Hamlet, a well-known Shakespeare play that revolves around the story of a Prince seeking revenge on his Uncle who murdered the King, and married the Queen. This production involves: romance, comedy, suspense, and most importantly is a tragedy. In the play, the Prince Hamlet, wants nothing more than to exact revenge on his Uncle Claudius for killing his father and marrying his mother Gertrude. Feigning madness and seeming clueless is the method he chooses to go about this plan. While supposedly feigning this crazy behavior, does he actually delve into the insanity? Yes, in my analyzation of the story, Hamlet progresses from faking madness to becoming someone who was truly mad. At the beginning of the play, Hamlet is already angered at his mother …show more content…
All of his dramatic acting, rebellious behavior, and deception that is occurring in their home is finally weighing down on him, in the worst way. “After all, who would put up with all life’s humiliations—the abuse from superiors, the insults of arrogant men, the pangs of unrequited love, the inefficiency of the legal system, the rudeness of people in office, and the mistreatment good people have to take from bad—when you could simply take out your knife and call it quits?” (Shakespeare lines 81-88). This quote shows how Hamlet was so conflicted whether to take his life or not. This is the lowest point Hamlet reaches emotionally before he starts to delve into actual insanity. Immediately after Ophelia appears, and she begins to question his behavior, “Hamlet: Or if you have to get married, marry a fool, since wise men know far too well that you’ll cheat on them. Good-bye. Ophelia: Dear God, please make him normal again!” (Shakespeare lines 140-143). This quote is following Hamlet’s decision to keep his life. He is not in his right mind after such a heavy subject was on his mind. Yet, he knows he must play his part in front of others, so this is the breaking moment for him. His ability to decipher what is wrong and what is right has …show more content…
“Hamlet: That’s what you women get when you trick us into marriage.—Let’s get started, murderer on stage, please!…stop fussing with the makeup, and get going. We’re all waiting for the revenge!” (Shakespeare 236-240). Hamlet throughout the play is loudly talking about what is occurring on stage, comparing it to revenge. He is so eager to get a reaction out of Claudius that he is “passionate” about the murder occurring on stage, even to the point that he would so freely talk about revenge. Hamlet will do anything at this point to get a reaction from his uncle Claudius. One of the prominent moments in Hamlet’s road to insanity is when Polonius is hiding behind a curtain, and Hamlet stabs him. Not only is Hamlet scaring his mother, Gertrude in this scene, “Gertrude: And how are you doing, staring into the empty air and talking to nobody? Your eyes give away your wild thoughts, and your hair is standing upright, like soldiers during a call to arms. Oh my dear son, calm yourself and cool off your overheated mind! What are you staring at?” (Shakespeare lines 117-122), but he soon after murders someone. He states after killing Polonius, “Hamlet: Now that I’ve killed this guy, I’ll be off in a hurry. I’ll lug his guts into the next room. Mother, have a good night. This politician who
Hamlet runs into Ophelia and angrily Hamlet denies having given her anything; he laments the dishonesty of beauty, and claims both to have loved Ophelia once and never to have loved her at all. Then Hamlet spits out nasty comments including, “Get thee to a nunnery. Why wouldst thou be a breeder of sinners?” (Shakespeare 3. 1. 131-132). He criticizes women for making men behave like monsters and for contributing to the world’s dishonesty by painting their faces to appear more beautiful than they are. This illustrates Hamlet shifting from sane to insane. During Hamlets talk between him and his mother he hears a noise behind the arras. Hamlet storms into the room and asks his mother why she has sent for him. She says that he has offended his stepfather. Hamlet accosts her with an almost violent intensity and declares his intention to make her fully aware of the profundity of her sin. Fearing for her life, Gertrude cries out. From behind the arras, Polonius calls out for help. Hamlet, realizing that someone is behind the arras and suspecting that it might be Claudius, cries, “How now, a rat? Dead for a ducat, dead” (Shakespeare 3. 4. 29). He draws his sword and stabs it through the tapestry, killing the unseen Polonius. This begins the starts his complete transformation from sanity to insanity. . Therefore, while Hamlet argues with his mother in her room after the dumb show he makes insulting
They decided to invite some of his college friends to watch over him. The Queen offered many thanks for their decision to watch him. “For the supply and profit of our hope, / Your visitation shall receive such thanks / As fits a king’s remembrance.” (2.2.24-26). Claudius asked Rosencrantz and Guildenstern to get answers out of him, making them seem more like spies than helpful friends. When Hamlet shows up to Ophelia’s house, seemingly mentally disturbed, Ophelia tells her father. Polonius decides to tell the King of Hamlet and Ophelia’s relationship that he thinks that may be the source of his problems. The King and Polonius set up a meeting between the two. Seeming to know he is being watched, Hamlet acts very wildly, leading them to believe Ophelia was not the cause of his insanity. The King is not impressed at Polonius. “Love! His affections do not that way tend, / Nor what he spake, though it lacked form a little, / Was not like madness. There’s something in his soul” (3.1.170-72). At this point, Hamlet has started his drastic decline in his mental stability. When he is called by the Queen for a talk, he over hears something behind the draped curtains and stabs through it, killing Polonius. His reaction is not what one would expect, as he does not feel any remorse. Hamlet simply states it was for the best and his bad luck. “Thou wretched, rash, intruding fool, farewell. / I took thee for thy
Upon learning that Ophelia has allied herself with Polonius and Claudius, he loses his head and has an incredibly dramatic episode. He is initially honest and open with Ophelia, but his mood quickly changes when he learns they are being spied on. He questioned Ophelia’s motives by asking whether she was honest and fair. He breaks her heart upon the realization she is not on his side. He tells her that he once loved her, then their conversation spirals into nothing more than Hamlet hurling insults at his former love before storming out.
Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his persona of seeming insane to the other characters. Hamlet comes up with the idea to fake madness in the beginning of the play in order to confuse his enemies. However, for Hamlet to fulfill his duty of getting revenge, he must be totally sane. Hamlet’s intellectual brilliance make it seem too impossible for him to actually be mad, for to be insane means that one is irrational and without any sense. When one is irrational, one is not governed by or according to reason. So, Hamlet is only acting mad in order to plan his revenge on Claudius.
Of course, by his delaying his revenge, the entire plot of the play goes in a different direction. Immediately after this scene Hamlet speaks with his mother, unknowing of the fact that Polonius is hiding behind a curtain in the room with them. When the Queen becomes frightened by Hamlet's irate demeanor she cries out for help, as does Polonius. Hamlet mistakes Polonius for Claudius and stabs him to death.
Displaying an 'antic disposition', Hamlet first attempts to side step his trepidation by feigning madness. After meeting with his fathers proposed ghost, Hamlet attempts to distance himself from the thought or evidence of death. Hamlet notifies his friends, Marcellus and Horatio, of his plan to distract the kingdom from his real intentions. Although Hamlet proposes this as a way to fool those in Denmark, in the last lines of his meeting with Horatio and Marcellus, he curses that this revenge be placed upon him. This is the first indication of Hamlets reluctance to perform murder. Hamlet then returns to Claudius and Gertrude, at the castle, and acts out his madness for them and for the visitor, Polonius. Upon speaking to Polonius, Polonius picks up upon Hamlets 'madness', yet decides that this unnatural nature is because if Ophelia's behavior toward Hamlet. Indication of Hamlets fear is presented when Polonius asks leave of the prince. Hamlet then states that Polonius can take anything from him, anything but his life. Hamlet repeats thrice this idea of taking anything 'except [his] life.' Not only does this indicate how compulsive Hamlets fake insanity is becoming, but how afraid he is of dying. During the 'To be or not to be' soliloquy, Hamlet contemplates his view of death. As he go...
Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full understanding of what is going on around him. Most importantly, Hamlet does not think like that of a person who is mad.
This quote tells the reader that from now on Hamlet is going to act crazy so he can free his father's soul and he wants Horatio and other guards to promise on his sword that they will not speak a word of this incident. He is not crazy but if he were truly crazy then he would not internally realize that he is mad, a crazy person usually doesn't realize they are going crazy, but it is others who realize because of his or her actions. In Hamlet's case, Hamlet knows he is "crazy" and his acting is beneficial for him because he is able to talk freely without having to hold anything back. If Hamlet were truly insane it would have caused him his own death, because usually when an individual is insane they are unaware of what they are saying and their actions are usually always made hastily, a quality that Hamlet does not seem to have.
Thesis: Although most people believe that Hamlet is suicidal at his point in the play, it is not until this soliloquy where the audience actually learns of Hamlet’s ability to judge based on his emotion and logic. Hamlet’s ability to endure suffering allows him to realize how valuable and precious his life truly is.
