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Antony and cleopatra a level literature ao5 critical analysis
Antony and cleopatra analysis
Representation of rome and egypt in antony and cleopatra
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Impressions of Egypt and Rome in First Two Scenes of Antony and Cleopatra In the first two scenes of Antony and Cleopatra, we are introduced to Egypt and Rome through the images and language used by the characters in the play. Although the contrast between the two countries is emphasised, we are also shown the way in which the two cultures are often merged by the presence of the Romans in the Egyptian environment. Egypt is predominantly presented to us as a liberal, hedonistic society, where precedence is given to banquets and pleasure-seeking, and it is full of female characteristics. On the other hand, Rome is an extremely masculine, military-based society. Importance is placed on discipline and physical strength, as opposed to the self-interest which they see so much of in the Egyptian court. Egypt is ruled by a Queen, which in itself is very significant as it demonstrates the female-domination of Egyptian society. Cleopatra occasionally mentions her dislike of the Roman ways, "A Roman thought hath struck him," which shows the distance between the two cultures, and suggest the Roman thoughts are violent and harsh. In fact, all the Egyptians we have so far been introduced to are female, with the exception of the Alexas, who is taunted by his female counterparts. "O, let him/marry a woman that cannot go," Charmian playfully prays that he will unable to consummate his marriage. We are also told of the eunuchs, who have been castrated, and so had their male identity removed. This suggests the sexual ambiguity in the court, and implies that masculinity is not important. The Egyptians are very sexually motivated and aware; they are... ... middle of paper ... ...enced by Cleopatra's patronising speech, and creates the typical Egyptian imagery in a Roman context. He also says, "Not a minute of our lives should stretch/Without some pleasure," which is a very hedonistic, Egyptian idea. Even Enobarbus is influenced in his cheerfully erotic comments to Antony, "I have seen her die twenty times on far poorer moment." All in all, the way in which Egyptand Rome are portrayed in the first two scenes of Antony and Cleopatra is designed to highlight the contrast between them, by describing the mutual contempt between them. The Romans dislike the self-interested, indulgent Egyptian society, whilst the Egyptians have no respect for the Roman self-imposed discipline. However, the two cultures do have an affect on each other, and it is interesting to see how they respond to this influence.
Changing social habits of a contemporary society have seen Cleopatra depicted in many different ways. Whilst few artefacts remain of the true image of Cleopatra, we see from her portrait on the coins (Fear, 2008, p, 21 Fig 1.4) that despite being no legendary beauty, she had the power to captivate two of the greatest Romans of her time. Cleopatra consummated her union with Julius Caesar, which strengthened her grip on the throne, following his assassination; she formed alliance with Mark Antony, in opposition to Octavian, a coalition that would lead to her downfall as both Antony and Cleopatra’s combined forces would be defeated against Octavian in the battle of Actium in 31 BCE. (Fear, 2008, p.7)
The Romans were immensely furious with Cleopatra and had primary influence over what sources were left behind about her. So certainly this is going to lead to biases and inaccuracies in the depictions we have. Furthermore, we are all well aware of how Hollywood likes to dramatize and embellish stories in order to generate ticket sales and is not worried about the accuracy of the historical anecdote. Because of this and her popularity, our knowledge of Cleopatra has been flooded with twisted truths. When examining Cleopatra’s full reign beyond her love affairs, reveals Cleopatra put all of her effort forth in order to solve the conflict between Egypt and Rome and should be recognized for her masterminded and commanding leadership
middle of his orchard on the morning of the ides of march the day that
In conclusion, The Aeneid’s lovers and Antony and Cleopatra are both tragic tales with many connections to each other. They share a common theme of a patriotic, heroic man having to choose between duty to his country and the passionate love of a beautiful, foreign and strong queen. Then on the otherside, they both depict a powerful and noble queen who is able to overcome the rampant patriarchy in their cities and rule with a firm loyal hand.
