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Theme of insanity in literature
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Madness in Literature refers to both writers and characters who have been deemed as abnormal of insane by those around them. Early works of Madness in Literature include novels such as Lolita by Vladimir Nabokov and A Clockwork Orange by Anthony Burgess. More recent works include novels such as Remainder by Tom McCarthy and House of Leaves by Mark Z. Danielewski. Novels like these include characters that are considered ‘mad’ by those around them because of the instability of their environment. Those who are considered mad are put into a separate class which builds a wall between the sane and insane (Blowers).
Madness can be considered a ‘desire for violence’ which can become a condition of evocation of the past (Tambling). It exhibits itself in the form of a story which presents information about one’s abnormal behavior (Bernaerts). The study of madness in fiction asses various depictions of madness and insanity. Nevertheless, madness in literature presents an individual’s state of insanity which intend to advise the audience about the irrational behavior of an
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This shows the connection between personal experiences and how it shapes a person into a mad state of mind. Anything can affect a person’s sanity, even the smallest experience can change a person’s life. Illnesses like schizophrenia and paranoia are a kind of psychic phenomena which influence a person’s madness (Thomson). Madness manifests itself in literature as a metaphor for psychological conflict which are not of pathological nature (Thomson). This contains fervor that has created components of reason and common-sense that are not typically connected to madness. In conclusion, insanity in literature taps into a realm of madness that depicts a sort fascination by the average individual. Madness in literature will continue to remain complex and an engaging topic that depicts one’s own dysfunction
Madness: A History, a film by the Films Media Group, is the final installment of a five part series, Kill or Cure: A History of Medical Treatment. It presents a history of the medical science community and it’s relationship with those who suffer from mental illness. The program uses original manuscripts, photos, testimonials, and video footage from medical archives, detailing the historical progression of doctors and scientists’ understanding and treatment of mental illness. The film compares and contrasts the techniques utilized today, with the methods of the past. The film offers an often grim and disturbing recounting of the road we’ve taken from madness to illness.
It is hard to comprehend how and why people lose their sanity and become mad. I will address how the mind’s struggles caused by individual genes, stress and social-cultural influence affect the lives of Naomi, a 24-year-old college student with schizophrenia and Eric, a 27-year-old classical musician with severe depression. Their thoughts and behavior surprised me as this is my first time exposed to what these mental illnesses are. The relation between the mind and the body and the fact that the emotions affect the functioning of the body and vice versa explains the how and why a person become insane.
Within the article Stephen King continuously states that we humans all have insanity within us. In the article,
Through the use of insanity as a metaphor, William Shakespeare, Edgar Allen Poe, William Blake, and Charlotte Perkins Gilman, introduced us to characters and stories that illustrate the path to insanity from the creation of a weakened psychological state that renders the victim susceptible to bouts of madness, the internalization of stimuli that has permeated the human psyche resulting in the chasm between rational and irrational thought, and the consequences of the effects of the psychological stress of external stimuli demonstrated through the actions of their characters.
Psychoanalysis is the method of psychological therapy originated by Sigmund Freud in which free association, dream interpretation, and analysis of resistance and transference are used to explore repressed or unconscious impulses, anxieties, and internal conflicts (“Psychoanalysis”). This transfers to analyzing writing in order to obtain a meaning behind the text. There are two types of people who read stories and articles. The first type attempts to understand the plot or topic while the second type reads to understand the meaning behind the text. Baldick is the second type who analyzes everything. Since his article, “Allure, Authority and Psychoanalysis” discusses the meaning behind everything that happens in Mary Shelley’s “Frankenstein” we can also examine “The Ones Who Walk Away from Omelas” in the same manner.
I argue that Macbeth s ' afflictions – delusions, hallucinations, paranoia – are caused by a pre- existing mental condition. One may argue
While the diagnosis of mental conditions is considered a modern practice, people throughout history have suffered similar mental illnesses but have gone undocumented or unstudied. But even without scientific or psychological records, mental illness can clearly be derived from historical figures and works of art. As early as the 1600s, characters in literary pieces are known to depict characteristics of modern mental labels. During this time period, mental illnesses were generally credited to witchcraft or demonic possession. Though the explanations seem farfetched, the symptoms of what are now seen as neurological disruptions remain the same. In William Shakespeare’s seventeenth century play Macbeth, several characters portray indications of what could be the modern diagnosis schizophrenia.