Hamlet throughout the play seems insane but in reality it is only an act to achieve his goal of killing his father's murderer. Hamlet chooses to go mad so he has an advantage over his opponent and since he is the Prince of Denmark certain behavior is unacceptable, so by faking madness he is able to get away with inappropriate sayings and actions. We can see this when he talks to Claudius, Polonius, Ophelia and his mother. When Hamlet talks to Horatio in the first act he says how he is going to "feign madness" and that:
Polonius takes this opportunity to spy on Hamlet and informs Gertrude that he will hide behind a tapestry and eavesdrop on their conversation. During their conversation Hamlet forces his mother in front of a mirror as to literally reflect on herself and the betrayal she’s caused him to feel. He tells her that he wants to reveal the figurative inmost part of her, but she takes this literally and thinks that he means he is going to murder her. She cries out for help which causes Polonius to cry out as well. Hamlet, thinking that the voice of the man who had just cried out for help belonged to his uncle, stabs Polonius through the curtain and kills him. Gertrude laments the murder of Polonius calling it a bloody deed and Hamlet retorts, “A bloody deed! Almost as bad, good mother, As kill a king and marry with his brother” (Shakespeare 1862). In this scene, Hamlet reaps revenge on Gertrude by emotionally torturing her so she may feel the utmost guilt for betraying her son and husband. Then, Hamlet’s unremorseful character is revealed in his ability to murder Polonius when he thought it was Claudius he had heard behind the curtain. Hamlet then justifies his murdering Polonius by equating it to Gertrude’s sin of marrying the man, her brother in law, who killed her
Hamlet’s revenge mission begins when he is visited by his father’s ghost who commands “Revenge his foul and most unnatural murder” (Shakespeare 1.5.31) after his father recounts the cause of his murder. From this point on, Hamlet begins to act mad in order to put his revenge mission into action. In fact, pretending that he has gone mental is all part of Hamlet’s plan to ultimately murder King Claudius. Furthermore, “Hamlet 's madness is an act of deception, concocted to draw attention away from his suspicious activities as he tries to gather evidence against Claudius…” (Mabillard). Therefore, Hamlet feigns a mental disorder so that he can prove that King Claudius is guilty and can therefore murder King Claudius. Hamlet seeks his revenge on the behalf of someone else, unlike Laertes who seeks revenge for himself. Nevertheless, Hamlet’s act of madness causes everyone around him to see him as having gone insane. Hamlet’s false insanity successfully convinces everyone that they should not worry about him because of his mental state and they are not concerned about him. Although few people concern themselves with Hamlet, King Claudius does after what King Claudius had observed in Act 3, Scene 2. Hamlet instructs the actors in a play that everyone is going to see to reenact the murder of King Hamlet. While that play is taking place, he is watching
Once Polonius informs Ophelia, his daughter, of Hamlet’s madness, Polonius directly goes to King Claudius and discloses that he has the reason for Hamlet 's madness. Gertrude answers, "I doubt it no other but the main,/ His father 's death and our o 'erhasty marriage" (Shakespeare 2.2 56-57). As Hamlet 's mother, Hamlet 's father 's wife, and Hamlet 's father 's brother 's wife, Gertrude is blind to all other reason that is not Hamlets father’s death and her quick remarriage. However, Polonius believes differently and tells Claudius how Ophelia obeyed his advice to "lock herself from his resort,/ Admit no messengers, receive no tokens...into the madness wherein now [Hamlet] raves" (Shakespeare 2.2. 142-149). Polonius presumes that Hamlet 's disillusioned love for Ophelia causes his madness. With not one person knowing Hamlet’s true inspiration, everybody’s opinion on his madness is biased. Gertrude bases her reason on Hamlet 's experience over his father 's death and her fault in her quick marriage with her son 's uncle. On the other hand, Polonius bases his reason on his knowledge of and interference in the relationship between his daughter and Hamlet. At first glance, Hamlet 's madness is regarded as innocent and thought to be from the problems that are already present. Nonetheless, with the assassination of Polonius by Hamlet, his madness interprets a different meaning. When Gertrude tells Claudius of this,
Hamlet has an enormous amount of stress placed on him by the events of his father’s death and his mother’s hasty marriage. Hamlet’s mentality is further stressed by his father’s appearance in the form of a ghost telling Hamlet the true cause of his death, “The serpent that did sting thy father’s life now wears his crown” (Shakespeare 1.5.38-39), and more importantly telling Hamlet to avenge his death and to never forget him (1.5). This must weigh heavily on Hamlet’s mind as he tries to bring himself to carry out such a corrupt act. As Javed describes Hamlet’s ordeal as, “having taken on unwillingly the task of the revenge whose narrower function may have been to avenge a wronged kinsman, but whose wider one was to purge from society the evil which it could not otherwise escape” (332.) The corruption of Hamlet’s character is tragic because as Polonius says: “the safety and health of [the] whole state” depends on him (Shakespeare 1.3.20). The first drastic demonstration of Hamlet’s corruption is shown when he finds Polonius hiding behind a curtain . Hamlet, who believes his uncle Claudius is spying on him, stabs at the curtain, inadvertently killing Polonius. As Dr. Topchyan describes this act, Hamlet does it in “unrestrained passion,” unexpectedly even for himself. His deed, dictated by the situation, is impulsive, not deliberate – an instinctive action, a desperate