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Motif of madness in hamlet
Sanity in hamlet
Motif of madness in hamlet
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In "The Tragical History of Hamlet, Prince of Denmark" by William Shakespeare, the sane Hamlet occasionally switches between the realms of sanity and insanity. When madness suits Hamlet's purpose, he puts on an "antic disposition" (I.V.173). On the other hand, when sanity proves worthy, Hamlet reverts back to being logical. Hamlet claims he is "mad north-north-west" (II.ii.376), meaning he is mad sometimes and sane other times. Therefore, to achieve his short-term goals, Hamlet shifts between sanity and insanity, which ironically slows his overarching goal of revenge.
To begin, Hamlet shifts into the realm of insanity to achieve his short-term goals. Hamlet uses his insanity as a weapon, changing it into the form of words or action. Furthermore, Hamlet is only insane towards his enemies or his enemy's allies. For example, Hamlet attacks Ophelia, who has allied herself with Claudius, with words: "Are you honest?" (III.i.104), "Are you fair?" (III.i.106). Hamlet "speaks daggers" (III.ii.387) to Gertrude because she is an obstacle to Hamlet. Also, Hamlet slays Polonius so violently that he guarantees that Polonius is "dead, for a ducat, dead" (III.iv.25). Hamlet gravely harms both Ophelia and Gertrude with his words of insanity while sending Polonius to the grave with his actions of insanity. All three people, Ophelia, Gertrude, and Polonius, are Claudius' allies, and by wounding Claudius' allies, Hamlet is indirectly wounding Claudius. This is Hamlet's short-term goal: to rid Claudius of allies.
Besides using insanity to harm Claudius' allies, the mere presence of Hamlet's insanity troubles Claudius. Hamlet understands the potential of madness; madness blurs reality and shrouds truth, therefore causing confusion. Claudius...
Hamlet's thoughts are much more sophisticated than those of the insane. Hamlet's second short-term goal is to philosophize. Through the return into sanity, Hamlet is able to accomplish both his short-term goals of concentration and philosophizing. However, due to the constant reversal between sanity and insanity, Hamlet's revenge is slowed. Hamlet's mind becomes twisted due to constant changes in personality, between sanity and insanity. Early in the play, Hamlet says that he will put on an "antic disposition" (I.v.173). However, in the last scene of the play, Hamlet tells Horatio that "in my heart there was a kind of fighting" (V.ii.4). At one point, he says that he will fake insanity, while later, he says that there is fighting in his heart, which hints insanity. Due to this, Hamlet becomes indecisive. Hamlet's inability to act causes his revenge to be slowed.
In William Shakespeare’s tragedy, Hamlet, Prince of Denmark, we, as readers, increasingly question the sanity of the protagonist, Hamlet, as the play continues. His seemingly psychotic banter with the other characters of the play begins to convince us that Hamlet is, indeed, insane. Hamlet, however, states, “How strange or odd soe’er I bear myself, as I perchance hereafter shall think meet to put an antic disposition on” (1.5.171). He specifically tells Horatio and Marcellus that he will be acting mad, as a front. Hamlet has an exceptional grasp on mental philosophy and the uses and effects of logic, more so than the other characters of the play. Because of this, Hamlet appears insane to others, but in fact remains true to his original statement of simply using an “antic disposition.”
