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Essay on mother courage
Brecht's influence on theatrebrecht's influence on theatre
Themes in mother courage
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Inequity: The Struggle To Be A Mother In A Capitalistic Society
It would be unfair to judge Mother Courage based on a surface level glimpse of her actions; for though she repeatedly chooses her business over her children, it is only to survive in the capitalistic and war-impoverished society that they live in. Entangled in the dialectical relationship of being both a mother and a capitalist, Courage struggles to find a way to ensure the survival and well being of her children. Rorrison makes an excellent point in his statement, “Brecht intended her to be an object lesson in misplaced energy”; he is, of course, referring to her habit of choosing her business over her family. By including such situations where the limited options grow ever slimmer and the probability of a zero sum game rages on, the play demonstrates that though her actions and behaviors could have been different, the outcome for Mother Courage and her family would have been the same; it does this in order to both prove that capitalism is antithetical to human relationships as it only benefits the ones in charge and to also call for government reform.
Right from the start, it becomes apparent that Mother Courage faces unfavorable choices; when a sergeant and recruiting officer question the origin of her name, she explains, “They call me Mother Courage ‘cause I was afraid I’d be ruined so I drove through the bombardment of Riga like a madwoman, with fifty loaves of bread in my cart. They were going moldy, what else could I do?” (1.25) This last sentence is extremely significant because it pinpoints Mother Courage’s resilience to make capitalism work for her. Though she endangers her children by having them go along with her, she knows that it won’t only be her wh...
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...his quote, Brecht offers an insightful remark: “To be good, yet live.” How strange and counterintuitive it must seem that those with the most amiable qualities perish, while those that are corrupted by greed are left to survive. Of course, the individuals are not to blame, for they are merely a reflection of the society that they live in. Therefore, there needs to be change not just in the way society functions as a whole - in terms of capitalism- but how it serves the individuals that depend on it, so as not to create inequity between the two. Once this is accomplished, the poor will no longer “need courage” as Mother Courage mentions (6.77)
Works Cited
Brecht, Bertolt. Brecht on Theater. Ed. and Trans. John Willett. New York: Hill and Wang, 1964.
Rorrison, Hugh. "Introduction" Mother Courage and Her Children. Trans. John Willett. New York: Methuen, 2010.
Walton, Anthony. Hilda Solis. Kennedy, Caroline, ed. Profiles in Courage for Our Time. New York: Hyperion, 2002. 269-292. Print.
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
The mother is a selfish and stubborn woman. Raised a certain way and never falters from it. She neglects help, oppresses education and persuades people to be what she wants or she will cut them out of her life completely. Her own morals out-weight every other family member’s wants and choices. Her influence and discipline brought every member of the family’s future to serious-danger to care to her wants. She is everything a good mother isn’t and is blind with her own morals. Her stubbornness towards change and education caused the families state of desperation. The realization shown through the story is the family would be better off without a mother to anchor them down.
Biner, Pierre. The Living Theater. Takin' It To The Streets: A Sixties Reader, pp. 288-293. ed. Alexander Bloom and Wini Breines.
Kelley, Mary. Introduction. The Power of Her Sympathy. By Catharine Maria Sedgwick. Boston: Massachusetts Historical Society, 1993.
Wardle, Irving. "American Theater Since 1945." American Literature Since 1900: Penguin History of Literature, Vol 9. Ed. Marcus Cunliff. USA: Penguin, 1994. 205-236
Rowlandson, Mary “A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson.” The Norton Anthology of American Literature, Vol. A. Ed. Nina Baym. New York: W. W. Norton & Company, 2012. 257-88. Print.
Rappaport, Doreen. American Women, Their Lives in Their Words: Thomas Y. Crowell, New York 1990
History tends to applaud the heroics of men in war, but there are few examples that cite the courage women displayed. We need to be vigilant when we remember that women deliberately made the choice to fear for their personal safety and even risk their lives t...
Bertolt Brecht was a German playwright, theatre critic, and director. He created and developed epic theatre with the belief that theatre is not solely for entertainment but also tools for politics and social activism. Previous theatre performances offered a form of escapism. The audience would become emotionally invested in the performance. In contrast to the suspension of disbelief, Brecht never wanted the audience to fall into the performance. He wanted the audience to make judgments on the argument dealt in the play. The aim of epic theatre is to detach the audience from any emotional connection in order for them to critically review the story. The ultimate goal of this theatre is creating awareness of social surroundings and encouraging the audience to take initiative on changing the society.
The oppression of women in society plays a huge role in how mothers raise their young daughters for the cruel world that waits. In Jamaica Kincaid’s short story “Girl”, Kincaid lists multiple stereotypical roles of the “typical” women in her short text. Without question, Kincaid defines roles of women in a way that may seem sexist and put a strong limit on what women can and cannot do. Moreover, Kincaid’s piece does come to empower women and evokes various degrees of power, freedom and the control of women.
Liscio, Lorraine. “Beloved’s Narrative: Writing Mother’s Milk.” Tulsa Studies in Women’s Literature, Vol.11, No.1 (Spring, 1992): 31-46. JSTOR. Web. 27. Oct. 2015.
Theatre Journal 37.4 (1985): 426-439. Print. Wheeler, Kip. " Literary Terms and Definitions M." Literary Terms and Definitions "M" Carson-Newman University, n.d. Web. 12 May 2014.
Brockett, Oscar G., and Oscar G. Brockett. The Essential Theatre. New York: Holt, Rinehart and Winston, 1976. Print.
It is this notion which gives the capitalists the opportunity and the means to exploit people in the society, through their wants and needs for an easy, nonchalant lifestyle. The problem arises when we start seeing these capitalists as saviors - as rescuers, and sometimes even incarnations of God - who save the people under them, from the hardened, miserable, and volatile life which they may have lead otherwise. It is at this moment where we commit our biggest mistake: put in our trust, faith and our life in the hands of these capitalists. They hardwire such people - make them feel like a prince, where in reality all they are, are peasants being manipulated and controlled to fulfill the personal objectives of these capitalists. It is in moments like these, where a person must realize, that all these comforts - these resources, these status privileges, the capitalists trust in them - are all but ‘baits’, intricately thought of and designed to ‘lure’ an individual into the trap from which - despite tremendous efforts - if caught, it is extremely difficult to escape from. It is, in moments like these, where one must develop and possess the mental