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In his novel Tess of the d'Urbervilles, Thomas Hardy deals with issues of social and personal injustice through his use of poetic language and imagery. He characterizes Tess as a poor innocent country girl, who is victimized by the injustice of Victorian social law, the hypocrisy of social prejudice and the inequality of male dominance. Tess symbolizes a rural woman who is ruthlessly ravaged in a male-dominated world. Thomas Hardy’s depiction of Tess’s tragic fate evokes sympathy in her journey full of setbacks and mishaps.
Throughout the book, the reader finds Tess in various situations that result in her misery. Tess is born into a family of an alcoholic and an incompetent mother, an injustice in itself. Injustice is also displayed at Prince’s death, then again at his burial. Tess accidently kills the family’s horse Prince. Hardy makes Tess's reaction to the accident ironic, as Tess believes herself responsible for an event for which she had no control, furthermore, it is her father's irresponsibility that caused her to take the wagon to deliver the beehives. Hardy makes it evid...
By stoning Tessie, the villagers treat her as a scapegoat onto which they can project and repress their own temptations to rebel. The only person who shows their rebellious attitude is Tessie. She does not appear to ...
Prince’s death, the rape and her arrest all happen to her whilst asleep. The community and her unsupportive parents’ cold treatment towards Tess following these events emphasize the hegemonic male perspective of society towards women. Furthermore, Hardy shows how women are seen by society through the male gaze as sexual objects, as Tess is blamed for Alec’s lack of self-control. He attempts to justify his cruel actions as he calls Tess a “temptress” and the “dear damned witch of Babylon” (Hardy 316), yet he later says that he has “come to tempt [her]” (340). Tess is also objectified by Alec when he says that if Tess is “any man’s wife [she] is [his]” (325). The narrator’s repeated sexualized descriptions of Tess, such as her “pouted-up deep red mouth” (39), further demonstrate how women are commonly seen through the male gaze in
Hardy, Thomas. Tess of D'Urbervilles: A Pure Woman. London: MacMillan & Co. Ltd., 1953. Print.
Thomas Hardy sheds new light on the idea of the fallen woman. Throughout several of his works, he portrays the fallen woman through her own eyes, and, in doing so, presents a different perspective. Three of his works which establish this new perspective are the poem, "The Ruined Maid," and the novels Far from the Madding Crowd and Tess of the d'Urbervilles.
Tess, the protagonist and heroine of Hardy's novel, becomes a victim of rape and in turn, her life grows to become degraded, humiliating and depressing; of which none of these things she deserves. Although initially striving to be heroic and providing for her family, (after she was responsible for the death of Prince) the position she takes on at the d'Urbervilles' ultimately leads to her death as she is raped and then pursued by her seducer Alec d'Urberville until she must murder him. This courageous yet dangerous decision to murder Alec epitomises her character as a heroine as she is brave enough to perform such a malicious act in order to kill her suffering at the root rather than being passive and perhaps choosing to take her own life instead.
The most surprising thing is that her members of her family participated in her death. The death of this poor woman shows that women in the society are not allowed to fight for their civil rights, and they do not have equal opportunity as men. Tessie’s death is an evidence of ill treatment that women go through in our societies. In this case, her murder does not just look like a normal murder but the murder of a woman fighting for her civil rights. Her husband, who in a real sense is expected to support fully his wife shouted at her when she raised her voice saying that the lottery was unfair, and this shows; he says, “Shut up, Tessie” (Jackson, 5). This shows how women are desperate, and their position in the society is not recognized. Women have no one on their side and more so someone who they can depend on not even their family members and their fellow women. Women in this society are not allowed to have any opinion on what their husbands had to say or rather have to say anything. The position of women in the society is to be loyal to their men and their
The Victorian Age was a virtuous era, full of chaste women and hard-working men. As with any seemingly utopian society, there are the misfits: those who always seem to go against the grain. Hidden in the shadows of towns were bastardized babies and public outcasts. The flourishing literature of the era attacks the societal stereotypes and standards that make for such failures and devastating tragedies. In Tess of the d'Urbervilles, by Thomas Hardy, Tess Durbeyfield's initial loss of innocence brings her down to an insurmountable low, and the victorian society, of which she is a part, dooms her to a horrible fate with its "normal" shunning of her innocent misbehaviors. Tess' rapid downward spiral to her death is caused by the chauvinistic actions of the men in the story, solidified by society's loss of acceptance of Tess based on the actions taken against her, and brought to home by Tess' imminent doom to the rigid ways of the Victorian society.