Hamlet runs into Ophelia and angrily Hamlet denies having given her anything; he laments the dishonesty of beauty, and claims both to have loved Ophelia once and never to have loved her at all. Then Hamlet spits out nasty comments including, “Get thee to a nunnery. Why wouldst thou be a breeder of sinners?” (Shakespeare 3. 1. 131-132). He criticizes women for making men behave like monsters and for contributing to the world’s dishonesty by painting their faces to appear more beautiful than they are. This illustrates Hamlet shifting from sane to insane. During Hamlets talk between him and his mother he hears a noise behind the arras. Hamlet storms into the room and asks his mother why she has sent for him. She says that he has offended his stepfather. Hamlet accosts her with an almost violent intensity and declares his intention to make her fully aware of the profundity of her sin. Fearing for her life, Gertrude cries out. From behind the arras, Polonius calls out for help. Hamlet, realizing that someone is behind the arras and suspecting that it might be Claudius, cries, “How now, a rat? Dead for a ducat, dead” (Shakespeare 3. 4. 29). He draws his sword and stabs it through the tapestry, killing the unseen Polonius. This begins the starts his complete transformation from sanity to insanity. . Therefore, while Hamlet argues with his mother in her room after the dumb show he makes insulting
In Shakespeare’s play Hamlet the main character Hamlet experiences many different and puzzling emotions. He toys with the idea of killing himself and then plays with the idea of murdering others. Many people ask themselves who or what is this man and what is going on inside his head. The most common question asked about him is whether or not he is sane or insane. Although the door seems to swing both ways many see him as a sane person with one thought on his mind, and that is revenge. The first point of his sanity is while speaking with Horatio in the beginning of the play, secondly is the fact of his wittiness with the other characters and finally, his soliloquy.
In addition to verbal abuse, Hamlet is prone to fits of physical violence, the most notable being the murder of Polonius in Act 3, Scene 4, which will eventually lead to the untimely death of his one true love. He shows no remorse over the killing of his love’s father and when asked where he hid the body provides little information, at first taking an opportunity to further show his insanity before finally revealing the body’s whereabouts.
Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his persona of seeming insane to the other characters. Hamlet comes up with the idea to fake madness in the beginning of the play in order to confuse his enemies. However, for Hamlet to fulfill his duty of getting revenge, he must be totally sane. Hamlet’s intellectual brilliance make it seem too impossible for him to actually be mad, for to be insane means that one is irrational and without any sense. When one is irrational, one is not governed by or according to reason. So, Hamlet is only acting mad in order to plan his revenge on Claudius.
Shakespeare's tragic hero, Hamlet, and his sanity can arguably be discussed. Many portions of the play supports his loss of control in his actions, while other parts uphold his ability of dramatic art. The issue can be discussed both ways and altogether provide significant support to either theory. There are indications from Hamlet throughout the play of his mind's well being.
Displaying an 'antic disposition', Hamlet first attempts to side step his trepidation by feigning madness. After meeting with his fathers proposed ghost, Hamlet attempts to distance himself from the thought or evidence of death. Hamlet notifies his friends, Marcellus and Horatio, of his plan to distract the kingdom from his real intentions. Although Hamlet proposes this as a way to fool those in Denmark, in the last lines of his meeting with Horatio and Marcellus, he curses that this revenge be placed upon him. This is the first indication of Hamlets reluctance to perform murder. Hamlet then returns to Claudius and Gertrude, at the castle, and acts out his madness for them and for the visitor, Polonius. Upon speaking to Polonius, Polonius picks up upon Hamlets 'madness', yet decides that this unnatural nature is because if Ophelia's behavior toward Hamlet. Indication of Hamlets fear is presented when Polonius asks leave of the prince. Hamlet then states that Polonius can take anything from him, anything but his life. Hamlet repeats thrice this idea of taking anything 'except [his] life.' Not only does this indicate how compulsive Hamlets fake insanity is becoming, but how afraid he is of dying. During the 'To be or not to be' soliloquy, Hamlet contemplates his view of death. As he go...
Hamlet decides to portray an act of insanity, as part of his plan to seek revenge for his father's murder. As the play progresses, the reader may start to believe Hamlet’s “insane” act, but throughout the scenes, Hamlet shows that he knows right from wrong, good from bad, and his friends from his enemies. Hamlet shows that he still has power and control over his actions. As Elliot says “Hamlet madness is less than madness and more feigned”. Hamlet portrays a mad man, in order to be free from questioning, thus allowing him to have an easier path towards revenge.
