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Essays on womens rights
Essays on womens rights
19th century in America society
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In this book, the audience follows a Victorian Era New Orleans resident, Edna. Nevertheless, throughout the story we see that Edna is struggling between two desires; the desire to be loved and the desire to be free and independent of men. This conflict of desires illuminates the meaning of the work to show that in that time period, a woman’s independence or love both come at a price, and that they were mutually exclusive.
This specific internal conflict is important because it highlights the preconceived notion that a good woman has to have a husband to whom she is loyal and dependent upon. We see this when Leonce hides the fact that Edna had moved by having the house renovated, and when Robert leaves for Mexico to hide the fact that he loved her. Both of these actions were done to try to retain her reputation as a good woman in society. For had she sought true independence, she would be forced to give up her status, family, and several friends who followed the social normalities of what is deemed an appropriate member of that society. On the other side, if she were to seek love, she would be throwing away her morals out the window to be trapped into
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In the situation of her following her head, she knows that she would be happy to be independent, but she would make her name deplorable and she herself unsociable, as seen with the treatment of the lonesome widow and Mademoiselle Reisz, both whom were ostracized by many. If she were to pursue love, she is gaining independence from her previous loveless marriage, but falling upon dependency of her new lover, which would make her dissatisfied in the long run. This is significant because it shows the tragic nature of the story, because no matter which way she she turns, there is a possibility for unhappiness, and that she would have to relinquish something because love and freedom are incongruent of one
Edna seems to disregard the fact that her changes were affecting others around her, but in chapter XIX, the author reveals how Edna’s awakening has been affecting her husband. Leonce, who bared witness to the whole transformation, was able to tolerate some resistance from his wife as long as she remained taking care of her duties as a mother and wife. Leonce realized Edna had changed, but could not see in what way, he could not see the way these changes were better his wife. He saw the change in her only from the outside, he could not see how it affected her heart, and how it turned her into her true self. Edna was selfish for not thinking about her loved ones before changing her life so drastically, but her husband was selfish for not realizing she needed this change to be who she
In the first direction, the reader witnesses the era when women only existed to make the male happy. The main character Edna finds that she has nothing to do other than stay in the house bored, since even her children are raised and cared for by servants. Day after day, all Edna is permitted to do is care for her husband and be there whenever he needs help or entertainment. Woman at that time could not vote, could not go out without a male escort, were not allowed to smoke in public, and were not allowed in the work place. These ideals set by the male driven society caused Edna to face her second trend of free will, conflicting with her other direction of oppression.
She loves to have her “senses stirred,” and her imaginative desires enact these sensations for her when the objects of the desires themselves cannot. Consequently, Edna realizes early in her own life that she is not satisfied with her role as a mother enslaved to humdrum domestic life with a husband to match. However, she does not consciously realize and choose to pursue her own desire for an exciting, passionate, courageous lover until after the novel opens upon one summer vacation at Grand Isle.
In reading this story we find a woman tired of being a mother, a wife and of her life in general. "The sight of them made her so sad and sick she did not want to ever see them again" (35). Do you not see what she is thinking? They are sucking the life out of me. Why did I choose to get married? I could have been anything, instead I am the mother of this child and the wife of this man and am here to take care of their needs. Who will take care of my needs? She feels that she is some how letting herself ease away and needs to regain her identity. She soon isolates herself even more by moving into another room maybe thinking she will be able to find the part of herself she has lost. "She was a young queen, a virgin in a tower, she was the previous inhabitant, the girl with all the energies. She tried these personalities on like costumes" (38).
In the novel, during many instances, intricate intimacies are illustrated. “No multitude of words could have been more significant than those moments of silences, or more pregnant with the first-felt throbbings of desire.” (30) Robert, in pursuit of Edna unlocks her sexual awakening alongside his social awakening. Robert becomes aware that he must step out of the boundaries and evolve as a man. Yet Robert still stumbles in his path. He and Edna have a common bond. They both attempt to defy the norms of society. Robert respects Edna’s yearning for individualism and only seeks to accompany her on that journey by form of marriage. However, he struggles to fight what societal ordainment. He lacks the key to break societies chains. He can’t simply let go of the expectation of marriage within this era. On the contrary his relationship with Edna gives him an optimistic view on his love life. “His search has always hitherto been fruitless, and he has sunk back, disheartened, into the sea. But to-night he found Mrs. Pontelllier.” (29) His passion for Edna, conveys his innocent hope for repressive love between himself and Edna. He and Edna
Edna’s first action that starts off her route to freedom from her relationship is when she fell in love with Robert. Edna had already married a man that she had not loved but he has not been treating her a...
Throughout “The Yellow Wallpaper” and “The Story of an Hour” we, as the reader, see how oppression by husbands during the nineteenth and twentieth century resulted in their wives, quietly longing for freedom. This freedom would be monumental to achieve, but simple in nature. It was the freedom to speak their own minds and makes their own choices.
