An essay written in 1966 by a Franco-Bulgarian historian named Tzvetan Todorov states that every masterpiece creates a whole new genre, while still obeying the previously valid rules of the genre. In summary, every book institutes the existence of two genres: that of the genre it violates, which dominates the universal literature, and that of the genre it creates. Since its publication in 1965, Truman Capote’s In Cold Blood has held an exclusive seat in American literary history. His augmentation to the genre of journalism, which he tagged the “non-fiction novel”, was the first cognizant pursuit to use novelistic devices while sticking to the protocols of journalism to spawn a new literary art form. Due to it’s distinctiveness and capacity to tell a story, In Cold Blood is an American classic.
In 1959, Capote set out to create a new literary genre - the non-fiction novel. He came across the Clutter murders while flipping through The New York Times. The article briefly outlined the quadruple murder of Herb Clutter, a wealthy Kansas farmer, as well as his wife and two kids. Capote pictured the case as the perfect subject for his upcoming project, which he specified as a long-form work of nonfiction. Capote was accompanied by his childhood friend and author of To Kill a Mockingbird, Harper Lee. Lee, familiar with small-town life, gained the trust of Holcomb’s citizens faster than Capote ever could have, whose bombastic and flowery demeanor set him apart at the time of murders.
Despite Capote’s difficulty to mesh, the book was nonetheless an immediate sensation. There are several reasons why In Cold Blood was successful. The meticulousness of Capote’s writing is demonstrated in the very first sentence, “The village of Holcom...
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... to formulate the kind of legacy reserved only for the most influential literary masterpieces. Capote’s book remains one of the most compelling works of literature of the twentieth century, both for its fusing of journalistic and belletristic storytelling, and for its remarkable observation into the nature of evil in America. Its impact was, and still remains, monumental. Capote’s alluring ability to bemuse his reader despite a subject matter as doleful as this is something to ponder. He had the power to galvanize compassion and apprehension in equal part. The book’s suspense, despite readers knowing the outcome of the book from the start, is largely based on the obligation of gory details, and the concealing of them until the very end.
Works Cited
Malin, Irving. Truman Capote's In Cold Blood: A Critical Handbook. Belmont, CA: Wadsworth Pub., 1968. Print.
Imagine staring at a breathtaking landscape, where it feels like time could go on forever. Now, imagine being late for an important event where it feels like the clock will not stop ticking and the numbers move with every glance. With the sentiments of these two emotions in mind, Capote exemplifies both of the essences of these situations throughout In Cold Blood through his use of syntax. He can take the reader through his long and drawn-out syntax to describe settings or characters extensively, creating a timeless and descriptive scene; however, he also creates a change of pace at the climactic moments of the book by modifying his sentences to become shorter. Therefore, the syntax that Truman Capote uses throughout In Cold Blood is used to change the tone and pace of the story to help elevate the significance of the plot.
Capote in his book In Cold Blood set out to create an image of the murders and their motives with the use of rhetorical devices. He uses certain devices, such as diction and syntax to give each character their own distinct personality and also develops their characteristic and tendencies as a person as well. Capote also brings the characters to life with the switching of tone between them and with the things they say about themselves and events going on in the story. Another way Capote develops the reader's perception of the murderers was by the use of imagery to draw the reader a picture in their minds to what the character would look like face to face. With all of these combined he gave each murderer their own personality and views, ultimately
Lee traveled with Capote to Kansas and helped get the locals to open up to him. She sat in on interviews and hearings, took 150 pages of notes, and also provided moral support to her friend. Despite this, Capote downplayed her contributions, and relegated her to the dedication page on his finished novel. Lee 's feelings were hurt, and as time went on, she and Capote grew apart. Recent evidence of Lee 's loyalty to Capote has surfaced with the discovery of an article on the Clutter piece that she wrote five years before In Cold Blood was published. In order not to step on Capote 's toes, Lee published the article
In an excerpt from “In Cold Blood”, Truman Capote writes as an outside male voice irrelevant to the story, but has either visited or lived in the town of Holcomb. In this excerpt Capote utilized rhetoric to no only describe the town but also to characterize it in order to set a complete scene for the rest of the novel. Capote does this by adapting and forming diction, imagery, personification, similes, anaphora, metaphors, asyndeton, and alliteration to fully develop Holcomb not only as a town, but as a town that enjoys its isolation.