At first, Hamlet is successful, and society is convinced Ophelia is the reason for his madness, thus granting Hamlet more time to plot Claudius’s murder. This is achieved in Hamlet’s “to be or not to be speech” [3,1,57] when Claudius and Polonius spy on the conversation between Hamlet and Ophelia. During the Act, Ophelia displays traits of dishonesty and Hamlet uses this to his benefit and appears to go insane to convince Ophelia, Claudius and Polonius that Ophelia is responsible for his madness. Hamlet insists his madness is an “antic disposition” [1,5,179] and that “Thou this be madness, yet there is method in it”. [2,2,204] In the play, Hamlet uses his “antic disposition” [1,5,179] to refuse Ophelia’s affections, which is powerfully portrayed when he exclaims to her “get thee to a nunnery.” [3,1,138] By denying Ophelia’s love, Hamlet’s power in the relationship is effectively demonstrated, and it is shown he is in control of their relationship. In addition, this is reflected in Ophelia’s self-destruction, as she has no purpose to live a life without Hamlet or a man. Overall, Hamlet is successful in using his power over Ophelia for the sake of his
To put an antic disposition on” (1.5.58-60) but his sane mental state began to decay over time leaving him actually insane. As the play goes on, the role of madness becomes much larger and more crucial, and begins to sweep the spotlight from the other themes within it. Hamlet’s intentions of appearing “mad” did have an advantage in the play, which automatically impacted it. He basically simulated madness as a strategy to direct the suspicion of his plotted revenge elsewhere. It does not sound very complex, but his performance of madness ended up slightly distracting him from his plot rather than benefitting him.
After Hamlet talks to the ghost of his father, he finds out that Claudius killed him to gain the throne of Denmark. Hamlet has to get revenge by killing Claudius. To do this, he must act insane to draw away suspicion from himself. Hamlet says to Hortaio "How strange or odd some’er I bear myslef as I perchanse hereafter shall think meet to put an antic dispostion on,"(I;v;170-172), this indicates that from this moment Hamlet will act insane. He believes this way he will be able to kill the king and get away with it. Polonius becomes aware of Hamlet’s madness and wants to uncover the reason behind it. He says "Mad let us grant him then, and now remains, that we find out the cause of this defect, for this effect defective comes by cause."(II;ii;100-103). Claudius and Polonius spy on Hamlet and Ophelia as they talk. After hearing their conversation Claudius says "And I do doubt the hatch and the disclose will be some danger; which for to prevent, I have in quick determination thus set it down: he shall with speed to England"(III;i;163-166). This means that Claudius is starting to believe Hamlet is dangerous and wants to send him to England. From this point Claudius is very suspicious of Hamlet, he suspects that Hamlet is plotting against him, he says, "Madness in great ones must not unwatched go.
Shakespeare's play "Hamlet" is about a complex protagonist, Hamlet, who faces adversity and is destined to murder the individual who killed his father. Hamlet is a character who although his actions and emotions may be one of an insane person, in the beginning of the book it is clear that Hamlet decides to fake madness in order for his plan to succeed in killing Claudius. Hamlet is sane because throughout the play he only acts crazy in front of certain people, to others he acts properly and displays proper prince like behavior who is able to cope with them without sounding crazy, and even after everything that has been going on in his life he is able to take revenge by killing his father's murderer. In the play Hamlet by William Shakespeare Hamlet is sane but acts insane to fulfill his destiny of getting vengeance on his father's murderer.
During Act One, Scene Two, Hamlet admits to being depressed over the death of his father and mother’s remarriage. The death of Polonius does not even seem to bother Hamlet the slightest bit. Soon after he commits the unforgivable act of murder against Polonius, Hamlet says, “Thou wretched rash, intruding fool, farewell. I took thee for thy good” (3.4.32-33).
In the play Hamlet by William Shakespeare, the main character, Hamlet, is often perceived by the other characters in the play as being mentally unbalanced because he acts in ways that drive them to think he is mad. Hamlet may very well be psychotic; however, there are times when he “feigns insanity” in order to unearth the truth surrounding his father's death. This plan seems to be going well until Hamlet's mental state slowly begins to deteriorate. What began as an act of insanity or antic disposition transitions from an act to a tragic reality. After studying Hamlet's actions, one will notice that as the play progresses, his feigned insanity becomes less and less intentional and devolves into true mental illness.