Unlike the other women of Victorian society, Edna is unwilling to suppress her personal identity and desires for the benefit of her family. She begins “to realize her position in the universe as a human being and to recognize her relations as an individual to the world within and about her” (35). Edna’s recognition of herself as an individual as opposed to a submissive housewife is controversial because it’s unorthodox. When she commits suicide it’s because she cannot satisfy her desire to be an individual while society scorns her for not following the traditional expectations of women. Edna commits suicide because she has no other option. She wouldn’t be fulfilled by continuing to be a wife and a mother and returning to the lifestyle that she...
...s, spirit of sacrifice, she does not have a clearly expressed sense of self-respect, she again acknowledges her love to Pechorin, even after he left her once already. All her struggles and pain for her love to Pechorin were necessary for Lermontov to show the selfishness of his hero, his altitude to those who loved him, his fear of loosing his freedom- one thing, which in Pechorin's opinion, was essential for life.
The Awakening, written by Kate Chopin in 1899, tells the story of Edna Pontellier. Throughout the story, Edna questions her marriage and the quality of her marriage. Edna's husband, Leonce, is a successful business man, but this also has consequences, which affect the marriage with negative outcomes. First of all, Edna married when she was young, but Leonce didn’t become a successful husband, or at minimum, didn’t meet Edna’s expectations. Second of all, the marriage is odd and unstable because of Leonce’s lack of interest in Edna, and Edna’s lack of interest in Leonce, as well as the marriage as a whole. To conclude, Edna committed to marriage too early, Leonce and Edna have an unstable marriage, and Edna is not pleased with Leonce as a husband.
Edna the wife of a wealthy man was never called by her maiden name but only addressed by Mrs. Pontellier after her husband Leonce Pontellier, this natural custom was a drastic detail as everyone knew she was his. Envy by everyone as he portrayed the qualities of a perfect man. He would be gone for business, send her money, and lived in a lovely home. The ladies of Grand Isle when visited Mrs. Pontellier in her vacation house they would observe the finest fruits sent from her husband from new Orleans they would “declared that Mr. Pontellier was the best husband in the world.” (Page7) Edna compelled to approve such a statement was utterly moved as they were the classic women who “idealized their children” (page 8) lived for them. Edna cared for
Along with the duty as a faithful wife to one’s husband in the Victorian era, women were expected to raise children, attend to household tasks, and ensure the wellbeing of everyone there. Edna, contrasting the expectations set for women of this time, suddenly finds herself dissatisfied with her limited life. Suddenly craving the taste for excitement, Edna embarks on a journey of utter selfishness, abandoning her children for her own physical and emotional desire. Though the children need their mother, she thinks solely of her
“I, being born a woman and distressed/ By all the needs and notions of my kind/ Am urged by your propinquity to find/ Your person fair, and feel a certain zest/ To bear your body’s weight upon my breast.” Edna St. Vincent Millay was an openly-bisexual female poet in the 20th century who wrote about the female experience in regards to love and sex, which is evident in poems like “I, Being Born a Woman and Distressed”, “Thursday” and “First Fig.” Edna St. Vincent Millay shows us how we can use tone to redefine the relationship between gender and power.
The writing I have chosen is the journal entries of Hannah Tinti’s “Home Sweet Home,” Kate Chopin’s “The Story of an Hour,” and Charlotte Perkins Gilman's “The Yellow Wallpaper.” I have selected these writings for the main focus of these writing is about the female protagonists and their mental war to be liberated from their oppressive husbands. In “Home Sweet Home,” the wife sees her husband having a malicious affair while she is taking care of his child born out of wedlock that she now loves and will seek vengeance by committing a double murder. In “The Story of an Hour,” the wife, with a heart condition, turned widow is distraught at the news of her late husband passing, but she then feels freedom in starting a new life without her husband
Louise’s desperation for her freedom and to express how overjoyed she is by no longer being below a man conveys that deep underlying tension men and women have between each other. Females are restricted and identified as objects, being subservient with their husbands. Today, marriage can still be seen as a patriarchal institution; existing to benefit the man and keep the woman passive. Little is expected of men, they continue their career and go about their lives while women are assumedly going to start having babies, take care of their husbands, and prioritize everyone else before their own needs are met. It has long been known that women are taught to not value their self-worth until a man is present, that we must work hard to be desirable and beautiful for a man so he will want us. Mrs. Mallard’s relationship followed the pattern of a territorial husband and his need to make the head decisions for everyone. The author is exposing what is a reality seen too often beyond the story; men have authority over their spouses and their lives, ensuring that control is never within the woman’s hands. Although Mrs. Mallard’s husband wasn’t callous towards her, he did strip her of her identity, leaving her with physical and emotional weaknesses. “…Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul” (Paragraph 4, lines 1-3). All the sickly feelings that Mrs. Mallard is facing, serve to show the reader just how much this marriage took a toll on her. She was a woman who had at one point power and rights to speak her mind, but soon became a puppet to a man’s