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Mother and son relationship in hamlet
Psychoanalytic analysis of hamlet
Psychoanalytic analysis of hamlet
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Throughout a variety of movie interpretations of a given film, one version proves to be the most effective for distinct reasons. Within Act 3, Scene 4 of Hamlet, Shakespeare provides little direction by which the scene should be interpreted, but the play, taken in its entirety, proposes a certain way in which Hamlet and Gertrude express their emotions. This has led to distinctive cinematic interpretations of this scene, all in which portray the storyline in a unique way. Kenneth Branagh’s version of the closet scene provides a more realistic portrayal of the conflict between Hamlet and Gertrude than the Gregory Dovan and Campbell Scott versions; Branagh’s view on the mother-son relationship, Hamlet’s reaction to the ghost and Gertrude’s guilt is closer to the original text in which Shakespeare leaves room for audience interpretation. Branagh’s view on the mother-son relationship in the closet scene is a more practical portrayal in comparison to Gregory Dovan and Campbell Scott’s versions. Firstly, in the film directed by Kenneth Branagh, the relationship between Hamlet and Gertrude is portrayed with emotional intensity, as they both struggle to come to terms with reality. When Hamlet says “I must be cruel only to be kind” (Ham. III.iv.180), he and Gertrude place their foreheads together, as they both repent on the conflict apparent within their relationship. At this point in their conversation, Hamlet has lowered his vocal tone, speaking to Gertrude in a calm manner (Branagh 1996). This action proves that Branagh believes Hamlet and Gertrude have a close connection as mother and son. Although Branagh allows for Hamlet’s emotions to get the better of him earlier in this scene, Hamlet’s true anxiety is portrayed as a result of h... ... middle of paper ... ... the mother-son relationship, Hamlet’s reaction to the ghost and Gertrude’s guilt is closer to the original text in which Shakespeare leaves room for audience interpretation. Had Shakespeare not penned a true reflection of human behaviour in all its subtleties, the Dovan and Scott versions of Hamlet might not have been questioned for their legitimacy. Works Cited Branagh, Kenneth dir. Hamlet. By William Shakespeare. Per. Kenneth Branagh, Julie Christie, Derek Jacobi. 1996. DVD. Warner Brothers Home Entertainment, 2007. Dovan, Gregory dir. Hamlet. By William Shakespeare. Per. David Tennant, Patrick Stewart. 2010. DVD. BBC Worldwide Americas Incorporated, 2010. Scott, Campbell dir. Hamlet. By William Shakespeare. Per. Campbell Scott, Blair Brown, Roscoe Lee Brouwne, Lisa Gay Hamilton. 2000. DVD. Hallmark Entertainment, 2000.
During class we have reviewed many versions of the play Hamlet. The two movie versions that I chose to compare on the play Hamlet are the David Tennant version and the Kenneth Branagh version. I chose these two versions because these were the two that most interested me. I believe that some scenes from each movie were better than the other, but overall I liked these two versions just as equally. The three main scenes that stood out to me that I will be comparing are ‘Ophelia’s Mad Scene’, the ‘Hamlet Kills Polonius’ scene, and Hamlet’s ‘To be or not to be’ scene.
After the death of Old Hamlet and Gertrude’s remarriage to Claudius, Hamlet feels extremely angry and bitter. “How weary, stale, flat, and unprofitable / Seem to me all the uses of this world!” (1.2.133-134). Due to the death of his father, he is already in a state of despair and the lack of sympathy that his mother has towards his sorrow does not aid him in recovering from this stage of grief. “Good Hamlet, cast thy knighted colour off, / And let thine eye look like a friend on Denmark” (1.2.68-69). Hamlet is struggling to accept the fashion in which Gertrude is responding to the death of Old Hamlet; she seems quite content with her new life with Claudius, which is a difficult concept for him to accept as after the d...
Hamlet the movie starts out differently. It starts out with the funeral for King Hamlet with Gertrude standing beside the coffin. Hamlet sprinkles dust over his father?s dead body. The coffin is then covered and Claudius, Old Hamlet?s brother, places his sword over the coffin and Gertrude cries. The second difference is the way the scene is with the player?s putting o...
In the brief but powerful exchange between Hamlet and Ophelia in Act 3 scene 1, Hamlet reveals his internal crisis about Truth and his introspective, if not self-involved, nature.
In comparison to the Branagh version of this scene, where there is less of an emotional emission of angst and more of a pointed anger, thus taking away from the gravity of the statements in or out of the context of the play. In conclusion, the Branagh interpretation of Hamlet’s scene does not match the emotional connection of the much better staged, inflected, and embodied version starring David Tennant.
William Shakespeare’s Hamlet revolves around Hamlet’s quest to avenge his father’s murder. Claudius’ first speech as King at the beginning of Scene 2, Act 1 introduces the themes of hierarchy, incest and appearance versus reality and plays the crucial role of revealing Claudius’ character as part of the exposition. The audience is left skeptical after Horatio’s questioning of King Hamlet’s ghost in the first scene of the play. By placing Claudius’ pompous speech immediately after the frightening appearance of Hamlet’s ghost, Shakespeare contrasts the mournful atmosphere in Denmark to the fanfare at the palace and makes a statement about Claudius’ hypocrisy. Through diction, doubling and figurative language, Shakespeare reveals Claudius to be a self centered, hypocritical, manipulative and commanding politician.
