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The penal colony essay
The penal colony essay
The penal colony essay
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Many interpretations have been given to Kafka’s “In the Penal Colony”. However, it seems the when evoking the parallel assertion between “In the Penal Colony” and religion critics tend to reject this thought. Doreen F. Fowler, states in “In the Penal Colony: Kafka’s Unorthodox Theology”, that the reason for such critical rejection is, “A coherent interpretation of the biblical symbols in the story, in which all parallels function meaningfully, presents an unorthodox and uniquely personal vision of traditional theology”(113). Kafka’s inversion of traditional theology is evident and, although clearly unorthodox an analysis that discards the possibility of biblical symbols in “In the Penal Colony” is a contradictory interpretation of the text it self.
In order to expose the essential biblical symbols found in “In the Penal Colony”, Fowler briefly reconstructs major narrative developments. The first, and most evident biblical symbol is found in the commandments of the penal colony. The old commandment implemented a bizarre and merciless system of justice, which is clearly exemplified in their basic and guiding principle “Guilt is always beyond a doubt”(Kafka7). This guiding principle serves as the matter of punishment on how the sentence is carried, in which the officer gives a detailed reason to why the condemned man does not know his sentence, “It would be useless to give him that information. He experiences it on his own body”(Kafka7). The implementation of this principal tenet as said by the officer, is done by the “Apparatus” the deadly machine that inputs justice on the body of the condemn man. In this stage is evident that the intrinsic value of the old commandment is as Fowler states, “human existence is essentially character...
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...and most bizarre corners of humanity. Perhaps it is now unquestionable that in, the bible, and “In the Penal Colony”, Christ and the officer both die for a different reason. The bible affirms that Christ’ self-sacrifice freed humanity from all sin. On the contrary in “In the Penal Colony”, the officer does not die to free man from all guilt and suffering but to affirm its necessity. Fowler interprets the Christ figure connection as, “Kafka’s analogy in order to affirm that only by such suffering and death is human sinfulness to be overcome”. Finally these are the words that put in evidence the vision and unorthodox meaning of these biblical parallels. The biblical symbols that pervade Kafka’s, “In the Penal Colony” are undeniable, and it is inaccurate to discard the implicit biblical analogies due to Kafka’s unique personal criticism of the world itself.
In Kafka’s The Penal Colony, the machine is both a symbol of imagine and literal power which also reminds me of the machine that is mentioned in Karen Russell’s Reeling for the Empire who also illustrated it as an embodiment of power. In both stories, the two machines are inanimate objects but for some reason they possess this power and seen as almighty objects even though they aren’t human. In The Fine Line, Zerubavel states that “It is the fact that it is differentiated from other entities that provides an entity with a distinctive meaning as well as a distinctive identity that sets it apart from everything else.” I believe that it means that power, control, and borders only exist if people believe in them.
The novel The Interesting Narrative of the Life of Olaudah Equiano exists as an extremely important work in the abolitionist movement in England. As an 18th century narrative written by a former black slave the novel provides a glimpse into the lives of the African slaves involved in the slave trade as well as the slave traders themselves. Even with the controversy over the authenticity of Equiano’s claims on his origin in Africa and his subsequent voyage through the Middle Passage, this novel serves as a powerfully instructive piece of literature. Throughout the novel Equiano strives to impress upon the reader a certain set of moral standards or ideals that he desires to instruct the reader about. One such moral ideal that is prevalent throughout the entirety of the novel is Equiano’s construction of the idea of the value and worth of the African slaves, as opposed to the view of the African slaves as simply commodities or objects to be purchased and traded. Equiano argues and presses the reader and his audience to recognize that the African slave and the white slave owner are not as different as his audience may believe. In order to proclaim and showcase this idea of the value and worth of African slaves, Equiano uses the Christian religion to develop and sustain his argument. In many cases during Equiano’s time period, and for a while afterwards, Christianity and the Bible were used in defense of slavery, and this fact makes Equiano’s claim more powerful and groundbreaking. One of the key attributes of the novel is Equiano’s spiritual conversion and religious revelations. I believe that Equiano’s Christianity serves to connect him with his audience, increases his credibility as an author, and ultimately proclaims the disparity ...
“The Ordinary of Newgate’s Account” document discusses the themes of crimes and punishment from this course, by giving an insight into the penitence of those who are condemned to death in the Newgate Prison. The focus will be on the crimes that the prisoners committed, the connection of sin and crimes, and proper penitential behavior. In England during the eighteenth century, religion played an important part of people’s lives due to the reason that it provided a moral and behavioral structure. The concept of original sin and the temptation of the devil played heavily in people’s minds. This was one of the explanations why crime happened in England until it shifted from the devil to idleness as a reason why it happened.
...are confronted with the question of moral absolutes, we are forced to wonder when and to whom justice truly applies. Hopefully, we will look at our world and our ideas of right, wrong and retribution in different ways, ways that will enlighten and enrich our lives, and the those of the an audience of readers 2,000 years from now.
When the slaveholders transfer this fear by corrupting something they revere, religion, slavery’s perversive power is shown in horrifying clarity. The slaveholders will stop at nothing, they will leave nothing untouched and unsoiled if it means the preservation of slavery. Slavery isn’t just a physical and mental burden upon the slaves it imprisons; it is a moral burden on the entire society in which it exists. Jacobs’ depiction of religion in the South throughout the Incidents reveals it to be much more than merely a place to gather and express beliefs; it is yet another tool owned and used by slaveholders to strengthen the system of slavery.