Mental illnesses and craziness are not always a bad thing, it is what mental illnesses and craziness can cause the people to do. Hamlet by William Shakespeare provides the readers with many different types of mental illness and madness. This play was written in the early 1600’s and times have changed a lot since then, but the examples of mental illnesses and craziness is still an issue in todays world. A majority of characters in this play have kind of mental illness and/or are crazy, insane, or mad. In William Shakespeare 's play Hamlet, mental illness and craziness and madness play an important role of the development of the characters and the story.
To begin, it is important there be an established definition of insanity. Though the original work is set in the turn of the 17th century, and Branagh's in the late 19th, it is important that insanity be described based on current definitions. Antiquated understandings of the matter will provide very little as far as frames of argument. Thus, for this task, the paper will employ law.com's vast legal dictionary for a current definition of insanity. The dictionary tasks itself to such extent. It defines insanity as “mental illness of such a sever...
...tive method in portrying the madness of Lenz is his unique and distorted narrative. By using un-traditional techniques that include fading the line between narrator and protagonist, Buchner is able to create a character is unconventional clearly mad within the opening of the story and is maintained throughout. His use of religious realisation is not as effective because we are unsure of Buchners own religious motives. However, this technique does allow us to analyse the behaviour of Lenz against social norms thus allowing us to see his behaviours that allude to his madness. Lastly, the use of nature is quite effective as the pathetic fallacy allows the audience to analyse Lenz’s emotions through figurative language. Therefore, it is a collaboration of these three techniques, narrative being the most effective, which allows one to see Lenz’s descent into madness.
...reader to gain inside thought into how bad the mental condition is affecting him as his behavior allows for further indication of craziness as a result from the schizophrenia. The evidence presented in this play for the scientific explanation of this literary classic is quite prominent as it gives an insight into what a schizophrenic acts, thinks, and behaves like.
Insanity can be a dark descent into the strange, nightmarish unknown realms of the mind unable to return to the known world of reason. This is a major theme in literature, and is particularly evident in the works of Nathaniel Hawthorne and Herman Melville. The nightmarish undertones are one of the main similarities in Hawthorne's and Melville's works. Another similarity is writing style. Both men write very descriptively, and their writing is based more in intellect than emotion. Also both men write about the nightmarish descent into madness.
conscious and subconscious mind. In a novel, the emotions of an author are manifested as a story of a protagonist and his world. The protagonist is created as the author’s persona, and the setting of the story parallels events from the author’s past. In Anthony Burgess’s A Clockwork Orange, the protagonist Alex DeLarge is a direct projection of Burgess’s psyche. Analysis of Burgess’s childhood confirms the psychoanalytic theory that Alex and his fictional experiences within A Clockwork Orange are the result of thoughts, fears, and desires that were suppressed by Burgess’s conscious mind throughout his life. Just as Burgess did, Alex struggles with developing and maintaining healthy relations, the choice between what is “right” and what is “wrong”, and the challenge of growing up.
In William Shakespeare’s Hamlet, one of the most evident and important themes is the theme of madness. The theme is apparent throughout the play, mainly through the actions and thoughts of Hamlet, Ophelia, and Laertes. Madness is defined as the quality or condition of mental illness or derangement (being insane). Madness is at the center of the conflicts and problems of the play and is conveyed through Shakespeare’s elaborate use of manipulation and parallels between Hamlet, Ophelia, and Laertes to contribute to Hamlet’s tragic character.
When Ronson wraps up his work in The Psychopath Test, a novel, he creates a theme of paranoia as he ventured into an industry of madness. He establishes his work’s meaning that any individual may appear normal, abnormal, or be a psychopath within. In other words, his theme follows the idea that life can be full of deceiving people. In order to convey his theme, he used four significant characters. They include himself as the narrator, David Shayler with Rachel North, and Robert Hare. These characters not only emphasize Ronson’s theme, but also help establish the purpose of his theme, which is to showcase that madness can be anywhere.