On the journey through the path of life, there are encounters with many different incidents and situations where we must act accordingly. Depending on what type of personality is possessed, there are numerous ways that we can deal with these encounters. In the play Hamlet, by William Shakespeare, the main character is confronted with a cluster of dilemmas and is in emotional distress. The ghost that encounters Hamlet, the monarchs’ incest, and the contemplation of murder, are the major conflicts which he must deal with one way or another. As a result of these three issues, as well as Hamlet’s particular character, he handles these issues internally which causes internal struggle and a passive response.
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
Shakespeare’s Hamlet shows a unique mother and son relationship between Gertrude and Hamlet. Stemming from the death of King Hamlet, Hamlet’s depiction of his mother signals a heinous relationship amongst the two. Hamlets and Gertrude relationship looks complicated, but Gertrude still considers Hamlet as her son. After the marriage of Gertrude and Claudius, her affection towards Hamlet is not encountered, excluding for when she questioned his dark demeanor, “Good Hamlet, cast thy nighted colour off, And let thine eye look like a friend on Denmark” (I, II, 68-69). Initially in the plot, Hamlet realizes that his mother is completely oblivious and naïve to her relationship with King Hamlet. Her questioning Hamlet’s character indicates that she
Conflict, in literary context, can be defined as “the opposition of persons or forces that gives rise to the dramatic action in a drama or fiction.” Conflicts can be external, between two or more persons, or internal, within one’s self. In most literature the conflict adds to the execution of the plot itself. Shakespeare’s “Hamlet” makes use of both forms of conflict as an essential element of the play. I will show how “Hamlet” presents inner and outer conflicts with examples of each and how their resolutions (if any) serve as a major part of the overall play itself.
Unsurprisingly, Branagh’s version of the scene in Gertrude’s closet contains many differences as well. Even in this scene so wrought with family peril, the focus of Branagh’s Hamlet remains on the theme of revenge. From the moment Hamlet arrives in Gertrude’s chamber there is a screaming match. Gertrude is indignant and insulted, rather than hurt and scared as in Doran’s portrayal. Even when Hamlet becomes more violent and physical with her, she still appears to be strong and a nearly even adversary. The killing of Polonius occurs in a similar fashion, except he is hidden behind a curtain rather than a mirror and Hamlet kills him with a dagger instead of a gun. This time period difference is vital in the playing out of this murder, because the “revenge” that takes place is much more personal with a dagger than with a gun. Hamlet is able to commit the murder from farther away with a gun, creating a less hands-on image of murder and revenge. During Hamlet’s line regarding revealing Gertrude’s innermost part, instead of simply referencing a mirror, the audience sees Hamlet try to forcefully undress her. Where in Doran’s film this disrobing was entirely figurative, Branagh takes it more literally in the scene’s staging. For most of the scene, Hamlet and Gertrude are leaning towards each other as if it is a heated argument, rather than Hamlet
Hamlet’s attachment to his mother is quickly made evident within the first act of the famous tragedy. Hamlet, who sulks around wearing black clothing to mourn the death of his father, first speaks in the play to insult his stepfather. He voices his distaste at his new relationship with his uncle by criticizing that they are, “A little more than kin and less than kind” (I.ii.65). He believes that it...
Old Hamlet is killed by his brother Claudius. Only two months after her husband’s death a vulnerable Gertrude marries her husband’s brother Claudius. Gertrude’s weakness opens the door for Claudius to take the throne as the king of Denmark. Hamlet is outraged by this, he loses respect for his mother as he feels that she has rejected him and has taken no time to mourn her own husband’s death. One night old Hamlets ghost appears to prince Hamlet and tells him how he was poisoned by his own brother. Up until this point the kingdom of Denmark believed that old Hamlet had died of natural causes. As it was custom, prince Hamlet sought to avenge his father’s death. This leads Hamlet, the main character into a state of internal conflict as he agonises over what action and when to take it as to avenge his father’s death. Shakespeare’s play presents the reader with various forms of conflict which plague his characters. He explores these conflicts through the use of soliloquies, recurring motifs, structure and mirror plotting.
William Shakespeare’s poems, plays, sonnets, and other literary works are well known around the world for his witty plot twists, ironic characters, and heart throbbing romances. People from different backgrounds and cultures can relate to his works because Shakespeare mastered the art of portraying a true human experience. The personal conflicts that are displayed in the play Hamlet can still be seen with in people living in modern day society. Before Laertes begins his trip, his father Polonius recites some fatherly advice. He tells him, “Costly thy habit as thy purse can buy/But not expressed in fancy-rich, not gaudy/For the apparel oft proclaims the man” (ll. 70-72). This is quality advice for young adults because clothing reveals one's priorities,
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.