of art. “Sensational…[Krakauer] is such a good reporter that we come as close as we probably ever can to another person’s heart and soul” (Men’s Journal).
Both Thoreau and McCandless were against materialism. Thoreau feels that “Most of the luxuries and many of the so-called comforts of life are not only not indispensable, but positive hindrances to the elevation of mankind” (Thoreau, Walden 28). He thinks that dependance of worldly possessions hidera ones chance of finding their true self. McCandless had a similar mentality, and acted upon that belief. An example of this is when “…he saw the flash flood as an opportunity to shed unnecessary baggage. He concealed the car as best he could beneath a brown tarp, stripped it of its Virginia plates, and hid them” (Krakauer 29). McCandless was not tied to his own possessions, he was happy to leave them in the middle of no where. Through reduction of worldly possessions and materials, the message that both McCandless and Thoreau throw at the readers is to have a simplistic life without the concerns coming from worldly possessions. These possessions deter one from the true meaning of life.
Into the Wild, written by John Krakauer tells of a young man named Chris McCandless who 1deserted his college degree and all his worldly possessions in favor of a primitive transient life in the wilderness. Krakauer first told the story of Chris in an article in Outside Magazine, but went on to write a thorough book, which encompasses his life in the hopes to explain what caused him to venture off alone into the wild. McCandless’ story soon became a national phenomenon, and had many people questioning why a “young man from a well-to-do East Coast family [would] hitchhike to Alaska” (Krakauer i). Chris comes from an affluent household and has parents that strived to create a desirable life for him and his sister. As Chris grows up, he becomes more and more disturbed by society’s ideals and the control they have on everyday life. He made a point of spiting his parents and the lifestyle they lived. This sense of unhappiness continues to build until after Chris has graduated college and decided to leave everything behind for the Alaskan wilderness. Knowing very little about how to survive in the wild, Chris ventures off on his adventure in a state of naïveté. It is obvious that he possessed monumental potential that was wasted on romanticized ideals and a lack of wisdom. Christopher McCandless is a unique and talented young man, but his selfish and ultimately complacent attitude towards life and his successes led to his demise.
In John Krakauer’s novel Into The Wild, the reader follows the life of a young man who, upon learning of his father’s infidelity and bigamy, seems to go off the deep end, isolating himself by traveling into the wild country of Alaska, unprepared for survival, where he died of starvation at 67 pounds.
...fe for oneself. McCandless primary tragic flaw being his unwillingness to form long-term relations brought him both to the happiest moment of his life, but also to his demise. McCandless never had a problem with people, but rather with the status quo of society, the idea that a man or a woman has to live inside of a coordinate plane. McCandless left home and went on his adventure simply for his own well being, he achieved both what he wanted to accomplish while learning a valuable lesson along the way. He learned that happiness must be shared, and while everyone has his or her flaws, it is important to let these go. Christopher McCandless should teach people the importance of following your dreams, and the importance of enjoying the natural serenity of life.
Krakauer, Jon. Into the wild. New York: Anchor Books , a division of Random House Inc.,, 1997. Print.
“Into The Wild” by John Krakauer is a non-fiction biographical novel which is based on the life of a young man, Christopher McCandless. Many readers view Christopher’s journey as an escape from his family and his old life. The setting of a book often has a significant impact on the story itself. The various settings in the book contribute to the main characters’ actions and to the theme as a whole. This can be proven by examining the impact the setting has on the theme of young manhood, the theme of survival and the theme of independent happiness.
Martineau clearly had a strong political agenda in writing this story, however in doing so, she addresses the fundamental difference she sees in the roles of responsibility in marriage. In her mind, the husband and the wife have clearly defined roles, not so much along lines of production, but rather in terms of the household. That which is in the household, whether it is the domestic duties or financial responsibility, falls to the wife while it is the husband who is responsible for the income stream.
In Into the Wild, Jon Krakauer explores the human fascination with the purpose of life and nature. Krakauer documents the life and death of Chris McCandless, a young man that embarked on an Odyssey in the Alaskan wilderness. Like many people, McCandless believed that he could give his life meaning by pursuing a relationship with nature. He also believed that rejecting human relationships, abandoning his materialistic ways, and purchasing a book about wildlife would strengthen his relationship with nature. However, after spending several months enduring the extreme conditions of the Alaskan wilderness, McCandless’ beliefs begin to work against him. He then accepts that he needs humans, cannot escape materialism, and can never fully understand how nature functions. Most importantly, he realizes that human relationships are more valuable than infinite solitude. McCandless’ gradual change of heart demonstrates that exploring the wilderness is a transformative experience. Krakauer uses the life and death of Chris McCandless to convey that humans need to explore nature in order to discover the meaning of life.
Krakauer states, “McCandless was thrilled to be on his way north, and he was relieved as well-relieved that he had again evaded the impending threat of human intimacy, of friendship, and all the messy emotional baggage that comes with it” (55). This had also occurred a few months prior in Niland Slabs, where he met Burres and Tracy. He had made friends there, and Tracy had developed feelings for him, but he rebuffed any of her advancements; he didn’t want to get involved with others, not after having left home for his journey. To him, having had friends and family that he left behind, he loved people, but he didn’t want to be close to them in any way other than purely being around them. Growing up with a difficult family relationship, such as McCandles’s, which caused him to push people away; it’s easy to relate to him in that aspect.