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Archaeology and ethics arguments
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The 1981 Blockbuster film Indiana Jones and the Raiders of the Lost Ark (Indiana Jones) opened a window for the average person into the work of Archeologists, it also however exaggerated, distorted and fabricated aspects of the study. The characters in the film both succeed and fail, at various points, to uphold the ethical principles of Stewardship and Accountability set forth by the Society for American Archeology (SAA).
The film opens with our hero (Indiana Jones) navigating a temple, facing a creative array of traps in order to reach the temples heart and find an idol made of gold, after escaping the temple the hero finds that he was being followed by a rival archeologist (René Belloq) outgunned the hero runs and escapes narrowly with
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The first principle states “It is the responsibility of all archaeologists to work for the long-term conservation and protection of the archaeological record…” , the hero and villains of this film fall squarely on opposite sides of this principle. The villains and rival Archeologist reject this principle and proceed to try and manipulate and exploit archeology in order to benefit personally from the artifacts. On the other hand our hero wishes to preserve the integrity of the artifacts in order to study them and so that they may be enjoyed by all, though the hero’s methods can on occasion by some definitions cross the line and be harmful rather than beneficial to the history of the artifact and the Archeological Record. The second principle, Accountability, states “Responsible archaeological research, including all levels of professional activity, requires an acknowledgment of public accountability and a commitment to make every reasonable effort, in good faith, to consult actively with affected group…” , by this definition both sides of the film operated in a grey space as they had aid and guidance from local peoples but the artifact were of no particular significance to them, and neither side made an effort to understand the long-term impact this would have on the local population. The film rationalizes these oversights as acts meant to preserve the artifacts or acts to prevent a far worse
The second question frequently asked regarding Schliemann’s legacy examines his motives and skill as an excavator: was Heinrich Schliemann a good archaeologist? This question has two sides. First, did Schliemann use the best techniques and technology available to him at time of his first excavation? Second, did he have the same values that other archaeologists have?
The Climax of Indiana Jones and the Temple of Doom Steven Spielberg directed "Indiana Jones and the Temple of Doom" in. 1984. The 'Standard' of the 'Standard'. It is an action/adventure movie and is set in the year 1935. The The main character that plays a big part in the movie is Indiana Jones. Harrison Ford is an archaeologist with a difference.
The plot of Raiders of the Lost Ark has many notable themes throughout: religion, exploration, transformation, wisdom & knowledge, politics, and good vs. evil. Of these, one of the most prominent themes throughout is that of good vs. evil. In Raiders of the Lost Ark any character who stays in the movie either ends up on the good side (with Indiana Jones) or the bad side (with the Nazis). There is no in between. What makes this movie so unique is how close the bad guys actually come to achieving their goal of using the Ark for its powers. One of the most iconic parts in this movie when this happens is a scene where Indiana Jones and Marion are tied up and the Nazis have control of the Ark. It looks as though it will end in favor of the Nazi
The nineteenth century proved to be a big step toward exploring Pompeii and Herculaneum because Giuseppe Fiorelli introduced more scientific methods of excavating the site in 1865. Documentation and records were also carefully kept and finds were left in its original place. The ‘treasure hunting’ style was popular in the first century excavation on both Herculaneum and Pompeii. Paintings, mosaics, statues, columns, vases, and coins were looted and removed to be added to the collections of wealthy individuals and museums. For the most part, most of the objects were taken without the information such as location being
Rudolfo Anaya’s, Bless Me, Ultima and Guillermo del Toro’s, Pan’s Labyrinth are two coming-of-age stories. Both the novel and the movie are full of events that contribute to the disillusionment of the main character’s childhood idealism and the realization of the real world they live in. Both protagonists absorb themselves in a mythical world full of fantasy and each receives exposure to religious theology and trauma by the violence of men. Despite the fact that Antonio and Ofelia have different familial role models and travel along different paths, their childlike innocence, disillusionment, and initiation into adulthood comes about through similar themes: myth, religion, and violence.
Joseph Campbell’s “hero’s journey” is a common myth in global mythology. The hero’s journey is exactly what its name implies; a tale of a hero’s deeds and adventures. The stages and sub-stages that Campbell outlines as part of the journey are simply guidelines and don’t appear in every story, but this is what makes each story unique. Jeff “the Dude” Lebowski is not much of a hero himself, but his story certainly falls in line with the hero’s journey.