Despite Egypt’s provincial annexation to Rome after her death, Cleopatra managed to keep the Romans at bay for nearly twenty-two years. Unfortunately, much of her achievements have been disparaged and attributed to the utilization of her sexuality. To add, her image as a competent female ruler has been further distorted by the media and literature alike. Much of this misrepresentation can be accredited to the scarcity of reliable and unbiased accounts about her life. The Romans were afraid of Cleopatra’s power and the alliances she created with their generals. Therefore, accounts of her life in Roman scripture are not particularly in her favor.
Cleopatra was the only woman in all classical antiquity to rule independently, known for her charm and irresistible beauty, but also for being a ruthless and passionate leader who seduced Julius Caesar and Mark Antony. Depictions of Cleopatra, ranging from the propaganda of the time period, to portrayals in modern popular culture, as well as in historical written and archaeological sources, have differed for several reasons. The three primary reasons for these differences are gender bias and subjectivity, the social/historical context of the time period and varying political propaganda purposes.
and indeed states that he is "a man who is the abstract of all faults
Our Minds was bright as Zeus lightning bolts, meaning our brains was huge and we was so full of ourselves. We decided to expose ourselves to sea-trading and trading culture. Becoming a dynamite culture in the process.
The reign of Cleopatra. Westport, Conn.: Greenwood Press, 2004. Print. The. Grant, Michael.
During the play “Julius Caesar” by William Shakespeare two characters, Mark Anthony and Marcus Brutus gave speeches at the funeral of Julius Caesar. Both had great use of persuasive strategies and convinced the crowd to their point of view. Only ,one character was more persuasive than the other and had a better use of rhetorical devices. And that character was Mark Anthony. Although Brutus gave a great speech Anthony had a better use of logos, parallelism and ethos along with the blessing of going after
Throughout William Shakespeare’s Antony and Cleopatra, there is the dichotomy of the hard-working political life of Rome and the luxury and pleasures of Egypt. The effect of the difference between the two places on the main characters, and on the plot, is a key theme throughout the play.
Shakespeare’s Presentation of Rome and Egypt in Antony and Cleopatra As the title clearly suggests, Shakespeare’s Antony and Cleopatra is based around the extraordinary relationship among two distinctive individuals, one a Roman general and the other an Egyptian queen. Along with Caesar who is also a Roman general, these entities dominate the play’s tragic storyline progression. However whilst Antony and Cleopatra centres around a provocative love affair, Shakespeare makes it evident that there is a good deal larger tensions involved, a collision course between two worlds. Antony and Cleopatra details the conflict between Rome and Egypt, it demonstrates the differences between Eastern and Western cultures, however it does not make a clear statement over which culture ultimately triumphs.
In Shakespeare's tragedy "Julius Caesar" the two speeches subsequent to Caesar's death were made by Brutus and Mark Antony. The first made by Brutus, in which he states "If then that friend demand why Brutus rose against Caesar, this my answer: not that I loved Caesar less, but that I loved Rome more" which implies that he's trying to make things up, to "make things right"; lessen the blow of Caesar's assassination by giving excuses as to why he did what he had done with the conspirators. In his speech, it wasn't much of an apology but just full of lies, and excuses to try to cover up their remorseless actions so they wouldn't get instantly attacked by the whole population of Rome. In Mark Antony's speech he isn't allowed to say anything against
Antony. Shakespeare proves this play a tragedy by selecting characteristics of ill-fated lovers in Antony and Cleopatra. Poor Antony turns victim to Cleopatra's enslavement, and forgets his duties in Rome. Antony is a disgrace to his Roman self, and "loses" himself to dotage" of Cleopatra. He also forgets of his marriage to Caesars sister Octavia flees back to Egypt, to Cleopatra.
What complicates the analysis even further is the fact that once Cleopatra finds out who he is, after initially addressing him with thee/thou, she switches to you. This switch occurs whilst she is saying that Antony told her that she could trust him. Her switch of pronoun, therefore, may indicate that she now regards him as an equal or as an inferior. Alternatively she could be creating distance between them as she is unsure of Caesar’s intentions for her.