Androgynous Characters in Thomas Hardy's Novels. Androgyny may be defined as "a condition under which the characteristics of the sexes, and the human impulses expressed by men and women, are not rigidly assigned" (Heilbrun 10). In the midst of the Victorian Era, Thomas Hardy opposed conventional norms by creating androgynous characters such as Eustacia Vye, in The Return of the Native ; the title character in Tess of the Urbervilles ; Sue Bridehead in Jude the Obscure ; and Marty South in The Woodlanders. Hardy's women, possessing "prodigious energy, stunted opportunity, and a passion which challenges the entire, limiting world" (Heilbrun 70), often resemble men in actions and behavior. Eustacia Vye may be considered androgynous for her passion, rebelliousness, and refusal to accept the confines of Egdon.
Victorian critics argued that Tess could not possibly be termed of as ‘pure’ after a downfall such as hers and should instead be labeled as a ‘Fallen’ woman. Hardy’s frank (at least for the time) depictions of sex, his criticism and questioning of religion and his doubt within the narrative were too denounced to such an extent that though the story did in the end bring him immense fame and fortune, its reception at the start caused Hardy to lose confidence and the novel was one of his last. In Tess of the D’Urbervilles, Hardy uses a variety of narrative techniques in order to convey his own impressions of the society in which both he and his character Tess lived. The narrative technique of an author in any novel is crucial to the readers understanding of the narrative. The way in which a novel is written influences the way in which the reader interprets the events which occur throughout the novel and allows the author to convey the feeling of time, place, and people in the society in which the author is attempting to impart to his or her readers.
Clarke, R. (n.d.). The Poetry of Thomas Hardy. rlwclarke. Retrieved February 1, 2014, from http://www.rlwclarke.net/Courses/LITS2002/2008-2009/12AHardy'sPoetry.pdf
In Hardy's novels, masculine identity is explored, evolving from the solid, monolithic, patriarchal role of the mid-1800s, to less typical, nearly feminine styles of manhood. With the increasing power of women during the Victorian Era, Hardy creates men who are in a state of ambivalence about their sexuality; they either reach for the well-worn stereotype of the "manly" man, or they attempt to explore their own complicated emotions, sensitive to the needs of the emerging New Woman. Though action in Hardy's novels centers predominately around the female, life is often seen through the eyes of the males in his works. The "typical" male is often associated with money, power, and prestige, while the realists and chaste men are almost "unmasculine" in thoughts and action, and frequently fall victim to the New Woman. By depicting a man like Henchard, who goes from being an obsessive power seeker to one who is, in a sense, "unmanned," Hardy shows readers the male identity which he tends to favor.
In order to decide whether her story is one of bad luck or bad judgement we need to look into closer detail at her account. Tess is introduced to the readers as a pure and innocent young lady dressed all in white, which symbolizes virginity and purity, whilst her physical appearance suggests a form of innocence and naivety. Hardy proposes that maybe her innocence and purity comes from her lack of experience with people, love and danger. This can be seen when she is exposed to new and different environments and forces. Hardy also introduces class and status very early on, Tess comes from a lower class yet she can make herself seem in a higher status due to her education.
Orel, Harold, ed. Thomas Hardy's Personal Writings: Prefaces, Literary Opinions, Reminiscences. Kansas: University of Kansas Press, 1966.
Hardy’s novels are ultimately permeated upon his own examination of the contemporary world surrounding him, Tess’s life battles are ultimately foreshadowed by the condemnation of her working class background, which is uniquely explored throughout the text. The class struggles of her time are explored throughout her life in Marlott and the preconception of middle class ideals are challenged throughout Hardy’s exploration of the rural class. Tess of the D’Urbervilles revolves around Hardy’s views of Victorian social taboos and continues to be a greatly influential piece from a novelist who did not conform to the Victorian bourgeois standards of literature.
Thomas Hardy is a very dramatic writer and conjures up scenes in the mind's eye of his readers. In the novel 'Tess of the d'Urbervilles' Hardy describes Alec and Angel's physical and personal characteristics making them more rounded characters and allowing the reader the ability to form complex emotions about them such as sympathy. Hardy uses the over spiritualised Angel to personify the average 'new' 1890's man. He rejects Christianity and embraces logic rather then the sensual. He therefore falls prey to his emotions.