In “A Hunger”, “The Penal Colony”, and Metamorphosis by Franz Kafka, Kafka succeeded in showing his individuals as obsessed with their profession; however their obsession caused their doom because society asks so much from an individual, only so much can be done. However, regardless of that, these individuals choose their work over themselves, and not even bad health or death can stop them. Because society places immures pressure on Kafka’s work obsessed character, they neglect their well-being and cause their own downfall.
Sokel, Walter H. "Franz Kafka." European Writers. Ed. George Stade. Vol. 2. New York: Charles Scribner's Sons, 1992. 847-75. Print. European Writers. Ward, Bruce K. "Giving Voice to Isaac: The Sacrificial Victim in Kafka's Trial." Shofar 22.2 (2004): 64+. Literature Resource Center. Web. 1 Oct. 2013. .
The author’s purpose is to also allow the audience to understand the way the guards and superintendent felt towards the prisoners. We see this when the superintendent is upset because the execution is running late, and says, “For God’s sake hurry up, Francis.” And “The man ought to have been dead by this time.” This allows the reader to see the disrespect the authority has towards the prisoners.
In the eighteenth century, many people believed that society could not function properly without religion, even though the thought of the time was heavily based off of antireligion. The popular and institutional religion differed greatly in the eighteenth century. Churches still remained to be a big part of everyday life. Parish church kept records of births, deaths, and marriages, provided charity for the poor, supervised whatever primary education there was; and cared for orphans. Catholic and protestant churches were conservative institutions that upheld society’s hierarchical structure, privileged classes and traditions. Protestant religions were considered to be more conservative the wealthy people ran them,
Ian McEwan illustrates a profound theme that builds details throughout the novel Atonement, the use of guilt and the quest for atonement are used with in the novel to convey the central dynamic aspect in the novel. McEwan constructs the emotion of guilt that is explored through the main character, Briony Tallis. The transition of child and entering the adult world, focus on the behavior and motivation of the young narrator Briony. Briony writes passages that entail her attempt to wash away her guilt as well find forgiveness for her sins. In which Briony ruined the lives and the happiness of her sister, Cecilia, and her lover Robbie. The reality of the events, attempts to achieve forgiveness for her actions. She is unable to understand the consequences of the actions as a child but grows to develop the understanding of the consequence with age. McEwan exemplifies an emotional novel that alters reality as he amplifies the creative acts of literature. In this essay I will be arguing that, the power of guilt prevents people from moving on from obstacles that hold them in the past.
Amerika begins with a corrupted ideal of America as the land of redemption. Karl goes abroad because he has inadvertently impregnated a servant; he is sent away to escape from paternity charges and his societal sin. Parallels can be drawn between Karl and the biblical Joseph, who also must leave his home because he is similarly blamed for an older woman's sexual advances. When Karl arrives in America, he is greeted by a bright light: "a sudden burst of sunshine seemed to illumine the Statue of Liberty, so that he saw it in a new light. (3)" This can be likened to the Israelites' exodus, which is guided by a pillar of fire: "And the Lord went before them by day in a pillar of a cloud, to lead them the way; and by night in a pillar of fire, to give them light. (Exodus 13:21)" However, a crucial difference between the biblical guiding light and Kafka's is that, despite its brilliance, the latter illuminates a foreboding entrance---the Statue of Liberty holds a sword instead of a torch. Despite this detail, America, for the moment, remains a landscape of freedom: "The arm with the sword rose up as if newly stretched aloft, and round...
So powerful is the compulsion of the law, that even if a man slays one who is his own chattel [i.e., his slave] and who has none to avenge him, his fear of the ordinances of god and of man causes him to purify himself and withhold himself from those places prescribed by law, in the hope that by so doing he will best avoid disaster.
...ntryman, has come prepared to influence the gatekeeper into giving him a chance to pass. Despite the countryman’s determination the gatekeeper does not provide for him the authorization, abandoning us to feel that one cannot buy access to God. On the other hand, it ought to be expressed that the gatekeeper takes the valuables offered by the countryman, which is somewhat similar to the way religion asks individuals for “indulgences” in order to reach alleged salvation. Put differently, Kafka is contributing his critique upon the idea to which individuals have systematized religion and most significantly changed its immaculate and profound importance. Also, in the event that we may look upon the character of Law as being God, the gatekeeper as being a modernized servant of God, and the countryman as an individual in search of God; the parable seems to make some sense.
If Kafka thought he had confronted and dealt with his faults, then there was no reason the engagement should not have worked out happily when resumed. But, like K., though he thought he was aware of and owned up to his own faults, he was still convicted for his denial and the engagement was again broken off. The Trial is Kafka’s exploration of the extreme consequences of denying one’s own guilt and thus one’s own humanity. In some senses, it serves as a warning, or a sort of parable of its own, and in others it is simply an expression of anguish. The story serves to warn against thinking so highly of oneself that we only interpret infractions of the outright law as guilt.
ii Kafka, F. The Trial. Translated by Willa and Edwin Muir. Introduction by George Steiner. New York, Schocken Books, 1992, 1.