Truman Capote establishes respect and trust in what he writes from with audience, ethos, through the use of an extensive variety of facts and statistics, logos. Capote uses so many dates, times, and other facts about the crime committed in the book and the subsequent investigation that the reader has to believe what the author is writing. The use of all these facts shows that Capote did his research and he interviewed, questioned, and obtained the opinions of every person that even slightly important to crime itself and the investigation/trial. The author is obviously very meticulous when it comes to dates and times; every important event in the book has a date and sometimes even a time of day to go with it. Some examples of dates included were the day of the murders (November 15th, 1959), dates of when Perry and Dick were here or there (December 31th, 1959- a small restaurant in Texas or noon on December 25th, 1959- beach in Miami Florida), date when the two criminals were apprehended (January 1st, 1960), dates when they were brought from this prison to that one and finally when they were brought to death’s row (April, 1960). Other small facts are also used by the author, like facts about the criminal’s early lives or experiences that they had, which could only have been obtained through extensive interviews with Perry and Dick. The use of all these logos by Capote establishes strong ethos, showing the reader that the author did more than enough research to show that he has the knowledge to write a whole book on the subject.
The film Capote, based on the how the writer of “In Cold Blood” did his research to write his book, a masterpiece of literature, has portrayed Capote’s behavior during his research vividly. Capote’s behavior during the years Perry waits on death row in order to get personal testimony of the night of killings is a controversial topic. Some argue that what Capote did was absolutely necessary for an ambitious writer to create such a master piece while other argue that human ethics is more important than the creation of an ideal “non-fiction noble” and the paths he took to get there are morally ambiguous. Even though he gave the world a milestone in literature, his behaviors seem unethical because he lied, pretended to be a friend of an accused murderer who was in a death row, and did not have any empathy to him.
This novel takes place in Holcomb, Kansas. The Clutters live in the area, on River Valley Farm. It is very clear from the introduction of the book that they are going to be murdered. The story threads between this family and Perry Smith and Dick Hickock. The Clutters go on about their daily activities, having no idea what is to come. Dick and Perry slowly make their way towards the Clutter farm, with an evil plan to carry out. As they make their way to the farm, the duo make stops for supplies. Perry is shown to have came for parole, but not finding an old friend, he agrees to work with Dick. Capote goes back and forth between characters, with no correlation, only to who is the most important at any given time during the case. Dick and Perry eventually arrive at the Clutter home.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
In 1966, Truman Capote published the novel In Cold Blood that pierced the boundaries of literary genres, as he narrated the events of the 1959 Clutter family massacre in the small town of Holcomb, Kansas and the quest that took place afterwards through the perspectives both the murderers and those looking for them. As Capote bends these genre normalities, he ventures with the killers and the detectives and describes the murderers’ lives in-depth to further characterize Dick Hickock and Perry Smith--their psychological states and the possible contributing factors to their undeniable personality disorders. The two killers are ultimately diagnosed by a mental health professional with mental illnesses rather than chronic personality disorders,
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
In November 15, 1959, Richard "Dick" Eugene Hickock and Perry Edward Smith were motivated to kill four members of a highly well- respected family for a safe that supposedly contained thousand dollars. The gruesome murders of the Clutters occurred on an isolated village located in southern west of Kansas, which provoked members of the community to begin to suspect whether someone in Holcomb committed such action since the crime appeared to be senseless. Truman Capote, author of In Cold Blood, explains how the people in the village were tormented and devastated because of the murders that took place. Capote emphasizes the result the murders had on Holcomb by using dashes to describe the scene and setting.
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
In the nonfiction novel, “In Cold Blood” by Truman Capote, the author tells a story of the murderers and victims of a slaughter case in Holcomb, Kansas. Instead of writing a book on the murder case as a crime report, the author decides to write about the people. The people we learn about are the killers, Dick and Perry, and the murdered family, the Clutters. The author describes how each family was and makes the portrayals of Dick and Perry’s family different from the Clutters.The portrayal of the Clutters and of Dick and Perry’s families, was used to describe what the American Dream was for each character. In the beginning we learn about what type of family the Clutters were and how they represented the American Dream for the people of Holcomb.
Gerald Clarke, ed. Too Brief a Treat: The Letters of Truman Capote. New York: Random House,