The beginning of The National Treasure is about a young boy (Benjamin Franklin Gates) finding an old book about the national treasure in their attic. His grandfather caught him looking at the book and brought him back into the living room. The grandfather started telling the young boy the story of the book but the boy’s dad came and made the little boy leave. Ben Gates grew up and searched for the treasure. Ben searched and searched for the treasure but all he's been finding was clues. He and a group of about 5 men found The Charlotte, a ship that’s a huge clue to finding the treasure. He found a pipe that said that there was an invisible map on the back of the Declaration of Independence. His partner, Ian Howe, wanted to steal the Declaration but he said no so his partner blew up the Charlotte. All but Ben and one other man left with Ben’s old partner before they blew up the ship. Luckily Ben and Riley Poole, his friend, got out safely. Ben and Riley Poole went around telling people who are trying to protect the Declaration about how Ian was going to steal it. He told them how there is an invisible map on the back but they all thought he was crazy.
White, Randy. "Indiana Jones and the Raiders of the Lost Ark." Common Sense Media. Common Sense Media, 11 Sept. 2005. Web. 18 Dec. 2013.
For years on end, countries have been fighting with big museums from other countries for ancient artifacts that belong to the original countries. The argument of whether or not the museums should be able to keep them still remains. It is the right of the country to have their own artifacts. It is imperative for countries to be able showcase their historical artifacts, therefor museums should return them to their rightful owners.
This can include valuable elements or artifacts belonging to a different culture, and can easily be a violation of their rights. In the 1981 movie, Raiders of the Lost Ark, Dr. Indian Jones seems to be a master of appropriating cultural artifacts coveted by other cultures. A scene that portrays this idea is the scene at the beginning of the film where Indy is determined to steal a golden idol from a South American Tribe. It is obvious by the many booby-traps that protect this idol, that the tribe members do not want this item out of their possession. Though its importance to the tribe is quite clear, Indy dodges the traps in order to retrieve the idol for his own motives. While he does not successfully get away with this mission, his little disregard for the tribe’s important artifact is definitely noted through his reckless attempt to retrieve
In “Whose Culture Is It, Anyway? ”, Kwame Anthony Appiah begins by pointing out that some of the museums of the world, particularly in the West, have large collections of artefacts and objects which were robbed from developing and poor countries. He then raises a question: who owns these cultural patrimony and properties? Our first answer may be that since they make up the cultural heritage of a people, they belong to the people and culture from whom they were taken. Appiah has doubt about this and argues that if some cultural artefacts are potentially valuable to all human beings, they should belong to all of humanity. He thinks that when they make contribution to world culture, they should be protected by being made available to those who would benefit from experiencing them and put into trusteeship of humanity.
The theme to Indiana Jones Raiders of the Lost Ark that the bad side never wins. Bellok and the Nazi’s are the bad side Indiana Jones is the good side he's fighting to keep the ark away from the Nazi’s because they want to use it as a weapon. Indiana wants to get it put it into a Museum. Indiana is the good guy he always has things going for him. Like how Bellok only had one side of the necklace imprinted on his hand didn’t even have the real thing and Indiana had the whole necklace with him so he could just use it whenever he wanted. Everything is always on Indiana's side like how he can always mess up or get stuck or lost he always found his way out from any situation. Like when he had to fight the big bald man if the man hadnt been chopped
SHA, and other archaeological societies, institutions, scholars and archaeologists find it hard to conduct or even to get involved in such shows that are produced for the entertaining of fans and also for gaining revenue. The Society for American Archaeology (SAA) is working on clearing-house project that will help in building public awareness about archaeology and the way it is practiced, therefore the project is seeking input from professionals and the interested public, in order to share and contribute information and
On June 6, 1943, in Greenbow, Alabama, an unexpected hero was born with a crooked spine and strong legs. Forrest Gump is not an expected conventional hero, however his accolades and accomplishments suggest otherwise. A hero is someone who inspires and instills good morals upon others by their courageous and outstanding acts. Forrest demonstrates these characteristics multiple times during his heroic journey. Whether it be diplomatic pingpong, fighting in the Vietnam War, becoming a local football legend at the University of Alabama or donating money to a deceased friend’s family, Forrest influenced many people with his unselfish and charitable acts. Joseph Campbell’s monomyth consists of the following stages: taking place in an ordinary world, a call to adventure, refusal of said call, meeting with a mentor, crossing the threshold, trials and tribulations, an approach to the final challenge, an ordeal, a reward, the journey back, a purification or resurrection into the normal world and a return home with the capabilities to alter the world in which he lives. Many heroes follow this journey and Forrest Gump is no exception.
There are museum professionals who believe that “restitution of iconic objects may impact a museum’s core collection, undermining its educational mission, and may potentially damage relations with supporters who assisted key acquisitions. Another argument is that repatriated objects may be put at risk or become inaccessible for research purposes.” Museum’s public reputation is important, but museums can repatriate objects and keep their community standing by being creative and making compromises. Green also believed