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Identity in english literature
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J. M. Synge is one of the most prominent Irish writers of the twentieth century; his writing characterizes a broad, multifaceted range of political, social and religious anxieties shaping Ireland for the duration of its most remarkable period of change, which transformed the place from a relatively peaceful country to a more political and aggressive location. The picture Synge creates shows us that the question of identity relating to Ireland is problematic; however it has produced and provoked some of the greatest literature of the century. As G. J. Watson has asserted: "However painful the question of identity may be for the Irish in real life, it has functioned, deeply embedded as it is in the Irish political and literary situation, as a superb catalyst to the production of some of the great art of the century, reaching out of Ireland to the world." Synge's upbringing was a catalyst for him to explore various tensions in Ireland through his writing. He was born into a family which was firmly grounded in the middle class, was landed and had: ."..produced five bishops since their arrival in Ireland in the seventeenth century." Synge was a secluded man who rooted his plays in community life; paradoxically his plays also explore the notion of isolation: ."..torn between the desire to identify and merge with a community and the desire to assert the distinguishing and defining values of the individual self." His life and work may consequently be seen as definitive of the circumstances and struggle of the Ascendancy writer in Ireland. Playboy of the Western World deals with the notion of cultural nationalism; this in itself brings out stereotypes and archetypes - the Irish view of themselves. The Irish a... ... middle of paper ... ...ropensity to be the trademark of personal attributes. Synge shows us the worry between the attraction towards society and towards individuality. Synge may have wanted to be a part of society; however he was never fully integrated; and this is an aspect of his writing we see in Playboy of the Western World through the character of Christy. Synge's use of the language clearly demonstrates his love for it. He shows us how it is in Ireland without mocking it. Bibliography Primary Text Synge, J. M. Playboy of the Western World. Irish Writing in The Twentieth Century. A Reader. Ed D. Pierce. Cork County Press. 2000. Secondary Text Watson, G. J. Irish Identity and the Literary Revival. Harper and Row 1979 Innes, C. L Woman and Nation In Irish Literature and Society. Harvester-Wheatsheaf 1993 McDonald, R. Tragedy and Irish Literature. Palgrave 2002
Irish American Magazine, Aug.-Sept. 2009. Web. The Web. The Web. 06 May 2014.
Included within the anthology The Penguin Book of Irish Fiction,1[1] are the works of great Irish authors written from around three hundred years ago, until as recently as the last decade. Since one might expect to find in an anthology such as this only expressions and interpretations of Irish or European places, events or peoples, some included material could be quite surprising in its contrasting content. One such inclusion comes from the novel Black Robe,2[2] by Irish-born author Brian Moore. Leaving Ireland as a young man afforded Moore a chance to see a great deal of the world and in reflection afforded him a great diversity of setting and theme in his writings. And while his Black Robe may express little of Ireland itself, it expresses much of Moore in his exploration into evolving concepts of morality, faith, righteousness and the ever-changing human heart.
Meagher, Timothy. “The Columbia Guide to Irish American History.” Columbia University Press- New York, 2005
“In place of the real mother, Enright had observed that Irish Writing traditionally either appointed ‘the iconised mother figure’, or posited an absence” (Mulhall, 2011, p. 69). Secondly, Enright uses the Irish motherhood as a very significant role in the story and the readers could relate to...
There is particular consideration given to the political climate in this story. It is incorporated with social and ethnic concerns that are prevalent. The story also addresses prejudice and the theme of ethnic stereotyping through his character development. O'Connor does not present a work that is riddled with Irish slurs or ethnic approximations. Instead, he attempts to provide an account that is both informative and accurate.
Ronsley, Joseph, ed., Myth and Reality in Irish Literature, Wilfrid Laurier University Press, Canada, 1977
A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.
Ireland in The Coming Times- Essays to Celebrate T.K. Whitaker’s 80 Years edited by F. O’ Muircheartaigh, IPA, Dublin, 1997.
Religion in James Joyce's Dubliners Religion was an integral part of Ireland during the modernist period, tightly woven into the social fabric of its citizens. The Catholic Church was a longstanding tradition of Ireland. In the modernist spirit of breaking away from forces that inhibited growth, the church stood as one of the principal barriers. This is because the Catholic faith acted as the governing force of its people, as portrayed in James Joyce’s Dubliners. In a period when Ireland was trying to legitimize their political system, religious affiliations further disillusioned the political process. The governing body of a people needs to provide a behavioral framework, through its constitution, and a legal process to make delegations on issues of equity and fairness. When religion dominates the government that is in tact, it subjects its citizens to their religious doctrines. In terms of Catholicism in Ireland, this meant that social progress and cultural revolutions were in terms of what the church would allow. The modernist realized that this is what paralyzed the Irish society of the times. In the stories of Dubliners the legal system is replaced by the institute of religion, and it is the presence and social context of the Catholic Church which prevents the Irish community from advancement. ...
James Joyce began his writing career in 1914 with a series of realistic stories published in a collection called The Dubliners. These short literary pieces are a glimpse into the ‘paralysis’ that those who lived in the turn of the century Ireland and its capital experienced at various points in life (Greenblatt, 2277). Two of the selections, “Araby” and “The Dead” are examples of Joyce’s ability to tell a story with precise details while remaining a detached third person narrator. “Araby” is centered on the main character experiencing an epiphany while “The Dead” is Joyce’s experiment with trying to remain objective. One might assume Joyce had trouble with objectivity when it concerned the setting of Ireland because Dublin would prove to be his only topic. According the editors of the Norton Anthology of Literature, “No writer has ever been more soaked in Dublin, its atmosphere, its history, its topography. He devised ways of expanding his account of the Irish capital, however, so that they became microcosms of human history, geography, and experience.” (Greenblatt, 2277) In both “Araby” and “The Dead” the climax reveals an epiphany of sorts that the main characters experience and each realize his actual position in life and its ultimate permanency.
Justin Levenstein. ‘Ulysses, Dubliners, and the Nature of Relationships in the Modern World’. Emergence: A Journal of Undergraduate Literary Criticism and Creative Research. Available from(WWW) http://journals.english.ucsb.edu/index.php/Emergence/article/view/21/100 Date Accessed: 11/12/13
What affected James Joyces’ writing most were the events going around him in Europe during the late 1800’s and early 1900’s. However, his own experiences had an impact in his style and writing material. Joyce was born in 1882 in Dublin Ireland and lived through reformations, wars, and trails until he died in Zürich in 1941. He was a man much in to politics and was much interested how a country was being led. In the year 1914, James wrote 15 short stories known as Dubliners, which also includes the short story “Araby” (Thomas). “Araby” is a short story in which he writes describing a young lad’s curiosity and naïve experience with love and in which he describes his personal life as a boy . Ireland was not always free and independent as it is now. England had control of Ireland since it took control in 1798 (Allison). This had a big effect in the life of James for all his childhood their country was under the control of a foreign hand. When Joyce first published his short stories, there were uprisings in the countries around since that same year, World War 1 started. Because of the turmoil in the countries about, Joyce had fit these events in with his pieces of fiction.
... we see that life is a façade; the characters disguise their sorrow in modesty. Joyce’s portrayal of Ireland undoubtedly creates a desire to evade a gloomy life.
Tovey, H and Share, P. (2002). Sociology of Ireland. 2nd ed. Dublin: Gill & Macmillen.
McCann et al. Belfast: Institute of Irish Studies, 1994, 95-109).